florida state university college of music performance practice

---. “One-to-a-part? Who then turns the pages? – More on Bach‟s chorus.” Early Music
25.3 (August 1997): 541-542.
---. “Recording Bach‟s early cantatas.” Early Music 24.4 (November 1996): 604-619.
Laird, Paul and Donald R. Vroon. “An Historian‟s View of Period Performance.”
American Record Guide 54.2 (March/April 1991): 4-6.
Lam, Basil. “Authenticity and the St. John Passion.” Early Music 5.1 (1977): 45,
47, 49.
Lawson, Colin and Robin Stowell. The Historical Performance of Music: An
Introduction. Cambridge: Cambridge University Press, 1999.
Leaver, Robin A. “The Revival of the St. John Passion: History and Performance
Practice.” American Choral Review 31.1(Winter 1989): 14- 29.
Ledbetter, David. “Wolff‟s Bach.” Early Music 29.1 (February 2001): 128-129.
Leech-Wilkinson, Daniel. “Early music-observations and predictions.” Early Music 25.4
(November 1997): 563-564.
Le Huray, Peter. Authenticity in Performance: Eighteenth-Century Case Studies.
Cambridge: Cambridge University Press, 1990.
Libby, Ted. “Bach‟s Mass in B Minor.” Early Music America 5.1 (Spring 1999): 37-43.
Lock, Graham. Review of St. John Passion, conducted by Helmut Rilling. BBC Music
Magazine (May 1997): 60.
Lockwood, Lewis. “Performance and „Authenticity‟.” Early Music 19.4 (November
1991): 501-506.
Lucano, Ralph V. Review of St. John Passion, conducted by Helmut Rilling, American
Record Guide 63.6 (November/December 2000): 99-100.
Mann, Alfred. Bach and Handel: Choral Performance Practice. Chapel Hill, N.C.:
Hinshaw Music, 1992.
---. Bethlehem Bach Studies. Bethlehem, Pennsylvania: The Moravian Book Shop, 1985.
---. “St. John Passion.” American Choral Review 27.1 (January 1985): 31-34.
Marissen, Michael. Lutheranism, Anti – Judaism, and Bach’s St. John Passion.
New York: Oxford University Press, 1998.
334