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In his essay The Case Against Art, the anarchist writer John Zerzan criticizes postmodern and other aspects of art and its entrance into civilisation. Zerzan doesn’t criticize art as such, but the ways it is presented in a culture. For him, art is problematic because it speaks in a symbolic language mediated through experts who tell us what art is and what we should learn and experience as art. The majority of artists in the field of anarchism are linked in their activities to postanarchism or queer theory. A large number of participants in the field of contemporary art consider it inevitable to actively enter the art system, claiming that we cannot neglect it nor find any strategy to avoid it. According to them, it is necessary to enter the system with an rhizomatic idea about relations and to “invisibly” destruct and destroy it through various positions of identity - to play with the system in a way that simply makes its functioning impossible on different levels. This is more or less the current state of the discourse between postanarchism and contemporary art. The attitude of anarchists towards art has always been critical and entrance into the system (even as an extreme strategy/anti- strategy) especially problematic. Only free play in everyday life can open a space for direct interpersonal contact and direct action and the symbolic models of artistic communication cannot replace that. The text is licensed under: Creative Commons Attribution-ShareAlike2.5 26 samu po sebi, nego kritikuje prikazivanje i načine predstavljanja u kulturi. Za Zerzana umetnost je problematična jer govori simboličkim jezikom, isposredovanim kroz eksperte, koji nam govore šta je to zapravo umetnost, ili šta bi trebalo da naučimo i doživimo kao takvu. Veći broj umetnika i umetnica u polju anarhističkog, danas su u svojoj aktivnosti vezani za postanarhizam ili queer teoriju. Veliki broj učesnika i učesnica u polju savremene umetnosti smatra da je neophodno aktivno ući u sistem umetnosti, da ga ne možemo zanemariti ili mu pronaći zaobilaznu strategiju. Potrebno je ući u sistem sa rizomatskom predstavom o odnosima, i kroz razne pozicije identiteta „nevidljivo“ ga poništavati i urušavati; igrati se sa sistemom tako da jednostavno onemogućimo njegovo funkcionisanje na raznim planovima. U tom pravcu se kreće aktuelni diskurs kreiran između postanarhizma i savremene umetnosti. Odnos anarhistkinja i anarhista prema umetnosti je oduvek bio kritički, a ulazak u sistem umetnosti (makar i kao sporedna strategija/anti-strategija) posebno problematičan. Samo slobodna igra u svakodnevnom životu, može otvoriti prostor za direktan međusobni kontakt i direktnu akciju, koje simbolički modeli umetničke komunikacije ne mogu nadomestiti. Tekst je objavljen pod licencom: Creative Commons Attribution-ShareAlike2.5
Our ideas are in everybody’s minds 1 Sezgin Boynik There exists a very active group on the Turkish subversive and anarchist scene dealing with the idea of postanarchism. They publish a magazine called Siyahi, which is one of the best magazines for theory of culture and critical thinking. The editors are Sureyyya Evren and Erden Kosova from Istanbul. An important component of postanarchism is the search for a rhizomatic or new subject of anarchism. Postanarchists base their strategy on a slogan derived from the gender-queer-anarcho-feministic activities of the seventies, with the idea The personal is the political, leading their strategy to the point of Changing the world without taking power. This starting point is the most important problematic of the postanarchistic tendency, since they can be very easily incorporated and assimilated into the system, although taking very radical actions. For them, it is not important to take the power, but simply to create a new subject. Postanarchists can easily be connected to the situationist idea of the creation of situations, as well as to the work on a complete change of power structures (it is well known that the situationists wanted to achieve this by a practice they called ‘détournement’). 1 This text is part of the transcript of a discussion concerning art and anarchism in the frame of the Discussions on Anarchism, held on 1 st October 2006 at the Dom Omladine(Cultural Center DOB) in Belgrade, with the speakers Sezgin Boynik,Vladan Jeremić, Tadej Kurepa and Milica Ružičić. 27 U turskoj subverzivnoj i anarhističkoj sredini postoji veoma aktivna grupa koja se bavi idejom postanarhizma. Oni izdaju list koji se zove Siyahi. To je jedan od najboljih časopisa za teoriju kulture i kritičko mišljenje. Urednici su Sureyyya Evren i Erden Kosova iz Istanbula. Važna komponenta postanarhizma je traganje za rizomatskim ili novim subjektom anarhizma. Postanarhisti/kinje baziraju svoju strategiju kroz parolu- inače izvedenu 70-tih godina iz gender-queeranarhofeminističkih delovanja - The personal is the political i dovode svoju strategiju do tačke Changing the world without taking power. Ovo polazište je najvažnija problematika postanarhističkog pravca, pošto se oni/one zbog toga mogu veoma lako kooptirati i asimilovati u sistem, iako i dalje mogu izvoditi veoma radikalne akcije. Za njih nije važno uzeti power (ili moć), već jednostavno kreirati novi subjekt. Postanarhisti/kinje se veoma lako povezuju i sa situacionističkom idejom kreiranja situacija, kao i s radom na potpunoj promeni strukture moći (poznato je da su situacionisti želeli to postići praksom koju su nazvali détournement.) 1 Tekst je transkript dela razgovora realizovanog u sklopu drugog ciklusa Razgovori o anarhizmu na temu umetnost i anarhizam, održanog u beogradskom Domu omladine 1. oktobra 2006. U razgovoru su učestvovali: Sezgin Boynik, Vladan Jeremić, Tadej Kurepa i Milica Ružičić.
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Talking about movements, can you de
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This is actually quite funny becaus
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approaches such as Piratbyran’s q
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problem without actually collaborat
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ies of your work, be it by digital
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we started the project the Creative
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cal equivalent, taking place in fil
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The files are already downloaded. T
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Abschiebung Aleksa Golijanin Alexan
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Freiwillige Rückkehr Dobrovoljni p
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Mit welchen Auflagen ist die Duldun
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damit für viele Menschen noch schw
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freiwillige Entscheidung für die M
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zuhause romanes gesprochen und sons
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Neustädte 1 Novi gradovi 1 Intervi
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terhaltung“ gibt. Das liegt nicht
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Aber es ist interessant sich das an
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meine „Lebensqualität“, auch w
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society and a lack of representativ
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The foundation of SLUM-TV SLUM-TV w
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Photo Index Indeks fotografija page
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Publications of Biro Belgrade Izdan
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