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Pieter Bruegel and the Art of Laughter - AAAARG.ORG

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130 griet <strong>and</strong> her sisters<br />

figure 73. Detail <strong>of</strong> Fig. 70.<br />

<strong>and</strong> swords (Fig. 73). One dauntless housewife even humiliates her victim<br />

by tying him to a pillow. For this last detail, <strong>Bruegel</strong> once again turned<br />

to a familiar expression. As Grauls has observed, in <strong>the</strong> famous play<br />

Mariken van Nijmeghen, Mariken’s ill-tempered aunt, raging at her niece,<br />

says that she is so angry that she could tie up <strong>the</strong> Devil, “or bind him to<br />

a cushion as if he were a babe.” 22 In ano<strong>the</strong>r Ne<strong>the</strong>rl<strong>and</strong>ish play <strong>of</strong> <strong>the</strong><br />

period, a beleaguered husb<strong>and</strong> complains that his quarrelsome wife must<br />

have been one <strong>of</strong> <strong>the</strong> seven wives who bound <strong>the</strong> Devil to a pillow. 23 I<br />

have yet to find this expression in any proverb collections <strong>of</strong> <strong>the</strong> period,<br />

but it must have been long current. An Italian engraving <strong>of</strong> about 1460<br />

shows a battle between women <strong>and</strong> devils, in which <strong>the</strong> latter are clearly<br />

getting <strong>the</strong> worst <strong>of</strong> it (Fig. 74). One devil has been suspended from a<br />

gallows, <strong>the</strong> despairing words “O bad company ” issuing from his mouth.

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