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Pieter Bruegel and the Art of Laughter - AAAARG.ORG

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<strong>the</strong> commodity <strong>of</strong> laughter 25<br />

figure 6. Peeter Baltens, Peasant Kermis with <strong>the</strong> “Clucht van plaijerwater.”<br />

Amsterdam, Rijksmuseum.<br />

<strong>and</strong> simple, especially <strong>the</strong> kluchten. 84 These were farces, 85 <strong>of</strong>ten involving<br />

peasants—husb<strong>and</strong>s <strong>and</strong> wives, wives <strong>and</strong> <strong>the</strong>ir lovers, <strong>and</strong> <strong>the</strong> like—in<br />

comic situations. One <strong>of</strong> <strong>the</strong>se was <strong>the</strong> so-called Clucht van plaijerwater,<br />

probably written for <strong>the</strong> Violieren chamber <strong>of</strong> Antwerp at <strong>the</strong> beginning<br />

<strong>of</strong> <strong>the</strong> sixteenth century. 86 It seems to have enjoyed considerable popularity<br />

in <strong>Bruegel</strong>’s time, for its performance was <strong>of</strong>ten included in depictions<br />

<strong>of</strong> village kermises. A good example can be seen in a painting by<br />

Peeter Baltens, made probably sometime after 1550 (Figs. 6, 7). 87 Its plot<br />

can be briefly summarized. A wife feigns a severe illness <strong>and</strong> sends her<br />

husb<strong>and</strong> on a wild-goose chase for plaijerwater ( phony water), whose supposedly<br />

miraculous powers will cure her—all this so that in her husb<strong>and</strong>’s<br />

absence she can enjoy her priest-lover. Her plot is foiled, however, when

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