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World

Viewing the world - Full report

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“The programmes aren’t of interest because they aren’tabout us, and they’re about problems we can’t doanything about” Steve Hewlett, Carlton“The audience is unfamiliar with the subject and notknowledgable. This area of programming breaks withtheir habits and expectations of ITV. There’s possiblysome racism in this resistance too” ITV executive… and of the insularity of journalists and editorsthemselves. Particular reference is made to the rarity ofLatin American coverage.“Traditionally British journalists have only showninterest in Latin America if there’s a disaster or thefootball <strong>World</strong> Cup is on.” David Boardman, Central“South America is one area in which we have to admit wehaven’t got the balance right. Programme editors don’twant it, unless someone like John Simpson goes there, andthe senior correspondents are more interested in the moretrendy places – which Latin America is not” Vin Ray,BBC NewsDuring the interviews, the use of a hypotheticalprogramme proposal about Bolivian tin miners wasviewed by some commissioning editors as the ultimatechallenge.TECHNOLOGICAL CHANGESSome interviewees think current technological changesare undermining coverage of the developing world. Theyfeel that the increase of specialist digital channels willdraw this coverage away from mainstream television.Others think that the immediacy and ready availabilityof news from around the world will discourage othertypes of factual programmes from abroad, likedocumentaries.Multi-channel structures will encourage niche andbrand specialism“Specialist channels like Nat Geo and Discovery haveundiscovered gems on this subject area, and can devote 24hours to it. That’s a better solution than forcing it intomainstream popular schedules” ITV executive“Our news channel covers serious world affairssubstantially and significantly, while we concentrate onthe fun and entertainment perspective” Mo Joseph, SkyOne“Serious international documentaries are principallydone either by current affairs departments or byspecialist international cable/satellite channels now”André Singer, Café ProductionsTelevision news will become the dominant mediumfor this area of coverage“In the 1960s, documentaries from Vietnam were allvery new to us. But now that information can come liveand immediate on news programmes there is less that isnew to viewers. News has really taken over now ininforming us about the world.” David Liddiment, ITVG.5.2. The programme-makers’ perspectiveWhile some of the points above are endorsed byprogramme-makers, it should be recorded that a numberof programme-makers view the issues of ‘dull’programming and viewer insularity quite differently.G.5.2.1. ‘Dull viewing’: An alternative view“It’s just not true that this output has to be dull, and hasbeen ‘left behind’. It depends on the skill of theprogramme-maker. I’m convinced that programmes canbe made in this area that are as compelling and colourfulas any British docusoap.” Ian Stuttard, BBC“Whether programmes ‘work’, and whethercommissioners want to find a space for them are twoseparate questions. A lot of these programmes did ‘work’,but were clearly not regarded as audience-catching”André Singer, Café Productions“The critics who generalise that programming about thedeveloping world tends to be old-fashioned and dull aremisinformed. Investigative programmes like the ones Ihave worked on with John Pilger and JonathonDimbleby are not dull, and the feedback we get showsthis, even if the ratings are not high” David Boardman,Central.“Anything can be made to work. That’s our craft. Ifpeople are just talking ‘issues’, it’s my job to see what Iwill film. There’ve got to be pictures. So if the issue is debtrelief, what pictures are we going to see?” George Alagiah,BBC News“Anything can be made to work if enough imagination isused. Debt cancellation could be tricky. But even then, agood film relating debt to village life could work” GeorgeCarey, Mentorn Barraclough Carey“No subject is off limit. Even international debt. There’snothing that can’t be made into good television with theright approach” Charles Tremayne, Granada166 DFID – July 2000

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