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Pieter Bruegel and the Art of Laughter - AAAARG.ORG

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ustic revels 93<br />

figure 54. Fool Playing <strong>the</strong> Bagpipes, woodcut in Sebastian<br />

Brant, Stultifera navis, Basel, 1497. Williamstown,<br />

Mass., Williams College, Chapin Library <strong>of</strong> Rare Books.<br />

on a bagpipe <strong>and</strong> its equally humble companion <strong>the</strong> hurdy-gurdy; <strong>the</strong><br />

Latin inscription below informs us merely that “Music entertains <strong>and</strong><br />

adorns both mortals <strong>and</strong> gods.” 71 A similar equivocation can be found in<br />

a tafelspel <strong>of</strong> about 1600, featuring a debate between <strong>the</strong> two bro<strong>the</strong>rs Bot<br />

Verstant <strong>and</strong> Cloucken Geest (roughly, Dense <strong>of</strong> Intellect <strong>and</strong> Stou<strong>the</strong>arted<br />

Spirit), peasant <strong>and</strong> gentleman respectively. Among o<strong>the</strong>r<br />

things <strong>the</strong> two bro<strong>the</strong>rs argue about is whe<strong>the</strong>r <strong>the</strong> bagpipe or <strong>the</strong> lute<br />

makes <strong>the</strong> best music. 72 Nei<strong>the</strong>r instrument emerges clearly victorious,<br />

although at <strong>the</strong> end <strong>the</strong> gentleman turns to <strong>the</strong> audience <strong>and</strong> apologizes

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