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APPENDIX I<br />

NATIONALITY OF CONDUCTORS<br />

The following list includes all <strong>of</strong> the 79 known complete commercial recordings made in<br />

the years <strong>of</strong> 1982-2007 <strong>of</strong> the St. John Passion. The list is arranged by nationality <strong>of</strong><br />

conductor. Under each country, the conductors are alphabetically arranged by last name<br />

with the year <strong>of</strong> recording(s) indicated in parenthesis. Those that are in bold typeface<br />

designate recordings that were available for review during the time <strong>of</strong> this dissertation.<br />

This perspective affords the reader to draw preliminary conclusions concerning which<br />

countries are producing the most or least commercial recordings <strong>of</strong> the St. John Passion.<br />

In addition, the reader is able to ascertain which perspectives were unable to be included<br />

in this dissertation. Two caveats, one in the case <strong>of</strong> The Scholars Baroque Ensemble,<br />

which has no formal conductor, I chose to place them in the country where they were<br />

founded and continue to perform, in this case, England. Second, several recordings<br />

feature a conductor <strong>of</strong> one nationality and the performing forces will be from an<br />

altogether different country. In this case, the recording is still placed under the<br />

conductor‟s nationality. My gratitude is extended to Aryreh Oron, web master for the<br />

Bach Cantatas Website, whose resources helped in compiling this list.<br />

Austria<br />

Nikolaus Harnoncourt (1985, 1993)<br />

Belgium<br />

Paul Dombrecht (1996)<br />

Philippe Herreweghe (1987, 2001)<br />

Sigiswald Kuijken (1987)<br />

200

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