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Group for Logistical podršku Marko Strpić sam oedukacija savremene tendencije u anarhizm u selfeducation Alexander Berkman history o anarchism istorija anarhizma atentat Emma Goldman feminism feminizam Jelena Ilka Marković aktivizam u kulturi anarchism anarhizam contemporary art culturala l activism postanarchism cultura mediation direct action direktna akcija John Zerzan marketing strategies medijacija u kulturi postanarchism Support Grupa za logističku postanarhizam queer W i k i p e d i a R A F s a v r e m e n a umetnost Anarchopedia Dom omladine Situacionistička internacionala Soros Realism Soroš realizam SPUR strategije marketinga The Situationist International Alexander Brener Alfredo Bonanno anarchism art-ist Asger Jorn Barbara Schurz contemporary art Erden Kosova Guy Debord Halil Altindere postanarhizam Raul Vaneigem savremena umetnost anarhizam Situacionističkaa llinternacionala Siyahi Sureyyya vren The Situationist International Vikipedija roup for Logistical podršku Marko Strpić sam edukacija savremene tendencije u anarhizm selfeducation Alexander Berkman history o narchism istorija anarhizma atentat Emma oldman feminism feminizam Jelena Ilka Marković aktivizam u kulturi anarchism anarh izam contemporary art cultural activism ostanarchism cultural mediation direc ction direktna akcija John Zerzan marketing trategies medijacija u kulturi postanarchism iGroup for logistical support Grupa za logističku postanarhizam queer W i k i p e d i a R A F s a v r e m e n a umetnost Anarchopedia Dom omladine Situacionistička internacionala Soros Realism Soroš realizam SPUR strategije marketinga The Situationist International Alexander Brener Alfredo Bonanno anarchism art-ist Asger Jorn Barbara Schurz contemporary art Erden Kosova Guy Debord Hali Altindere postanarhizam Rau Vaneigem savremena umetnost anarhizam Situacionistička internacionala Siyahi Sur eyyya Evren The Situationist Internationa VikipedijaGroup for Logistical podršku Marko S t r p i ć s a m o e d u k a c i j a s a v r e m e n e tendencije u anarhizmu selfeducation Alex ander Berkman history of anarchism istorija anarhizma atentat Emma Goldman feminism
Page 1: iro beograd RE-READER
Page 4 and 5: Impressum / Impresum Publication /
Page 6 and 7: Contents Sadržaj 10 Social Relevan
Page 10 and 11: Social Relevance of Contemporary An
Page 12 and 13: safe and protected, it’s another
Page 14 and 15: Interest of the Society But to what
Page 16 and 17: sure a good result to make people k
Page 18 and 19: ecause society, in defending itself
Page 20 and 21: America, which at that time was exp
Page 22 and 23: will be the political aspect of her
Page 24 and 25: y propaganda tools and the media in
Page 26 and 27: In his essay The Case Against Art,
Page 28 and 29: Erden Kosova has written a review o
Page 30 and 31: Altindere afterwards. He was not ar
Page 32 and 33: Anarchopedia Interview with Miloš
Page 34 and 35: ones there are communities in Danis
Page 36 and 37: Kritički mediji u Nemačkoj 1 Bori
Page 38 and 39: Znači, problem nisu samo informaci
Page 41 and 42: Komunikacijske igre Marijan Crtali
Page 43 and 44: Monteparadiso 1 Edgar Buršić Mont
Page 45 and 46: find space. The barracks looked not
Page 47 and 48: of nazi skinheads. Until then, poli
Page 49 and 50: our activities are: autonomy, anti-
Page 51 and 52: to Belgrade. There were cultural pr
Page 53 and 54: stickers and we had a graffiti camp
Page 55 and 56: TkH, Journal for Performing Arts Th
Page 57 and 58: It is hard to say. Let’s use this
Page 59 and 60:
the contrary - there is this statem
Page 61 and 62:
we are still in the process of deve
Page 63 and 64:
image (re-)production within capita
Page 65 and 66:
e-artacademy http://e-artacademy.or
Page 67:
5. DDT - centar za kreativni pokret
Page 70 and 71:
Copright, Copyleft and the Creative
Page 72 and 73:
ing elaborate pranks on the culture
Page 74 and 75:
hacker ethic that comes closest to
Page 76 and 77:
A Numbers Game Interview with Richa
Page 78 and 79:
on the subject, but I think the civ
Page 80 and 81:
ing to introduce new values. So wer
Page 82 and 83:
Criei tive Como Interview with Rona
Page 84 and 85:
these places there is a lot of inno
Page 86 and 87:
And another thing I find important
Page 88 and 89:
Piratbyrån presents: Four Shreddin
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[The May Queen lights the second fi
Page 92 and 93:
About Piratbyrån From http://en.wi
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Migrating Reality 1 Mindaugas Gapse
Page 96:
serteure aus Belgrad nach Münster
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mus gab. Dieses Gesetz zwingt die B
Page 102:
Anfangs waren es nur einige Familie
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der Vater hatte Arbeit gefunden, si
Page 108:
an irgendeinem sozialen Leben hier
Page 112 and 113:
de ich Dir gern ein paar Fragen zu
Page 114:
tionen sind doch eher für die Medi
Page 118 and 119:
über etwas, das über das eigene D
Page 120 and 121:
Art Intervention in Digital Media S
Page 122 and 123:
SLUM-TV Lukas Pusch and Alexander N
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124
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76/77 Piratpartiet/Piratska partija
Page 128:
CIP -Каталогизација
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R E - R E A D E R - Biro Beograd

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