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However, after describing the affective virtues of the stars, the night sky, the moon,the sun, the forest, the birds, and the songs of the angels, Cain says,All these are nothing, to my eyes and heart,Like Adah’s face: I turn from earth and heavenTo gaze on it. (2.2.267-9).Unfortunately, in the end, Cain fails to depend upon his love for her: love-Romanticism does not fail him; he fails it.One of the initial complexities of Cain is the fact that a Romantic argument is placedin the mouth of Lucifer, a character who is demonstrably dishonest. The apparentparadox is resolved in the presentation, in Adah, of another version of the sameargument, superior to Lucifer’s. Where Lucifer preaches the formation of an innerworld based upon reason alone, the poet presents here the formation of an inner worldbased in love, which will obviate the failings that this drama attributes to Lucifer’slonely dependence upon mind alone. Adah’s view forms the Romantic dream.Lucifer is the evil angel, advising Cain to do wrong, while Adah takes the role of thegood angel, advising him to do right.Interestingly, the evil spirits in Heaven and Earth identify a missing element in theSerpent’s discourse, when referring to humans asThe abhorred raceWhich could not keep in Eden their high place,But listened to the voiceOf knowledge without power (HE 1.3.76-9).Lucifer’s knowledge without love, being ineffective in ameliorating the world, is,indeed, knowledge without power. Lucifer, far from revealing of the Gospel ofRomanticism, is presented as a false prophet, and as an unreliable witness againstGod.324