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florida state university college of music performance practice

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true in the sphere <strong>of</strong> duration, where very little difference was observed in the subsequent<br />

recordings. 444<br />

Recommendations for Future Research<br />

Performance is an inherent component <strong>of</strong> experiencing <strong>music</strong>. Recordings are an<br />

increasing important component in tracing the <strong>practice</strong>s <strong>of</strong> conductors in <strong>performance</strong>s.<br />

Missing from this study are representative recordings from conductors <strong>of</strong> nations like<br />

France, Russia, Slovakia, just to name a few, that could add to the richness and variety <strong>of</strong><br />

the overall interpretations <strong>of</strong> any given <strong>music</strong>al work. Throughout this research,<br />

recordings from the United States and England were easier to obtain. Additionally, efforts<br />

should be made to make recordings more accessible for longer periods. The availability<br />

<strong>of</strong> recordings is unfortunately driven by consumer demand and those that do not do well<br />

in an already competitive and narrow market niche are subject to becoming unavailable<br />

for listening and or study. Further research should be done on those countries and regions<br />

that are not typically included in the United States commercial recordings market for a<br />

more accurate portrayal <strong>of</strong> contemporary <strong>performance</strong> <strong>practice</strong> <strong>of</strong> earlier works.<br />

While this study could not draw concrete conclusions regarding if recordings <strong>of</strong><br />

this one representative work are becoming faster or slower, perhaps a longer longitudinal<br />

study would yield results that showed a preferential trend. Until then continued<br />

discussions should occur that ask questions regarding why conductors prefer to follow<br />

certain historical <strong>practice</strong>s while ignoring others. These discussions would help define<br />

even more contemporary endeavors <strong>of</strong> <strong>performance</strong> that may discover and point to larger<br />

sociological considerations.<br />

444 Duration results <strong>of</strong> conductors who have recorded the St. John Passion more than once may be seen in<br />

Appendix K.<br />

156

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