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Icon - ResearchSpace@Auckland - The University of Auckland

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Our hearts first in the depths <strong>of</strong> Lethe’s spring,Ere what we least wish to behold will sleep:<strong>The</strong>tis baptized her mortal son in Styx;A mortal mother would on Lethe fix. (4.4.25-32).This appeal to sympathy is derived from a worldview so pessimistic that trueknowledge becomes an obstacle to happiness. <strong>The</strong> forgetfulness induced by Lethe,then, is one solution, and laughing is another. This last idea recurs through the poem,which proclaims its unlimited derision:I hope it is no crimeTo laugh at all things – for I wish to knowWhat, after all, are all things – but a Show? (7.2.14-6).Of course, a fundamental element <strong>of</strong> the process <strong>of</strong> laughing at all things is the stage<strong>of</strong> judging all things, so as to find them ridiculous. This makes the facetiousness itselfa genuinely critical enterprise, universal in its scope. As an exercise <strong>of</strong> judgement, itis also the exercise <strong>of</strong> a value system, the basis <strong>of</strong> a moral system. Thus, the speakeris able to remark that “Laughter now-a-days is deemed too serious; /A jest at Vice byVirtue’s called a crime” (13.1.2-3). Via the obvious analogy between this generalisedcomment and the specific example <strong>of</strong> the attacks on the facetiousness <strong>of</strong> Don Juan,the speaker claims the position <strong>of</strong> Virtue. This is somewhat facetious, but notentirely. To Bryan Waller Procter, Byron reiterates what he had written earlier toMurray, “<strong>The</strong>y mistake the object <strong>of</strong> “Don Juan”, which is nothing but a satire onaffectations <strong>of</strong> all kinds, mixed with some relief <strong>of</strong> serious feeling and description”(10.116, 5/3/23). Satire is meaningful, not meaningless, ridicule. He tells Kinnaird,“I mean it for a poetical T[ristram] Shandy – or Montaigne’s Essays with a story for ahinge” (10.150, 14/4/23); both <strong>of</strong> these literary models are light-hearted in tone, butnonetheless earnestly inquiring into numerous modes <strong>of</strong> human life.Encouragement might well have been provided by the knowledge, acquired via a clerk<strong>of</strong> the Parisian publisher Galignani, that people were reading it: “<strong>of</strong> all my works Juanis by far the most popular and sells best – especially with the women – who send by89

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