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florida state university college of music performance practice

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4 -/- The <strong>music</strong> is not expressive, and should not be performed in an expressive<br />

manner<br />

Scholarship, reception, and <strong>performance</strong> <strong>of</strong> Bach have changed radically since a<br />

corps <strong>of</strong> Romantic personalities, most famously Mendelssohn, resurrected his <strong>music</strong>.<br />

Much that has been accomplished has been positive; for example, just last year in 2007,<br />

the Neue Bach-Ausgabe celebrated the momentous feat <strong>of</strong> completing the critical editions<br />

<strong>of</strong> Bach‟s entire known corpus. Englishman Peter Williams was added to the ranks <strong>of</strong><br />

biographers in 2007 with his book, J.S. Bach: A Life in Music. Just as this chapter has<br />

sought to identify various images and perceptions <strong>of</strong> Bach, which could explain and<br />

enlighten various <strong>performance</strong> interpretations <strong>of</strong> his <strong>music</strong>, the next chapter will<br />

investigate the history and reception <strong>of</strong> the St. John Passion to establish particular trends<br />

that have emerged regarding its interpretation.<br />

46

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