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DespairOne <strong>of</strong> the contemporary objections to the Byronic Hero was his predilection fordespair, an attitude which could be seen as a rejection <strong>of</strong> the hope <strong>of</strong> Christianity, 412and, thence, as a rejection <strong>of</strong> the established social order, a slide towards thecataclysmic radicalism <strong>of</strong> the French Revolution. <strong>The</strong> Critical Review, in its articleon Manfred, charged Byron with ‘monotonously’ delighting in murder, incest, andcharactersin which all the ordinary passions are wrought to the intensity <strong>of</strong> a convulsion,and sublimated by the operations <strong>of</strong> a fierce pride which triumphs in its owndespair. 413Byron’s fascination with despair, however, seems to have been more artistic thanpolitical, less about the despairing hero’s rejection <strong>of</strong> the normal emotional palliativessuch as religion, nation, and family, which would present implied slight against theirvalue, and more about the nature <strong>of</strong> the hero’s suffering when those palliatives arefound unavailing in the face <strong>of</strong> terrible trials. As Chew notes, Byron’s plays “areconcerned with the effect <strong>of</strong> situation on character rather than with the course <strong>of</strong>external incident”. 414 <strong>The</strong> issue <strong>of</strong> significance in this play is the psychology <strong>of</strong> thevictim <strong>of</strong> despair, which is precisely why no deus ex machina is allowed to interruptthe progress <strong>of</strong> the character’s interaction with the feeling.Instead, the problem and its resolution are both placed within the individual. AsJoseph explains, this is why much <strong>of</strong> Manfred’s questing amongst the spirits is afailure:What Manfred demands <strong>of</strong> the spirits is self-forgetfulness; and this is Byron’sown problem <strong>of</strong> losing himself in nature, “to withdraw myself from myself”.412 A good example <strong>of</strong> a hostile religious attitude to such despair is found in the depiction <strong>of</strong> ‘accidie’in ‘<strong>The</strong> Parson’s Tale’ (Ge<strong>of</strong>frey Chaucer, <strong>The</strong> Canterbury Tales, X.678ff, in <strong>The</strong> Riverside Chaucer,ed. by Larry D. Benson, 3 rd edn (Oxford: Oxford <strong>University</strong> Press, 1987), p.310 ff).413 Critical Review, 5th series, V (June 1817), 622-29, RR, II, 666-70: p.623 (667).414Chew, p.30; see also McGann, Fiery Dust.263

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