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That he respects the Abbot’s order, his whole religious fraternity, bespeaks avalidation <strong>of</strong> a collective, ecclesiastical practice <strong>of</strong> religion, not just a personal faith.Note also the contrasting <strong>of</strong> “pious” with “vain”: in Manfred’s representation, piety isnot a vice. <strong>The</strong> usage is quite different from the later usage in Don Juan. Manfred’srejection <strong>of</strong> religion in this play is never on grounds <strong>of</strong> metaphysical ontology: henever suggests that the religion’s beliefs are incorrect, which is interesting in the light<strong>of</strong> his supernatural education. Instead, he describes the religion as unable to help him,and, thus, currently unpr<strong>of</strong>itable.In a similar vein to his respect for the Abbot and his order, Manfred expressesadmiration for the other “doctrinaire” figure, the Chamois Hunter, whom he describesas “patient, proud, pious and free” (2.1.65). This echoes the Chamois Hunter’s ownvalidation <strong>of</strong> pride in his perception <strong>of</strong> Manfred (1.2.62-3), and again represents pietyas a positive value.<strong>The</strong>se two very orthodox characters, the Chamois Hunter and the Abbot, representorthodox religion in very good light in Manfred, and this representation is notcontradicted, especially because the protagonist demonstrates respect for both <strong>of</strong> themand for their viewpoint. His own views are evidently theistic, which is not surprisingwhen one considers that he keeps company with gods and demons; further, they arequite compatible with orthodox Christianity. Manfred’s “rejection <strong>of</strong> establishedreligion”, noted by Joseph, is a rejection <strong>of</strong> the efficacy <strong>of</strong> that religion in solving hisself-perpetuated dilemma, not a rejection <strong>of</strong> its metaphysical ontology or intrinsicvalue. At that point, it is worth considering that his own prodigious powers provelikewise incapable <strong>of</strong> ending his troubles.<strong>The</strong> one truly critical comment upon religion in Manfred is amidst Nemesis’description <strong>of</strong> her activities, the ‘political’ speech in which she refers to utilising “thedull” as the source for her “Shaping out oracles to rule the world /Afresh, for theywere waxing out <strong>of</strong> date” (2.3.66-8). <strong>The</strong> idea <strong>of</strong> the old oracles, the old divinerevelations, being ‘out <strong>of</strong> date’ is a common claim <strong>of</strong> groups which splinter <strong>of</strong>f fromlarger religions. That such groups should be guided by the words <strong>of</strong> “the dull” is quite248

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