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at home with antonio fusco sve o grijanju - DalCasa

at home with antonio fusco sve o grijanju - DalCasa

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Bloody Mary, 180x280 cmTouch of artWritten by: N<strong>at</strong>aša BodrožićPetra Grozaj:Recycling Reality“My work is mostly focused on the autobiographical theme and various comments of events inmy immedi<strong>at</strong>e and extended environment. Encouraged by everyday events and life in general,I paint and comment on reality by cre<strong>at</strong>ing a personal diary in my paintings”Petra GrozajIn the modern multi-layered reality, when terms like “virtual”,“simul<strong>at</strong>ion” or “simulacrum” signify mere fieldsand methods of human comprehensions and actions,when life is equally lived on the streets and squares as itis on the World Wide Web, the parallel and imm<strong>at</strong>erial realitybecomes just as inspir<strong>at</strong>ional for artistic processes asthe tangible and physical reality. The rift between bodyand spirit has seemingly reached gigantic proportions,but th<strong>at</strong> hardly concerns the postmodernist “zeitgeist”.The modernist sense of caution has been replaced bypostmodernist indifference and nihilism (<strong>at</strong> least th<strong>at</strong>’swh<strong>at</strong> appears <strong>at</strong> first glance), which is probably the resultof being simultaneously confused and fascin<strong>at</strong>ed by newthings on the horizon.Over the course of the last century, it has been repe<strong>at</strong>edlyconfirmed th<strong>at</strong> a painting as a medium doesn’thave to origin<strong>at</strong>e from physical reality. It has long beenreplaced by photography, which has proven to be farmore appropri<strong>at</strong>e as a mimicked reflection of reality,while the painting itself was going through transforma-63

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