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A Chinese woodworker assembles an elaborately caroed hall table at a furniture factory near Shanghai. During a tour Of China, the authorsvisited large and small shops, factories and museums, and found centuries-old woodworking traditions coexisting with modern technology.Woodworkers' Tour of CAncient ways persist in the age of automationhinaby John Kriegshauser and Nancy LindquistOur 16-day woodworking tour of China revealed a countryin transition-married to centuries of tradition whileplunging into the future. We saw wayfaring carpenters vyingwith automated factories, while the genius of Chinese woodworkinglured us with its unique sense of design, bewildering complexjoinery and mysterious lacquer finishes. Our purpose was to learnabout Chinese woodworking by participating in shop and museumtours and by simply nosing about. Traveling extensively, we madestops in Guangzhou (Canton), Beijing, Shanghai, Hangzhou, Xi'anand Hong Kong.Despite the availability of factory-made furniture, we saw itinerantcarpenters plying their trade on sidewalks next to high-riseapartments. When a couple marries, furniture is traditionally providedby the husband's family. Frugal families will buy lumber andhire the carpenters to build traditional but crudely carved furniture.The family provides these journeymen with room and board plus agood wage by Chinese standards. And, the couple has their homefurnished for about one-third of what it would cost retail. In theolder neighborhoods of Single-story houses, we saw several smallshops equipped with crude machinery that produced old-styledoors, gates and window sashes that keep the houses in repair(see the top photo on the next page).Even though we came to see traditional Chinese woodworking,we started the trip touring several factories, most as automated astheir Western counterparts. But, many operations are more dependenton the country's vast labor pool than on machinery. The averageChinese factory employs 10 times as many workers as an Americanfactory. Material handling, for instance, is a sanctioned form of"busy" work. The largest factory we saw, located in downtownShanghai, is equipped with the latest veneer slicers, a plywood-seatmold and automated finishing equipment, but it has no conveyancesystem save for workers hustling hand trucks piled withplanks and furniture parts. The factory employs 1,600 men andwomen, some in their late teens to early 20s; older workers areabsent, having been driven from the craft by the social disruptionof the last 30 years.Our hosts proudly ushered us into their showroom: Chinese stylesare out, clumsy looking French provincial and Scandinavian designsare in. Western styles are popular, because they are "modern," butthey are reminiscent of the humble 1920s- and 1930s-style piecesJanuary/February 1989 81

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