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Pieter Bruegel and the Art of Laughter - AAAARG.ORG

Pieter Bruegel and the Art of Laughter - AAAARG.ORG

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66 bruegel’s art <strong>of</strong> laughter<br />

Vienna (see Figs. 42, 43). Unfortunately, scholars have mined <strong>the</strong>se pictures<br />

so industriously for whatever nuggets <strong>of</strong> pr<strong>of</strong>undity <strong>the</strong>y supposedly<br />

conceal beneath <strong>the</strong>ir vibrant surfaces that <strong>the</strong>y have generally overlooked<br />

<strong>the</strong> marvels that <strong>Bruegel</strong> presents to <strong>the</strong> naked eye. This is indeed<br />

a pity, for it is in <strong>the</strong>se works that <strong>Bruegel</strong> shows <strong>the</strong> greatest diversity <strong>of</strong><br />

human types, ages, social interactions, <strong>and</strong> even personality, all realized<br />

with an astonishing fidelity to nature. It is here that <strong>Bruegel</strong>’s art <strong>of</strong> laughter<br />

finds its culmination. This will be evident, I think, when we consider<br />

<strong>the</strong>m in <strong>the</strong> original context in which <strong>the</strong>y were most likely seen <strong>and</strong> enjoyed,<br />

a subject best approached through a forced auction that took place<br />

in Antwerp just a few years after <strong>Bruegel</strong>’s death.

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