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FLORIDA STATE UNIVERSITY COLLEGE OF
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Dedicated to my best friend and wif
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TABLE OF CONTENTS List of Tables ix
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Wir haben keinen König 120 Eilt, i
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LIST OF TABLES 1. A summary of the
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LIST OF FIGURES 1. Available record
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ABSTRACT This dissertation investig
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Many broad questions have emerged a
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twentieth centuries, their value is
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performance. 24 However, since it h
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CHAPTER 2 THE HISTORICALLY INFORMED
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century a segment of society had em
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practice. Publications from two pio
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movement occurred as a reaction to
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Furthermore, the conviction known a
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of these microfilms, as well as som
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a purpose of “documenting…the r
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how to master historical instrument
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concerning authenticity, believed c
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are of the opinion that the Early M
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Butt credits Taruskin as one of the
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CHAPTER 3 CURRENTS IN BACH INTERPRE
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professor at Leipzig University and
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It is no surprise, based on these b
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marked by the completion of Wolfgan
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Rifkin discounts this plausibility
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heroic, one-dimensional way, he fee
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portrayals of Bach, not only since
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that concretely sheds light on how
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4 -/- The music is not expressive,
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polyphonically in various ways. In
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parts as the “B” parts in his K
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other principal church, the Nicolai
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chorale cantata was supposed to acc
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officials, as well as it cannot be
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Musik-Zeitung printed in May 24, 18
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Table 1 Continued NBA no. Version 1
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Table 1 Continued NBA no. Version 1
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we still lack the important assuran
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and chorales as well as any soprano
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performance of the majority of the
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movements omitted, conducted by Jos
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Interestingly enough Wolle‟s cond
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the St. John Passion. While no one
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ecordings made of the St. John Pass
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CHAPTER 6 CASE STUDY As stated befo
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14 12 10 8 6 4 2 0 Obtained recordi
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Carrington‟s 2006 live recording
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composers like Mattheson who experi
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nineteenth century and university c
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its intensity today. Both musicolog
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34% 8% Instrumental forces for acqu
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Table 2 Keyboard Continuo Instrumen
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What are the attributes and differe
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His study suggests that there are p
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transition in attaca fashion. Most
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Dynamics Most scholars and performe
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Table 3 Pitch Standards Conductor Y
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that the trill initiates on the dis
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measures 58-69a and 78b-86a. The re
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fermata on “Himmelreich.” Yet m
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subsequent forte dynamic at “Jesu
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its delivery. Interestingly enough,
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Many conductors took advantage of t
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Weyand (1990) was documented as the
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elongated the fermatas slightly lon
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Beringer (1997) held out the last n
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used this idea expressively were Sc
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milde dich hast geblut‟ zu Tod!
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expressiveness, conductors Milnes (
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German conductor Max (1990) was the
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given space with breath to enhance
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ecorded at 2:52 and 2:47 respective
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Lastly, in regards to dynamics, mos
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increasing amount of expressive qua
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Basiliensis located in Basel, Switz
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y the recording industry. With the
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conductors of the Berliner Singakad
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is now regarded as one of the most
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distinct styles formed within the g
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Version 4, which is believed to hav
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majority of the work. The performan
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performance, conductors were at lib
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While issues of rhythm played a par
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true in the sphere of duration, whe
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Christophers, Harry, dir. Johannes-
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---, dir. Johannespassion, by J.S.
- Page 175 and 176: Old and Modern Music and Boys‟ Ch
- Page 177 and 178: Choir. Pierre Verany. 1987. Kuijken
- Page 179 and 180: Wolf, Jürgen, dir. Johannes - Pass
- Page 181 and 182: Leusink, Pieter Jan, dir. Johannes
- Page 183 and 184: APPENDIX C SURVEY OF REVIEWS The fo
- Page 185 and 186: Worrel, Stephen W. Review of St. Jo
- Page 187 and 188: 5 Violins 1 Viola 1 Viola da gamba
- Page 189 and 190: 8 Violins 3 Violas (2 Viola d‟amo
- Page 191 and 192: (Not available) Orchestra (Not avai
- Page 193 and 194: 2 Flutes 2 Oboes 1 Bassoon 1 Lute 1
- Page 195 and 196: 2 Violas 2 Cellos 1 Violoncello 1 V
- Page 197 and 198: 15 Basses Orchestra 4 Violin 1 4 Vi
- Page 199 and 200: (Not available) Orchestra (Not avai
- Page 201 and 202: Choir 5 Sopranos 5 Altos 5 Tenors 5
- Page 203 and 204: Choir (Not available) Orchestra (In
- Page 205 and 206: Version 5 (1851) Max, Hermann, dir.
- Page 207 and 208: APPENDIX F MODERN VERSUS PERIOD INS
- Page 209 and 210: Noll, Christoph Anselm, dir. Johann
- Page 211 and 212: Schulz, Ingo, dir. Johannes - Passi
- Page 213 and 214: APPENDIX I NATIONALITY OF CONDUCTOR
- Page 215 and 216: Peter Schreier (1988, 2001) Ingo Sc
- Page 217 and 218: APPENDIX J TIMING TABLES The tables
- Page 219 and 220: Duration Duration 12:00 10:48 9:36
- Page 221 and 222: Table 5 Jesum von Nazareth (2 b Cho
- Page 223 and 224: 9. Parrott 1990 10. Weyand 1990 11.
- Page 225: Duration Duration 0:12 0:11 0:10 0:
- Page 229 and 230: 9. Parrott 1990 10. Weyand 1990 11.
- Page 231 and 232: Duration Duration 1:12 1:04 0:57 0:
- Page 233 and 234: Table 9 Wer hat dich so geschlagen
- Page 235 and 236: 11. Guttenberg 1991 12. Ericson 199
- Page 237 and 238: Duration Duration 0:36 0:28 0:21 0:
- Page 239 and 240: Table 11 Petrus, der nicht denkt zu
- Page 241 and 242: 10. Weyand 1990 11. Guttenberg 1991
- Page 243 and 244: Duration Duration 1:26 1:12 0:57 0:
- Page 245 and 246: Table 13 Wäre dieser nicht ein Üb
- Page 247 and 248: 9. Parrott 1990 10. Weyand 1990 11.
- Page 249 and 250: Duration Duration 0:43 0:36 0:28 0:
- Page 251 and 252: Table 15 Ach großer König (Choral
- Page 253 and 254: 9. Parrott 1990 10. Weyand 1990 11.
- Page 255 and 256: Duration Duration 0:12 0:11 0:10 0:
- Page 257 and 258: Table 17 Sei gegrüßet, lieber Jü
- Page 259 and 260: 9. Parrott 1990 10. Weyand 1990 11.
- Page 261 and 262: Duration Duration 1:04 0:57 0:50 0:
- Page 263 and 264: Table 19 Wir haben ein Gesetz (Chor
- Page 265 and 266: 10. Weyand 1990 11. Guttenberg 1991
- Page 267 and 268: Duration Duration 1:26 1:12 0:57 0:
- Page 269 and 270: Table 21 Lässest du diesen los (Ch
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- Page 275 and 276: Table 23 Wir haben keinen König (C
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9. Parrott 1990 10. Weyand 1990 11.
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Duration Duration 4:48 4:19 3:50 3:
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Table 25 Schreibe nicht: der Jüden
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10. Weyand 1990 11. Guttenberg 1991
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Duration Duration 1:26 1:12 0:57 0:
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Table 27 Lasset uns den nicht zerte
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9. Parrott 1990 10. Weyand 1990 11.
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Duration Duration 1:40 1:26 1:12 0:
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Table 29 Mein teurer Heiland, laß
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9. Parrott 1990 10. Weyand 1990 11.
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Duration Duration 1:26 1:12 0:57 0:
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Table 31 Ruht wohl, ihr heiligen Ge
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9. Parrott 1990 10. Weyand 1990 11.
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Duration Duration 3:21 2:52 2:24 1:
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Table 33 O Mensch, bewein dein Sün
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Table 34 Christe, du Lamm Gottes (C
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APPENDIX K CONDUCTORS WITH MULTIPLE
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Duration Duration 10:48 9:36 8:24 7
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Table 36 Peter Schreier Herr, unser
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Duration Duration 10:48 9:36 8:24 7
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Table 37 Hermann Max Herr, unser He
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Duration Duration 10:48 9:36 8:24 7
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Table 38 Masaaki Suzuki Herr, unser
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Duration Duration 10:48 9:36 8:24 7
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Table 39 Philippe Herreweghe Jesum
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14. Kreuzige, kreuzige 15. Wir habe
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1. Guttenberg 1991 0:11 Germany 2.
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3. Beringer 1997 1:10 Germany Faste
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Fastest 21 f Wir haben ein Gesetz (
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Fastest 1. Noll 1997 0:28 Germany 2
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Fastest 39 Ruht wohl, ihr heiligen
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---. “Harnoncourt - Never too ear
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---. Playing with History: The Hist
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Dulak, Michelle. “Bringing Back B
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Harnoncourt, Nikolaus. The Musical
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---. “One-to-a-part? Who then tur
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---. “The Notes inégales Revisit
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Schubert, Peter. “Authentic Analy
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Translation by John Lambert, Paris:
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BIOGRAPHICAL SKETCH Michael Troy Mu