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florida state university college of music performance practice

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What is <strong>performance</strong> <strong>practice</strong>?<br />

Performance <strong>practice</strong> is a subdiscipline <strong>of</strong> <strong>music</strong>ology that examines how<br />

<strong>performance</strong> was <strong>practice</strong>d. 6 While this definition will seem somewhat redundant with<br />

the idiom <strong>of</strong> <strong>performance</strong> analysis there is a subtle but critical delineation between the<br />

two. The focus <strong>of</strong> <strong>performance</strong> <strong>practice</strong> deals with early repertory, which for many years<br />

focused primarily on European <strong>music</strong>, for which there exist no sonic recordings from that<br />

time period. 7 As a result, physical objects such as recovered treatises, organology,<br />

iconography, and a myriad <strong>of</strong> other tools and documents aid the researcher to theorize<br />

how <strong>performance</strong>s might have sound.<br />

What is <strong>performance</strong> analysis?<br />

On the other hand, <strong>performance</strong> analysis is the direct study <strong>of</strong> recordings to gather<br />

information about <strong>music</strong>al works. 8 The recordings themselves act as source documents<br />

but it also takes into account <strong>performance</strong> attitudes, gesture, social context and audience<br />

response. 9<br />

Confusion over <strong>performance</strong> <strong>practice</strong> and <strong>performance</strong> analysis can partially be<br />

blamed on the recent latitude <strong>of</strong> interpretation <strong>of</strong> what is actually considered “early<br />

<strong>music</strong>.” In its inception and infancy, early <strong>music</strong> was more or less considered a repertory<br />

confined to Medieval, Renaissance and Baroque eras. However, particularly in the last<br />

two decades, this has been liberally expanded in some circles, to include repertory in the<br />

Romantic and early twentieth century. This expanded vision <strong>of</strong> early <strong>music</strong> includes<br />

works that may have existing sonic recordings. In the late 19 th century, the advent <strong>of</strong><br />

Edison‟s ingenious, albeit by today‟s standards primitive, invention <strong>of</strong> sound recording<br />

was created which forever revolutionized the way we listen and perform. While there is<br />

an availability <strong>of</strong> recordings for some <strong>of</strong> the repertory in the late nineteenth and early<br />

6 José A. Bowen, “Performance Practice versus Performance Analysis: Why Should Performers Study<br />

Performance?” Performance Practice Review 9.1 (Spring 1996): 16.<br />

7 Ibid.<br />

8 Bowen, “Performance Practice versus Performance Analysis,” 18.<br />

9 Bowen, “Performance Practice versus Performance Analysis,” 19.<br />

3

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