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Pieter Bruegel and the Art of Laughter - AAAARG.ORG

Pieter Bruegel and the Art of Laughter - AAAARG.ORG

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a bankrupt <strong>and</strong> his bruegels 69<br />

figure 41. <strong>Pieter</strong> <strong>Bruegel</strong> <strong>the</strong> Elder, Peasant Wedding Dance, 1566. The<br />

Detroit Institute <strong>of</strong> <strong>Art</strong>s, City <strong>of</strong> Detroit Purchase.<br />

scenes are recorded, among which are three “peasant dances,” three “peasant<br />

kermises,” <strong>and</strong> five “peasant weddings.” 10 One <strong>of</strong> <strong>the</strong>se pictures, a<br />

“peasant wedding on linen,” was in <strong>the</strong> collection <strong>of</strong> Joris Veselaer,<br />

Noirot’s colleague at <strong>the</strong> mint, 11 but even so, Noirot’s taste for peasant<br />

subjects was unusual <strong>and</strong> thus raises some interesting issues that may be<br />

approached by asking this question: why did he hang three <strong>of</strong> his <strong>Bruegel</strong><br />

peasant scenes in his dining room?<br />

Margaret Sullivan, who published a monograph on <strong>Bruegel</strong>’s two<br />

paintings in Vienna in 1994—a year, incidentally, before <strong>the</strong> publication<br />

<strong>of</strong> Noirot’s auction records—oªers one answer to this question. 12 She proposes<br />

that <strong>the</strong> Vienna panels were painted for a patron in <strong>the</strong> circle <strong>of</strong>

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