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165examples, yet intimated the part-&-parcel allegoricalness of the whole.(Correspondences, 219)The exchange of letters between Melville and the Hawthornes, whose instigation andhermeneutic concerns have significant symbolic effects on Melville’s fiction and life, is indeedreflective of the relay of the letter in Moby-Dick.2.2 The Post Effects and Melancholy Writing: The Ripples of the RealI would prefer not to. (Melville, Bartleby; and, BenitoCereno 10)But it is a ponderous task; no ordinary letter-sorter in thePost-office is equal to it. (Melville, Moby-Dick 139)Like Hawthorne who opens his narrative by demonstrating how filial duty can beachieved successfully and by literally opening the package that contains the scarlet letter,Melville tries to list the possible meanings of the symbol of the White Whale by positing naminghis project of cetology as a postal work. Ishmael clearly states that, “I shall not pretend to aminute anatomical description of the various species, orin this place at leastto much of any
166description. My object here is simply to project the draught of a systematization of cetology. I amthe architect, not the builder. But it is a ponderous task; no ordinary letter-sorter in the Post-officeis equal to it” (139). This statement is related to the crowded pages of citations with which thebook begins. These citations, we should bear in mind, are drawn from the massive culturalarchive of the whale and are not “sorted” in any way whatsoever, but merely accumulated. In thissense Moby-Dick is a perfect example of letter writing and the postal effect this activity has onboth the reader and the characters. Literal correspondence of letters becomes the metaphor ofsymbolic exchange between the various poles of writing. The characters, narrator, and author ofMoby-Dick are charged with delivering different letters, and the entirety of the narrative dealswith the dangers and effects/affects of the postal activity.This postal work is explained by the logics of traumatic repetition: Ahab goes on a voyageto repeat his encounter with the White Whale; in the non-narrated (or disnarrated) originalencounter with the white whale, he suffers a trauma, and he consequently adopts the melancholicposition of knowing what object he has lost (his member, his leg) but not the Thing he has lost.The recirculation of the letterthe letter of the original trauma and Melville’s repetition ofHawthorne’s poetics of failed symbolsets up doubling, prosopopeia, and melancholy in termsof symbolization and failed symbolization. However, the recirculation of the letter is activated bywhat Žižek calls “the Bartleby politics”. Ahab “prefers to” relive and repeat the encounter withthe whale. “I would prefer not to”not to prefer is to prefer, as the saying goesbut does thisconformation, this yes to negation, ever refer to something else? To be able to prefer is not thesame as to be able not to prefer. This begs the question of the relation between the indicative (Iprefer) and the conditional (I would prefer). This fluctuation between the indicative and the
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Université de MontréalThe Career
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Abstracti
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iiiresidues of which manifest sympt
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viiTable of ContentsAbstract……
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Acknowledgementsix
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xiA throw of the dice will never ab
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2In fact, the history of Western th
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4allows the intrusion of the trauma
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6A constellation of concepts and tr
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8a series of philosophical/existent
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10will try to provide an explanatio
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12of the real” suggests an inextr
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14other than the Cartesian cogito:
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16Fundamental Concepts 61), the rei
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18discourse may seem to be freely a
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20is perceived as unknowableness th
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22Thing and the uncanny in my treat
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24of the Puritan fathers. It is the
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26that are at once both transgressi
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28approaching an originary traumati
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30essential to note that the obsess
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32later on, the post activity, susp
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Chapter 1The Dialectics of the Tuch
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36by the place the main signifierth
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38narrative is explained by Caruth
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40repeat 11 because it is only in m
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42writing/reading itself. The misse
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441.1 The Game of Difference/Diffé
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46This suspension between disfigura
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48Derrida demonstrates that “Anas
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50DeSalvo’s analysis of the narra
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52said to be consolidated by such r
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54When Derrida says that a letter c
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56evil eye is enigmatically visible
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58The question the letter brings in
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60enables us to better grasp the d
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62(45). Performative as it is, the
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64primal scenes that haunted the Wo
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66attempt to have access to the pas
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68a missed encounter, an impossible
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70the disease in his own eye and he
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72father“thou wilt not reveal his
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74The dynamics of this incorporatio
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76remnants of an unknown past that
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78threat of patriarchy. Although He
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80coherence to the subject. The sca
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82production which engenders a disc
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84The objet a is a Thing that is re
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86Scarlet Letter is to see, without
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88Hester’s shame although the wor
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90attempt to decipher it. Although
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921.3. Correspondence of Drives: Tr
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94excessively cathectedan excess of
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96inhabits silence, absence, and al
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98in anticipation of Derridean theo
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100primal scene poses an answer to
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102the sense of a return of the rep
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104over to a new authorthe ghost. T
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106other within oneself in a safe c
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108father. For mourning to be possi
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110specifics of Hawthorne’s spect
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112American national identity. The
Page 127 and 128: 114effect of the drives that try to
Page 129 and 130: 116ambivalence and doubt. Derrida a
Page 131 and 132: 118relations or formations called t
Page 133 and 134: 120materializes a certain symbolic
Page 135 and 136: 122“with his own ghostly hand, th
Page 137 and 138: 124exerting my fancy, sluggish with
Page 139 and 140: 126ties his life with his father’
Page 141 and 142: The uncanny double is clearly an in
Page 143 and 144: 130lost by the subject who is, foll
Page 145 and 146: 132would seem that “dédoubler”
Page 147 and 148: 134automaton, of repetitionthen, in
Page 149 and 150: 136emphasis, amounting to a moralis
Page 151 and 152: 138starts with “call me Ishmael
Page 153 and 154: 140writing. In this relationship th
Page 155 and 156: 142economy, the life of the double.
Page 157 and 158: 144Whale as “a broad white shadow
Page 159 and 160: 146narrative, is beyond the scope o
Page 161 and 162: 148special lunacy stormed his gener
Page 163 and 164: 150One of the main purposes of this
Page 165 and 166: 152of the missed encounter, but als
Page 167 and 168: 154existential abyssAhab and Pip co
Page 169 and 170: 156The painting represents and repr
Page 171 and 172: 158the primal scene of experience a
Page 173 and 174: 160metaphysical, but we are left wi
Page 175 and 176: 162narrative investment in the Goth
Page 177: 164the ego and the double, there is
Page 181 and 182: 168prosopopeia. Melville multiplies
Page 183 and 184: 170origin, the lost referent, which
Page 185 and 186: 172diffusion of arrival (i.e., psyc
Page 187 and 188: 174Likewise, the White Whale is inv
Page 189 and 190: 176Castaway” is Pip’s obituary
Page 191 and 192: 178hieroglyphic marks, inscrutable
Page 193 and 194: 180Considered a prosopoetic surplus
Page 195 and 196: 182The relationship between signs n
Page 197 and 198: 184reversed into presence and that
Page 199 and 200: 186lurks in all things, else all th
Page 201 and 202: 188is helical. The recurrent refere
Page 203 and 204: 190exchange of positions. Ahab, the
Page 205 and 206: 192narcissistic melancholia. In oth
Page 207 and 208: 194Like Adam and Eve’s expulsion
Page 209 and 210: 1962.3 The De-centered Center and t
Page 211 and 212: 198between sender and receiver is t
Page 213 and 214: 200most fatal casualties … you mu
Page 215 and 216: 202this. This is the book’s motto
Page 217 and 218: 204In fact, this name becomes an an
Page 219 and 220: 206revelations and allusions of all
Page 221 and 222: 208absence. Why do we need the conc
Page 223 and 224: 210the mother and the other keeps l
Page 225 and 226: 212figures in the novel. It’s con
Page 227 and 228: 214structured around ambivalence, u
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216narrative. The rose becomes the
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218genital symbol” (235), literat
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220recovering a romanticized ideali
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222manifestation of everything that
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Chapter 3Historicizing the Missed E
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226Hieroglyphics: The Symbol of the
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228revisited certain psychoanalytic
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230With psychoanalysis, deconstruct
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232Reading Žižek reading Lacan, I
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234Real of the body characterizes t
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236nationalism and identity. I want
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238of what Knapp calls the “evolu
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240perhaps reflective of Melville
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242the Arab is conceived of now as
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244This brings one, finally, to Ano
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246Aeschylus to Marx for its Orient
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248and a kind of cultural dominatio
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250occlusive, partial, and deformed
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252psychic reality: the impossible
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254material elements of the body 72
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256geological temporality rather th
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258This regression to the liminal s
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260Following Žižek’s reading of
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262knowledge or subjectivity under
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264to formulate my argument about t
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266essence of the missed encounter
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2683.3. To Enjoy or not to Enjoy th
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270of the missed encounter. Is not
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272symbolic images and representati
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274In our daily existence, we are i
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276Symbolic. Their ghosts continue
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27811 was on the one hand an irrupt
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280inscription is recognized throug
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282ideological co-ordinates against
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284Is it not remarkable that, at th
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286Derrida’s différance interven
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288who is looking for truth. What p
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290The ineradicable link between li
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Something is rotten in the state of
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294The violence of the Symbolic is
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296it was literary/symbolic and onl
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Notes
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300an image at the most cruel point
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302continues. At the end of the sto
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30416 Derrida’s écriture enacts
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306therefore, be an object that is,
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30833 The phantom does not literall
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310the hypothesis of a death instin
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312however, has an important place
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314Thus here. Man is an object to G
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316infelicitous performative uttera
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31864 In Plato’s work we learn th
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32069 In Freud’s model of psychoa
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322Others, nineteenth-century Ameri
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Works Cited324
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326Bakhtin, Mikhail. Rabelais and h
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328Deleuze, Gilles. Difference and
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330DeSalvo, Louise. Nathaniel Hawth
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332Kafka, Franz. Letters To Milena.
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334Miller, J. Hillis. The Medium is
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336Žižek, Slavoj. “Descartes an
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