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Examen corrigé Université de Montréal Thèse numérique Papyrus ...

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135fear of <strong>de</strong>ath and creates strong ten<strong>de</strong>ncies toward self-punishment, which also implysuici<strong>de</strong>. (76-77)According to Rank, the split is occasioned by the dual direction of aggression: outward, towardthat which is projected onto the double, and inward, toward the annihilation of the ego and the<strong>de</strong>ath drive. It is clear in Rank’s The Double: A Psychoanalytic Study and Freud’s “TheUncanny” that the origins of splitting (doubling) are located in the narcissistic features of thesubject. Robert K. Martin argues that narcissism is not what the character was, but rather what itbecomes (73). I want to build upon Martin’s argument by suggesting that becoming is a processthat is followed by splitting and doubling. Splitting the ego, the double, in its <strong>de</strong>fensive forms,has an obsessive return to narcissism that produces another duality<strong>de</strong>sire and <strong>de</strong>ath. Again, theconnection between <strong>de</strong>sire and <strong>de</strong>ath, between writing and <strong>de</strong>ath is illuminating.If we follow Rank’s argument that the ego’s consciousness of guilt drives him to placethat responsibility on another alter ago, another double that is either <strong>de</strong>scribed as the <strong>de</strong>vil or the<strong>de</strong>vil’s incarnation (double), then we accept the argument that Ahab’s behavior is driven by afascination with and a fear of the double. In other words, the oscillation between fear and <strong>de</strong>sire isgiven form and figure through the figure of the double which arises from the tension betweenunity and division. In fact, the double, a fictional motif, puts un<strong>de</strong>r erasure the traditional conceptof unity of character, time, and space, introducing a novel approach to things and beings based onmultidimensionality and the co-existence of and tension between opposites and doubles. Thisability of the double to disrupt the or<strong>de</strong>r is eloquently explained by Rank in his “The Double asImmortal Self”:In confronting those ancient conceptions of the dual soul with its mo<strong>de</strong>rnmanifestation in the literature of the double, we realize a <strong>de</strong>cisive change of

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