Examen corrigé Université de Montréal Thèse numérique Papyrus ...

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187events. Then, the double is a prosopoetical allegorization of the divided subject. In Moby-Dick,we have a prosopoetic investment in the psychoanalytics of trauma, the splitting of the subject inthe wake of trauma. Many of the events in the narrative are uncovered proleptically. Fedallah’sprophesy of the final tragedy of the book appears in chapter 117: “But I said, old man, that erethou couldst die on this voyage, two hearses must verily be seen by thee on the sea; the first notmade by mortal hands; and the visible wood of the last one must be grown in America … Hemponly can kill thee” (469). The last chapter of the narrative, prophesized by the Parsee, one of thedoubles of Ahab, coincides with itself. Suggestively enough, it is Fedallahone theshadowswho foresees the improbable circumstances in which Ahab will die. At the end ofMoby-Dick, the Pequod is destroyed by White Whale and Empire sinks with the Pequod. TheIndian harpooner Tashtego had nailed a red flag to the mast that caught the wing of aSky-hawk that tauntingly had followed the main-truck downwards from its natural homeamong the stars, pecking at the flag, and incommoding Tashtego there; this bird nowchanced to intercept its broad fluttering wing between the hammer and the wood; andsimultaneously feeling the ethereal thrill, the submerged savage beneath, in his deathgasp,kept his hammer frozen there; and so the bird of heaven, with archangelic shrieks,and his imperial beak thrust upwards, and his whole captive form folded in the flag ofAhab, went down with the ship. (535)The sinking of the Pequod is but an allusion to the ultimate end of every system. Many wouldargue that the sinking of the Pequod is but an allegory for the ineluctable end of Capitalism.While it is beyond the scope of this chapter to study the semiotics of this ending, it is veryimportant to relate it to the current economic situation. All die at the end of the novel exceptIshmael, who is saved by Queequeg’s coffin. Melville’s conception of history, much like Marx’s,
188is helical. The recurrent references to “vortices” in Moby-Dick show Melville’s understanding ofhistory as teleology. Perhaps the sinking of the Pequod stands for the ultimate destiny of Empire.The ending of Moby-Dick can be read as a manifestation of the last elementary change in themode of productionsocialism. At the end, all have the same fate.If the double perpetuates the Real, the White Whale proceeds from the Real because itis unique. Ahab is obsessed with the uniqueness of the Whale and from the onset of the narrativehe reiterates this obsession. During the second day of the chase, Ahab rejects Starbuck’s requestto renounce the chase: “Ahab is for ever Ahab, man. This whole act’s immutably decreed. ‘Twasrehearsed by thee and me a billion years before this ocean rolled. Fool, I am the Fate’s lieutenant;I act under orders. Look thou, underling! That thou obeyest mine.stand round me men” (524).Ahab identifies with the White Whalesuch identification allows for the reversal of roles: “Aye,he’s chasing me now; not I, himthat’s bad” (526). Ahab and the Whale become one andexchange positions.After the exchange, Ahab unites with the Whale:Oh, lonely death on lonely life! Oh, now I feel my topmost greatness lies in my topmostgrief. Ho, ho! from all your furthest bounds, pour ye now in, ye bold billows of my wholeforgone life, and top this one piled comber of my death! Towards thee I roll, thou alldestroyingbut unconquering whale; to the last I grapple with thee; from hell’s heart I stabat thee; for hate’s sake I spit my last breath at thee. Sink all coffins and all hearses to onecommon pool! (534, emphasis mine)
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Université de MontréalThe Career
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Abstracti
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iiiresidues of which manifest sympt
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viiTable of ContentsAbstract……
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Acknowledgementsix
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xiA throw of the dice will never ab
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2In fact, the history of Western th
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4allows the intrusion of the trauma
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6A constellation of concepts and tr
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8a series of philosophical/existent
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10will try to provide an explanatio
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12of the real” suggests an inextr
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14other than the Cartesian cogito:
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16Fundamental Concepts 61), the rei
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18discourse may seem to be freely a
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20is perceived as unknowableness th
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22Thing and the uncanny in my treat
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24of the Puritan fathers. It is the
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26that are at once both transgressi
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28approaching an originary traumati
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30essential to note that the obsess
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32later on, the post activity, susp
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Chapter 1The Dialectics of the Tuch
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36by the place the main signifierth
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38narrative is explained by Caruth
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40repeat 11 because it is only in m
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42writing/reading itself. The misse
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441.1 The Game of Difference/Diffé
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46This suspension between disfigura
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48Derrida demonstrates that “Anas
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50DeSalvo’s analysis of the narra
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52said to be consolidated by such r
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54When Derrida says that a letter c
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56evil eye is enigmatically visible
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58The question the letter brings in
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60enables us to better grasp the d
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62(45). Performative as it is, the
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64primal scenes that haunted the Wo
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66attempt to have access to the pas
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68a missed encounter, an impossible
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70the disease in his own eye and he
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72father“thou wilt not reveal his
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74The dynamics of this incorporatio
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76remnants of an unknown past that
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78threat of patriarchy. Although He
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80coherence to the subject. The sca
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82production which engenders a disc
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84The objet a is a Thing that is re
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86Scarlet Letter is to see, without
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88Hester’s shame although the wor
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90attempt to decipher it. Although
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921.3. Correspondence of Drives: Tr
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94excessively cathectedan excess of
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96inhabits silence, absence, and al
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98in anticipation of Derridean theo
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100primal scene poses an answer to
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102the sense of a return of the rep
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104over to a new authorthe ghost. T
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106other within oneself in a safe c
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108father. For mourning to be possi
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110specifics of Hawthorne’s spect
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112American national identity. The
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114effect of the drives that try to
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116ambivalence and doubt. Derrida a
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118relations or formations called t
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120materializes a certain symbolic
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122“with his own ghostly hand, th
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124exerting my fancy, sluggish with
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126ties his life with his father’
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The uncanny double is clearly an in
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130lost by the subject who is, foll
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132would seem that “dédoubler”
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134automaton, of repetitionthen, in
Page 149 and 150: 136emphasis, amounting to a moralis
Page 151 and 152: 138starts with “call me Ishmael
Page 153 and 154: 140writing. In this relationship th
Page 155 and 156: 142economy, the life of the double.
Page 157 and 158: 144Whale as “a broad white shadow
Page 159 and 160: 146narrative, is beyond the scope o
Page 161 and 162: 148special lunacy stormed his gener
Page 163 and 164: 150One of the main purposes of this
Page 165 and 166: 152of the missed encounter, but als
Page 167 and 168: 154existential abyssAhab and Pip co
Page 169 and 170: 156The painting represents and repr
Page 171 and 172: 158the primal scene of experience a
Page 173 and 174: 160metaphysical, but we are left wi
Page 175 and 176: 162narrative investment in the Goth
Page 177 and 178: 164the ego and the double, there is
Page 179 and 180: 166description. My object here is s
Page 181 and 182: 168prosopopeia. Melville multiplies
Page 183 and 184: 170origin, the lost referent, which
Page 185 and 186: 172diffusion of arrival (i.e., psyc
Page 187 and 188: 174Likewise, the White Whale is inv
Page 189 and 190: 176Castaway” is Pip’s obituary
Page 191 and 192: 178hieroglyphic marks, inscrutable
Page 193 and 194: 180Considered a prosopoetic surplus
Page 195 and 196: 182The relationship between signs n
Page 197 and 198: 184reversed into presence and that
Page 199: 186lurks in all things, else all th
Page 203 and 204: 190exchange of positions. Ahab, the
Page 205 and 206: 192narcissistic melancholia. In oth
Page 207 and 208: 194Like Adam and Eve’s expulsion
Page 209 and 210: 1962.3 The De-centered Center and t
Page 211 and 212: 198between sender and receiver is t
Page 213 and 214: 200most fatal casualties … you mu
Page 215 and 216: 202this. This is the book’s motto
Page 217 and 218: 204In fact, this name becomes an an
Page 219 and 220: 206revelations and allusions of all
Page 221 and 222: 208absence. Why do we need the conc
Page 223 and 224: 210the mother and the other keeps l
Page 225 and 226: 212figures in the novel. It’s con
Page 227 and 228: 214structured around ambivalence, u
Page 229 and 230: 216narrative. The rose becomes the
Page 231 and 232: 218genital symbol” (235), literat
Page 233 and 234: 220recovering a romanticized ideali
Page 235 and 236: 222manifestation of everything that
Page 237 and 238: Chapter 3Historicizing the Missed E
Page 239 and 240: 226Hieroglyphics: The Symbol of the
Page 241 and 242: 228revisited certain psychoanalytic
Page 243 and 244: 230With psychoanalysis, deconstruct
Page 245 and 246: 232Reading Žižek reading Lacan, I
Page 247 and 248: 234Real of the body characterizes t
Page 249 and 250: 236nationalism and identity. I want
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238of what Knapp calls the “evolu
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240perhaps reflective of Melville
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242the Arab is conceived of now as
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244This brings one, finally, to Ano
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246Aeschylus to Marx for its Orient
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248and a kind of cultural dominatio
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250occlusive, partial, and deformed
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252psychic reality: the impossible
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254material elements of the body 72
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256geological temporality rather th
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258This regression to the liminal s
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260Following Žižek’s reading of
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262knowledge or subjectivity under
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264to formulate my argument about t
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266essence of the missed encounter
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2683.3. To Enjoy or not to Enjoy th
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270of the missed encounter. Is not
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272symbolic images and representati
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274In our daily existence, we are i
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276Symbolic. Their ghosts continue
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27811 was on the one hand an irrupt
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280inscription is recognized throug
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282ideological co-ordinates against
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284Is it not remarkable that, at th
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286Derrida’s différance interven
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288who is looking for truth. What p
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290The ineradicable link between li
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Something is rotten in the state of
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294The violence of the Symbolic is
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296it was literary/symbolic and onl
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Notes
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300an image at the most cruel point
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302continues. At the end of the sto
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30416 Derrida’s écriture enacts
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306therefore, be an object that is,
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30833 The phantom does not literall
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310the hypothesis of a death instin
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312however, has an important place
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314Thus here. Man is an object to G
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316infelicitous performative uttera
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31864 In Plato’s work we learn th
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32069 In Freud’s model of psychoa
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322Others, nineteenth-century Ameri
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Works Cited324
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326Bakhtin, Mikhail. Rabelais and h
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328Deleuze, Gilles. Difference and
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330DeSalvo, Louise. Nathaniel Hawth
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332Kafka, Franz. Letters To Milena.
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334Miller, J. Hillis. The Medium is
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336Žižek, Slavoj. “Descartes an
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