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(BA) (4-year-programme) - The University of Hong Kong

(BA) (4-year-programme) - The University of Hong Kong

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74prison jargon and other speech varieties associated with other marginal or criminalized sub-groups(e.g. drug addicts, ‘tramps’, etc.), as well as to the history <strong>of</strong> the study <strong>of</strong> such jargons and theinclusion <strong>of</strong> jargon and slang items in mainstream dictionaries. Students will read texts from differentperiods in the history <strong>of</strong> English, as well as considering the role <strong>of</strong> jargons in modern societies such asthe United States, Britain and <strong>Hong</strong> <strong>Kong</strong>, as well as in ‘cyber-space’.Assessment: 100% coursework.ENGL2050.English corpus linguistics (6 credits)Corpus linguistics is a rapidly-developing methodology in the study <strong>of</strong> language. It exploits thepower <strong>of</strong> modern computer technology to manipulate and analyse large collections <strong>of</strong> naturallyoccurringlanguage (‘corpora’). This course will introduce students to the use <strong>of</strong> computers andcomputerized corpora as tools for exploring the English language.Assessment: 100% coursework.ENGL2057.Text and image (6 credits)This interdisciplinary course explores relations between literature and various forms <strong>of</strong> image-basedrepresentation. It begins with ‘painterly’ descriptions in novels and poetry, and common strands in artand literary criticism, and proceeds to discussion <strong>of</strong> relations between film and literature, such as thepresence <strong>of</strong> cinematographic form in modern literature. In the concluding module, we consider theshift in emphasis from text-based to image-based culture and its impact on postmodern society.Course material consists <strong>of</strong> critical essays, and examples from literature, the pictorial arts and themoving image.Assessment: 100% coursework.ENGL2069.Form and meaning (6 credits)An investigation into the relationship between English structure and meaning (semantics andpragmatics), considering how meanings are encoded and inferred.Assessment: 100% coursework.ENGL2092.Postcolonial English (6 credits)For many creative writers - writers <strong>of</strong> poetry, fiction, drama - from outside the Anglo-American world,English has a complex history and <strong>of</strong>ten an uneasy relationship, with native languages. <strong>The</strong> decision,or the choice, to write and publish in English, is an issue they have reflected upon and debated,nationally and internationally, with other writers. Such reflections and debates constitute one <strong>of</strong> thedynamic contours <strong>of</strong> ‘Global English’ as a discourse. Critical questions <strong>of</strong>ten raised in the debateconcern the English language as the bearer <strong>of</strong> cultures. <strong>The</strong>y include the changing roles <strong>of</strong> English asa colonial or postcolonial language, as the language <strong>of</strong> the unitary or pluralistic nations, as a dominantor minority language, as the language <strong>of</strong> ‘English literature’ or ‘Literature in English’. In this course,students will be introduced to these questions through discussions <strong>of</strong> essays by writers who haveconsiderable practical experience using English as the language <strong>of</strong> creativity, and who are activecontributors to debates about English in their own locations.Assessment: 100% coursework.

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