- Page 1 and 2: Université de MontréalThe Career
- Page 3 and 4: Abstracti
- Page 5 and 6: iiiresidues of which manifest sympt
- Page 9 and 10: viiTable of ContentsAbstract……
- Page 11 and 12: Acknowledgementsix
- Page 13 and 14: xiA throw of the dice will never ab
- Page 15: 2In fact, the history of Western th
- Page 19 and 20: 6A constellation of concepts and tr
- Page 21 and 22: 8a series of philosophical/existent
- Page 23 and 24: 10will try to provide an explanatio
- Page 25 and 26: 12of the real” suggests an inextr
- Page 27 and 28: 14other than the Cartesian cogito:
- Page 29 and 30: 16Fundamental Concepts 61), the rei
- Page 31 and 32: 18discourse may seem to be freely a
- Page 33 and 34: 20is perceived as unknowableness th
- Page 35 and 36: 22Thing and the uncanny in my treat
- Page 37 and 38: 24of the Puritan fathers. It is the
- Page 39 and 40: 26that are at once both transgressi
- Page 41 and 42: 28approaching an originary traumati
- Page 43 and 44: 30essential to note that the obsess
- Page 45 and 46: 32later on, the post activity, susp
- Page 47 and 48: Chapter 1The Dialectics of the Tuch
- Page 49 and 50: 36by the place the main signifierth
- Page 51 and 52: 38narrative is explained by Caruth
- Page 53 and 54: 40repeat 11 because it is only in m
- Page 55 and 56: 42writing/reading itself. The misse
- Page 57 and 58: 441.1 The Game of Difference/Diffé
- Page 59 and 60: 46This suspension between disfigura
- Page 61 and 62: 48Derrida demonstrates that “Anas
- Page 63 and 64: 50DeSalvo’s analysis of the narra
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54When Derrida says that a letter c
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56evil eye is enigmatically visible
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58The question the letter brings in
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60enables us to better grasp the d
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62(45). Performative as it is, the
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64primal scenes that haunted the Wo
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66attempt to have access to the pas
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68a missed encounter, an impossible
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70the disease in his own eye and he
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72father“thou wilt not reveal his
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74The dynamics of this incorporatio
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76remnants of an unknown past that
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78threat of patriarchy. Although He
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80coherence to the subject. The sca
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82production which engenders a disc
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84The objet a is a Thing that is re
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86Scarlet Letter is to see, without
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88Hester’s shame although the wor
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90attempt to decipher it. Although
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921.3. Correspondence of Drives: Tr
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94excessively cathectedan excess of
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96inhabits silence, absence, and al
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98in anticipation of Derridean theo
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100primal scene poses an answer to
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102the sense of a return of the rep
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104over to a new authorthe ghost. T
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106other within oneself in a safe c
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108father. For mourning to be possi
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110specifics of Hawthorne’s spect
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112American national identity. The
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114effect of the drives that try to
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116ambivalence and doubt. Derrida a
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118relations or formations called t
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120materializes a certain symbolic
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122“with his own ghostly hand, th
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124exerting my fancy, sluggish with
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126ties his life with his father’
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The uncanny double is clearly an in
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130lost by the subject who is, foll
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132would seem that “dédoubler”
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134automaton, of repetitionthen, in
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136emphasis, amounting to a moralis
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138starts with “call me Ishmael
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140writing. In this relationship th
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142economy, the life of the double.
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144Whale as “a broad white shadow
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146narrative, is beyond the scope o
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148special lunacy stormed his gener
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150One of the main purposes of this
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152of the missed encounter, but als
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154existential abyssAhab and Pip co
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156The painting represents and repr
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158the primal scene of experience a
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160metaphysical, but we are left wi
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162narrative investment in the Goth
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164the ego and the double, there is
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166description. My object here is s
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168prosopopeia. Melville multiplies
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170origin, the lost referent, which
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172diffusion of arrival (i.e., psyc
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174Likewise, the White Whale is inv
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176Castaway” is Pip’s obituary
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178hieroglyphic marks, inscrutable
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180Considered a prosopoetic surplus
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182The relationship between signs n
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184reversed into presence and that
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186lurks in all things, else all th
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188is helical. The recurrent refere
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190exchange of positions. Ahab, the
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192narcissistic melancholia. In oth
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194Like Adam and Eve’s expulsion
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1962.3 The De-centered Center and t
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198between sender and receiver is t
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200most fatal casualties … you mu
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202this. This is the book’s motto
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204In fact, this name becomes an an
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206revelations and allusions of all
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208absence. Why do we need the conc
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210the mother and the other keeps l
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212figures in the novel. It’s con
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214structured around ambivalence, u
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216narrative. The rose becomes the
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218genital symbol” (235), literat
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220recovering a romanticized ideali
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222manifestation of everything that
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Chapter 3Historicizing the Missed E
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226Hieroglyphics: The Symbol of the
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228revisited certain psychoanalytic
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230With psychoanalysis, deconstruct
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232Reading Žižek reading Lacan, I
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234Real of the body characterizes t
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236nationalism and identity. I want
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238of what Knapp calls the “evolu
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240perhaps reflective of Melville
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242the Arab is conceived of now as
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244This brings one, finally, to Ano
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246Aeschylus to Marx for its Orient
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248and a kind of cultural dominatio
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250occlusive, partial, and deformed
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252psychic reality: the impossible
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254material elements of the body 72
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256geological temporality rather th
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258This regression to the liminal s
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260Following Žižek’s reading of
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262knowledge or subjectivity under
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264to formulate my argument about t
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266essence of the missed encounter
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2683.3. To Enjoy or not to Enjoy th
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270of the missed encounter. Is not
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272symbolic images and representati
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274In our daily existence, we are i
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276Symbolic. Their ghosts continue
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27811 was on the one hand an irrupt
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280inscription is recognized throug
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282ideological co-ordinates against
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284Is it not remarkable that, at th
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286Derrida’s différance interven
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288who is looking for truth. What p
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290The ineradicable link between li
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Something is rotten in the state of
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294The violence of the Symbolic is
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296it was literary/symbolic and onl
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Notes
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300an image at the most cruel point
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302continues. At the end of the sto
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30416 Derrida’s écriture enacts
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306therefore, be an object that is,
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30833 The phantom does not literall
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310the hypothesis of a death instin
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312however, has an important place
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314Thus here. Man is an object to G
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316infelicitous performative uttera
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31864 In Plato’s work we learn th
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32069 In Freud’s model of psychoa
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322Others, nineteenth-century Ameri
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Works Cited324
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326Bakhtin, Mikhail. Rabelais and h
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328Deleuze, Gilles. Difference and
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330DeSalvo, Louise. Nathaniel Hawth
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332Kafka, Franz. Letters To Milena.
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334Miller, J. Hillis. The Medium is
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336Žižek, Slavoj. “Descartes an