Pieter Bruegel and the Art of Laughter - AAAARG.ORG

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illustrations xi Washington, D.C., National Gallery of Art, Rosenwald Collection. Photo: National Gallery of Art, Washington, D.C. 36 15. Hans Weiditz, Grotesque Couple, hand-colored woodcut. Gotha, Stiftung Schloss Friedenstein, Schlossmuseum. 38 16. Attributed to Jan Verbeeck, Grotesque Banquet. Bilbao, Museo de Bellas Artes. Photo: Museo de Bellas Artes de Bilbao. 39 17. Fool between Two Millstones, woodcut in Sebastian Brant, Stultifera navis, Basel, 1497. Williamstown, Mass., Chapin Library of Rare Books, Williams College. Photo: Courtesy of the Chapin Library of Rare Books, Williams College. 40 18. Attributed to Pieter van der Heyden, after Pieter Bruegel the Elder, Elck, engraving and etching, ca. 1558. Oxford, Ashmolean Museum. Photo © Ashmolean Museum, Oxford. 42 19. Pieter Bruegel the Elder, Netherlandish Proverbs, 1559. Berlin, Staatliche Museen, Preussischer Kulturbesitz, Gemäldegalerie. Photo: Jörg P. Anders. © Bildarchiv Preussischer Kulturbesitz / Art Resource, N.Y. 43 20. Pieter Bruegel the Elder, Alchemist, ca. 1558, drawing. Berlin, Staatliche Museen, Preussischer Kulturbesitz, Kupferstichkabinett. Photo: Jörg P. Anders. © Bildarchiv Preussischer Kulturbesitz / Art Resource, N.Y. 44 21. Detail of Fig. 20. 45 22. Detail of Fig. 35. 46 23. Frans Floris, Judgment of Solomon. Antwerp, Koninklijk Museum voor Schone Kunsten. Photo © IRPA-KIK, Brussels. 48
xii illustrations 24. Jan Sanders van Hemessen, Mocking of Christ, 1544. Munich, Bayerische Staatsgemäldesammlungen, Alte Pinakothek. Photo: Bayerische Staatsgemäldesammlungen, Munich. 49 25. Jan Sanders van Hemessen, Tavern Scene, 1543. Hartford, Conn., Wadsworth Atheneum Museum of Art, The Ella Gallup Sumner and Mary Catlin Sumner Collection Fund. 50 26. Jan van Amstel, Bar-Room Brawl. Berlin, Staatliche Museen, Preussischer Kulturbesitz, Gemäldegalerie. Photo: Jörg P. Anders. © Bildarchiv Preussischer Kulturbesitz / Art Resource, NY. 51 27. Quentin Massys, Ill-Matched Lovers. Washington, D.C., National Gallery of Art, Ailsa Mellon Bruce Fund, 1971. Photo: National Gallery of Art, Washington, D.C. 52 28. Follower of Quentin Massys, The Contract. Berlin, Staatliche Museen, Preussischer Kulturbesitz, Gemäldegalerie. Photo: Jörg P. Anders. © Bildarchiv Preussischer Kulturbesitz / Art Resource, N.Y. 53 29. Jan Massys, Peasants in a Tavern, 1564. Vienna, Kunsthistorisches Museum. Photo: Kunsthistorisches Museum, Vienna. 54 30. Jan Havicksz. Steen, Gamblers Quarreling, ca. 1665. The Detroit Institute of Arts, Gift of James E. Scripps. Photo © 1981 The Detroit Institute of Arts. 55 31. Pieter Bruegel the Elder, Head of a Gaping Woman. Munich, Bayerische Staatsgemäldesammlungen, Alte Pinakothek. Photo: Bayerische Staatsgemäldesammlungen. 57 32. Pieter Bruegel the Elder, Yawning Man. Brussels,
Page 2 and 3: A H M A N S O N • M U R P H Y F I
Page 4: pieter bruegel and the art of laugh
Page 7 and 8: University of California Press Berk
Page 9 and 10: Good friends who come to read this
Page 12 and 13: list of illustrations =ã Only date
Page 16 and 17: illustrations xiii Musées Royaux d
Page 18 and 19: illustrations xv 52. Jacob Grimmer,
Page 20: illustrations xvii Augsburg. Leipzi
Page 23 and 24: xx acknowledgments many other insti
Page 26 and 27: prologue deciphering bruegel =ã Bu
Page 28 and 29: prologue: deciphering bruegel 3 fig
Page 30 and 31: prologue: deciphering bruegel 5 fig
Page 32 and 33: prologue: deciphering bruegel 7 tha
Page 34 and 35: prologue: deciphering bruegel 9 Thu
Page 36 and 37: prologue: deciphering bruegel 11 fi
Page 38 and 39: prologue: deciphering bruegel 13 wi
Page 40 and 41: the commodity of laughter 15 How mu
Page 42 and 43: the commodity of laughter 17 a man
Page 44 and 45: the commodity of laughter 19 Courti
Page 46 and 47: the commodity of laughter 21 risqu
Page 48 and 49: the commodity of laughter 23 son”
Page 50 and 51: the commodity of laughter 25 figure
Page 52 and 53: the commodity of laughter 27 the ev
Page 54 and 55: uegel’s art of laughter 29 figure
Page 56 and 57: uegel’s art of laughter 31 figure
Page 58 and 59: uegel’s art of laughter 33 Cotgra
Page 60 and 61: uegel’s art of laughter 35 traits
Page 62 and 63: uegel’s art of laughter 37 until
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uegel’s art of laughter 39 figure
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uegel’s art of laughter 41 stitut
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uegel’s art of laughter 47 pressi
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uegel’s art of laughter 59 by Bru
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figure 36. Detail of Fig. 35. figur
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figure 39. Detail of Fig. 38. figur
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chapter three a bankrupt and his br
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a bankrupt and his bruegels 69 figu
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a bankrupt and his bruegels 71 figu
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a bankrupt and his bruegels 73 his
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a bankrupt and his bruegels 75 hous
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chapter four rustic revels =ã Noth
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ustic revels 79 figure 45. Jan or L
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ustic revels 81 ily, were especiall
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ustic revels 83 Hendrik van Berchem
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ustic revels 85 figure 47. Jacob Gr
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ustic revels 87 figure 49. Joachim
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ustic revels 89 figure 50. Maerten
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ustic revels 91 figure 52. Jacob Gr
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ustic revels 93 figure 54. Fool Pla
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ustic revels 95 figure 56. Detail o
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ustic revels 97 was included by Til
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ustic revels 99 In any case, Van Ma
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ustic revels 101 figure 58. Detail
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ustic revels 103 figure 59. Detail
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ustic revels 105 with the envy of t
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making good cheer 107 chiefly by th
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making good cheer 109 figure 61. Fr
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making good cheer 111 figure 63. Fr
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making good cheer 113 over who’s
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making good cheer 115 the jocularit
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making good cheer 117 ing. But his
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making good cheer 119 figure 66. De
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making good cheer 121 figure 68. De
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making good cheer 123 with streamin
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griet and her sisters 125 figure 70
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griet and her sisters 127 kluchten,
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griet and her sisters 133 immediate
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griet and her sisters 135 Sachs des
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griet and her sisters 141 symbolic
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epilogue taking laughter seriously
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taking laughter seriously 147 the s
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taking laughter seriously 149 scath
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taking laughter seriously 151 is it
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taking laughter seriously 153 figur
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taking laughter seriously 155 count
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notes =ã The book’s epigraph is
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notes to pages 4-6 159 16. Panofsky
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notes to pages 9-10 161 42. In anot
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notes to page 15 163 of manners tha
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notes to pages 16-17 165 ing fool!
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notes to pages 18-19 167 31. Quoted
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notes to pages 20-21 169 to Modern
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notes to pages 23-24 171 boerden; s
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notes to pages 24-26 173 are cited
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notes to pages 27-29 175 E. Roobaer
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notes to pages 33-35 177 11. Jouber
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notes to pages 37-43 179 tocht door
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notes to pages 47-48 181 pared the
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notes to pages 52-55 183 sance: The
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notes to page 57 185 one leads so o
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notes to pages 59-61 187 2001, pp.
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notes to pages 68-72 189 Gregory Ma
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notes to page 74 191 is generally a
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notes to pages 75-77 193 41. Biog.
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notes to pages 79-80 195 Schoonbeke
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notes to page 81 197 kermissen onde
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notes to pages 83-84 199 cation d
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notes to pages 88-89 201 1555-60 (V
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notes to pages 94-96 203 73. “Dus
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notes to pages 97-98 205 87. Burke
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notes to pages 100-106 207 no. 5 (1
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notes to pages 107-110 209 Methuen
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notes to pages 112-113 211 teenth C
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notes to page 115 213 “told for a
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notes to pages 118-120 215 74. Goed
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notes to pages 121-123 217 ized as
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notes to pages 127-128 219 name, wh
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notes to pages 129-131 221 further
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notes to pages 132-133 223 of Hesse
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notes to pages 135-138 225 West Pru
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notes to pages 141-142 227 60. Quot
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notes to pages 145-150 229 epilogue
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notes to pages 154-156 231 21. See
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234 select bibliography Bell 1999.
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236 select bibliography Dreyer 1977
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238 select bibliography ———.
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240 select bibliography De Jong et
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242 select bibliography Marguerite
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244 select bibliography Van der Noo
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246 select bibliography bäuerliche
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248 select bibliography Stoett 1943
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250 select bibliography Wauters 191
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Aertsen, Pieter, 51, 86, 87, 99, 10
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index 255 Kermis, 81, 82, 83, 150,
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index 257 Drawings, 1, 8, 9, 10, 11
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index 259 Hemessen, Jan Sanders van
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index 261 Meckenem, Israhel van, 13
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index 263 39, 149, 174n91, 224n43;
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index 265 seigneurial relations, 78
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Pieter Bruegel and the Art of Laughter - AAAARG.ORG

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