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Pieter Bruegel and the Art of Laughter - AAAARG.ORG

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262 index<br />

Patronage, 7, 10, 13, 73–74, 75–76,<br />

141, 151<br />

Paul, Saint, 108<br />

Pauli, Johannes, 21<br />

Paumgartner, Magdalena, 226n58<br />

Peasants: Aertsen’s depiction <strong>of</strong>, 51,<br />

86, 87, 99; Baltens’s depiction <strong>of</strong>, 25,<br />

25, 26, 26, 90, 99; Beuckelaer’s depiction<br />

<strong>of</strong>, 87, 87–88; Jan “Velvet”<br />

Brueghel’s depiction <strong>of</strong>, 152, 153;<br />

<strong>Pieter</strong> Brueghel <strong>the</strong> Younger’s<br />

depiction <strong>of</strong>, 185n88; Van Cleve’s<br />

depiction <strong>of</strong>, 88, 89, 99, 152,<br />

200–201n56; Du Fail’s description<br />

<strong>of</strong>, 97; festivals <strong>of</strong> (see Festivals);<br />

folly attributed to, 70, 72,<br />

77, 91–94, 96; Grimmer’s depiction<br />

<strong>of</strong>, 84–86, 85, 90, 91; Van<br />

der Heyden’s depiction <strong>of</strong>, 121,<br />

122; masques depicting, 155; Jan<br />

Massys’s depiction <strong>of</strong>, 53, 54, 99;<br />

Mostaert’s depiction <strong>of</strong>, 84, 85,<br />

88–89, 90; <strong>and</strong> Raupp’s study<br />

<strong>of</strong> satire, 150; <strong>and</strong> relations with<br />

l<strong>and</strong>owners, 83–86, 97, 102, 151;<br />

<strong>and</strong> relations with urban dwellers,<br />

77–78, 86–87, 94–95, 98, 104–5,<br />

200n55, 204n83; Van Reymerswaele’s<br />

depiction <strong>of</strong>, 53; Rivius’s<br />

description <strong>of</strong>, 163n2; stereotypical<br />

portrayal <strong>of</strong>, 149–51; Valckenborch’s<br />

depiction <strong>of</strong>, 94–95, 94–<br />

96, 152; Weiditz’s depiction <strong>of</strong>,<br />

37–38, 38<br />

Peasants, <strong>Bruegel</strong> <strong>the</strong> Elder’s depiction<br />

<strong>of</strong>: anti-stereotypical character<br />

<strong>of</strong>, 149–51; Antwerp elite’s<br />

reception <strong>of</strong>, 68–76, 77, 103–5,<br />

106–7, 152–56; The Bagpiper, 91, 92;<br />

embellishment <strong>of</strong> architectural<br />

mural, 11, 77; Hoboken Kermis, 81, 82,<br />

83; Peasant <strong>and</strong> <strong>the</strong> Nest Robber, 6, 8;<br />

Peasant Kermis, 7, 66, 68, 69, 70, 71–<br />

72, 75, 96, 100–101, 100–102, 117,<br />

149, 150, 151, 154, 190nn23,26;<br />

Peasant Wedding Dance, 7, 64, 68, 69,<br />

75, 99, 117, 123, 149, 150, 151, 154;<br />

Peasant Wedding Feast, 7, 66, 68, 69,<br />

71, 75, 88, 96, 102–3, 103, 117, 118–<br />

22, 119, 121, 149, 150, 151, 152, 154,<br />

190n26; St. Joris Kermis, 89; Wheat<br />

Harvest, 61–62, 64–65<br />

Pels, Aernout, 107<br />

Perronet, Frederick, 193n48<br />

Petrarch, 193n44<br />

Philip II (king <strong>of</strong> Spain), 26, 67, 86,<br />

113, 155, 161n42, 188–89n6, 199n37<br />

Philip IV (king <strong>of</strong> Spain), 152<br />

Philip <strong>of</strong> Burgundy (bishop <strong>of</strong><br />

Utrecht), 175n2<br />

Philosophy, 1, 6, 7, 14, 18, 42, 70,<br />

76, 160n36; <strong>and</strong> philosophical<br />

banquets, 73, 107–8, 154<br />

Physiognomy: in Van Amstel’s art,<br />

51; in <strong>Bruegel</strong>’s art, 12–13, 46–47,<br />

56, 60, 61, 64, 102, 149, 180n53,<br />

188n102; manuals <strong>of</strong>, 48–50. See<br />

also Facial expression<br />

Pinson, Yona, 188n106<br />

Pio, Alberto, 173n82<br />

Pizan, Christine de, 136<br />

Plaijerwater ( phony water), 25,<br />

173–74n88<br />

Plantin, Christophe, 13, 33, 70, 72,<br />

76, 80, 82, 113, 140, 154, 177n15<br />

Plato, 107, 108, 154, 176n9<br />

Plautus, 72<br />

Plays, 10, 24, 28, 141, 225n44; allegorical,<br />

9, 37, 147, 174n89; banquet<br />

(tafelspelen), 24, 93, 102, 108, 114–<br />

15, 115, 117, 147, 155, 173n80, 177n14,<br />

203n74, 214n68; carnival, 135, 138–

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