According to journalist Chris McGreal (1999) Felasuffered a fractured skull and several of his bones werebroken during the raid. The 82 year-old mother of thebrothers was thrown from a window and died of herinjuries. It is not surprising then that Beko expressesdoubt about any real solution resulting from theseelections with Obasanjo the favourite, and the onlyopposition a finance minister in a former militaryregime. In Lagos Stories he comments:It’s not elections we need now. We have to sit down andwork out how we’re going to relate to one another, or thestrife will never end.Without reference to this information, it would beless clear why Beko is so sceptical about what mightotherwise be perceived by the viewer as the genuinelydemocratic forum of an election. This scepticism appearsto have been shared by many Nigerians, given that lessthan 20% voted in the election. (The Guardian editorial,26.2.99)DiscussionLagos Stories presented positive images of individualsinhabiting the most populous country in Africa, at a keymoment of Nigeria’s history. The two who spoke duringthe sample period were Doyin Abiola and Dr BekoRansome-Kuti. While each held understandablereservations about the potential benefits of the elections,they agreed with the other contributors to Lagos Stories onthe deterioration resulting from long-term militaryleadership of their country. While both had sufferedpersonal losses at the hands of military leaders, theydescribed their own contributions to the struggle fordemocracy. Some of the themes raised here were echoedin BBC News and Channel 4 coverage of the elections. Dr.Kuti touched on the irony of the country’s oil wealthcontrasted with the lack of amenities. His argument thatthe concentration of power needed to be removed fromthe north of the country was one of the issues covered inthe news. The duration of this access slot – five minutes– necessarily resulted in limited background informationbeing provided. The news coverage and accompanyingChannel 4 website may have been accessed by someviewers. However, in its own right Lagos Stories made animportant contribution in giving voice to five individualNigerians, each with a story to tell and each committed,to varying extents, to the pursuit of democracy forNigeria.Most of the documentaries, current affairsprogrammes and features in our sample offer clearaccounts of issues in the developing world. Historicaldocumentaries were particularly strong in giving wellstructured and informed explanations. The strength ofthe documentary format is that it can combine a clearnarrative and strong visual moments with well choseninterviewees who can provide key source material. Thequality of such output comes from the resources whichare devoted to it. It is a matter of concern if this quality isbeing downgraded by the growing commercial pressuresof TV output. In our audience study we show how viewersvalue such productions, but they also comment on theirrelative infrequency and low profile on output as a whole.C.3.2.3. Comic ReliefThe BBC’s Comic Relief Red Nose Day 1999: The RecordBreaker pledged to break records and it did. The £27.4million total demolished previous fund-raising recordsdespite the fact that charitable giving has actuallydeclined in recent years.Much of the appeal is generated by the humorousbuild-up to Red Nose Day. BBC1 featured a series ofshort programmes on cookery, comedy anddocumentaries, which slowly built momentum towardsgiving on the day. Each week, the cookery programme,Five Go Mad in the Kitchen paired up some of thenation’s favourite stars with well-known chefs to preparetheir favourite dishes. Celebrities such as Jane Asher andStephen Tompkinson, Ken Hom and Nick Hancock,Anthony Worall Thompson and Kathy Burke, appearedto endorse the cause. These five minute slots werebuttressed by the Comic Relief Jukebox, a twice-weeklysix-part comedy series presented by Zoë Ball in which aselection of comedy clips from the BBC archives wereshown and money was raised from viewers telephoningin their favourite Comedy Genius Clip and Clip of theNight. Clips shown included: The Two Ronnies, French andSaunders, Monty Python’s Flying Circus, Only Fools andHorses, One Foot in the Grave, Not the Nine o’clock News,Morecambe and Wise, The Smell of Reeves and Mortimer, TheDick Emery Show, The Kenny Everett Show, The Les DawsonShow, The Fast Show, Harry Enfield and Chums, AbsolutelyFabulous, Birds of a Feather and Victoria Wood.Interspersed with the slapstick and laughter, wasComic Relief’s Great Big Excellent African Adventure, whichfeatured television celebrities journeying across Africa tocollect videotaped messages from the locals. The showhighlighted the social and economic hardships whichaffect the continent and showed how money raised byComic Relief has been used to support local developmentprojects. Celebrity reports by Lenny Henry and EwanMcGregor in South Africa, looked at how Comic Reliefhad helped to win back land for families displaced byApartheid. Stephen Fry showed how the fund-raising84 DFID – July 2000
had helped orphaned children in Uganda, Ruby Waxlooked at the effect of world debt on disabled children inZanzibar and Paul Bradley visited bereavementcounselling groups set up in Rwanda with Comic Reliefmoney to help the widows of the genocide survive thepain of loss.This interplay of extremes is a key ingredient of thefund-raising. The juxtaposition of humour with pathos,glitz with destitution accentuate the contrasts betweenthe developing and developed world in a way thatsuggests that imbalances in the world economy, politicalturbulence and conflict, even genocide can be rectifiedthrough the giving of money. Images of economichardship, social injustice and poverty which had beenalleviated by Comic Relief cash, permeate the glamour. Apositive focus on negative issues is the key ingredient,with films that report back how the money raised inprevious years has made a difference. Lenny Henryintroduced the film by saying that Comic Relief cash isspent well because ‘all over Africa there are thousands ofpeople who can genuinely call you friend. Here are someof their stories’.The film began with Lenny singing a rap song thatexplains what Comic Relief aims to do:Lenny Henry:Every other year we start to get funny,The Red Nose posse saying ‘Gimme your money’,We make documentaries,Sell cool merchandise,We make you think once,Then we make you laugh twice,So if you wanna know,What happens to your dough,Just sit back, relax,And watch this show.The film then reviews how money raised by Comic Reliefhas been used to resettle African families on their land inSouth Africa, rebuild families split by war in Uganda andrescue childhood from the vortex of poverty in Ethiopia.Ewan McGregor began:For 30 years, a woman called Mrs Titus and an entirecommunity in South Africa were only to look at theirhomes from across a valley because, in the 1960s, 200families were forced off their land by the Apartheidsystem which gave all of it to one white farmer. 2 yearsago, Comic Relief helped to fund a lawyer who won backthis land and back hundreds of others and we made a filmabout it. In December 1996, Mrs Titus led her friends,family and neighbours back home into their valley...Andslowly the wrongs of the last 30 years are being put right.It’s a success. You have helped the people of Elandskloofbuild a future for the next generation.The film switched to Stephen Fry in Uganda:In 1990, Tony Robinson visited Rakai in Uganda and ayoung family whose father had died from AIDS. Theirmother was also infected with the virus. Their mother diedsoon after our visit and the children were left alone in theworld, but the money you gave in 1993 helped Save theChildren Fund put a roof over their heads and the localwelfare officer track down their aunt who moved in withthem and brought them up. So now, Vincent, 15,Godfrey, 13, Emmanuel, 11 and Rose, 9 are doing prettydamn well. They’ve got a house, a pig, 2 goats and abike...They’ve got a future...Vincent’s parents wouldhave been really proud of him. But you should be proudof yourselves because here in this rural district of Uganda,your generosity 7 years ago, has made a real difference.The chorus ‘Feel the Magic’ appeared with the phonenumber to call if viewers wanted to make a donation, andthe film switched to Ethiopia:Voice-over: Your money has certainly been well spent inEthiopia. Comic Relief started here 14 years ago duringthe terrible famine. 2 years ago, Julie Walters metbrothers Altayeh and Melissaih who were street childrenin Addis Ababa...Today, thanks to you all, we know thatAltayeh, Melissaih, Johannes and hundreds of otherchildren now have a place that’s safe to sleep at night andfood enough to eat during the day. It’s your money that’spaying for these children to go to school. Altayeh is now inschool and at the top of his class. Believe it or not,Melissaih is something of a natural on the football field.He’s been spotted by a talent scout and is having specialcoaching.The film ended:Comic Relief is making a real difference in Africa. Now,we’ve just shown you three examples, but there areliterally thousands more. Before, there was danger, nowthere is real hope.Ewan McGregor: Before there was injustice, now justicehas been done.Voice-over: Before there was a terrible past. Now there’sa real future.The money-raising stunts of Red Nose Day are drivenby the humour. The 10 hour telethon begins with thescreams of the studio audience as they applaud thearrival of Lenny Henry and Davina McCall on stage, topresent the first 40 minutes of the evening’s show.Wearing red outfits symbolic of Red Nose Day, LennyDFID – July 2000 85
- Page 1 and 2:
issuesDFIDDepartmentforInternationa
- Page 3 and 4:
Introduction to the Three-Part Stud
- Page 5 and 6:
MethodologiesI. Content study condu
- Page 7 and 8:
III. Production study conducted by
- Page 9 and 10:
ContentsA. Key Findings 3A.1. Conte
- Page 11 and 12:
A. Key FindingsA.1.●●●●●
- Page 13 and 14:
B. SummariesB.1.Content Study(Glasg
- Page 15 and 16:
ulletins, followed by aid/developme
- Page 17 and 18:
travel/adventure programmes in the
- Page 19 and 20:
EXERCISE 4: COMIC RELIEFGroups were
- Page 21 and 22:
Cookery programmes seemed to bring
- Page 23 and 24:
Content and Audience Studies(Glasgo
- Page 25 and 26:
events. Jamaica featured only in sp
- Page 27 and 28:
Comparing Figures 1, 2 and 3 shows
- Page 29 and 30:
Figure 6: BBC coverage of the devel
- Page 31 and 32:
and Newsnight were also much more l
- Page 33 and 34:
Figure 1: Number of references made
- Page 35 and 36:
Newscaster: Well of course they may
- Page 37 and 38:
A fifth possible consequence of the
- Page 39 and 40:
American accusations of discriminat
- Page 41 and 42: the desire of the small scale farme
- Page 43 and 44: industry in considerable detail. Th
- Page 45 and 46: statement made. The wide range and
- Page 47 and 48: C.2.2.3. The Presidential elections
- Page 49 and 50: The Newsnight report on the electio
- Page 51 and 52: work in the South. Nobody will allo
- Page 53 and 54: fashion, but they are not allowed t
- Page 55 and 56: attack. Sky News reported, ‘It is
- Page 57 and 58: There is little explanation of why
- Page 59 and 60: these thugs which stated that they
- Page 61 and 62: differentiated continent, with many
- Page 63 and 64: ambassador, Humberto De La Calle wa
- Page 65 and 66: say the government is doing nothing
- Page 67 and 68: of the violence and civil war which
- Page 69 and 70: education. The reporter then linked
- Page 71 and 72: A significant section of BBC1’s s
- Page 73 and 74: Although a range of countries are i
- Page 75 and 76: pop stars supported a big campaign
- Page 77 and 78: discussion of the total so far achi
- Page 79 and 80: We’ve had a number of Britons ove
- Page 81 and 82: the introduction to the feature, wi
- Page 83 and 84: with the question he posed at the e
- Page 85 and 86: numerous references to the improved
- Page 87 and 88: public opinion was adverse to it an
- Page 89 and 90: have a vested interest in the judge
- Page 91: family are about to leave Nigeria f
- Page 95 and 96: There are 100,000 widows in Rwanda
- Page 97 and 98: victims without engendering a total
- Page 99 and 100: minimum payments and the totals mus
- Page 101 and 102: Programme title Channel Date Destin
- Page 103 and 104: into. Little background information
- Page 105 and 106: TOURIST DEVELOPMENTThere is a disti
- Page 107 and 108: Guide: I think that the mere fact t
- Page 109 and 110: For many visitors this is their fir
- Page 111 and 112: I was a third of the way through my
- Page 113 and 114: inhabiting an isolated Mongolian vi
- Page 115 and 116: well as its Southern tip. It was wi
- Page 117 and 118: Six million people are crammed into
- Page 119 and 120: magpie approach to the countries he
- Page 121 and 122: Fiestas in Mexico have a unique exu
- Page 123 and 124: concerned the hunting skills of bus
- Page 125 and 126: traditional Peruvian culture and in
- Page 127 and 128: HISTORYPinochet and Allende: The An
- Page 129 and 130: Trailblazers where to varying exten
- Page 131 and 132: D.1.3. Group discussionOnce the exe
- Page 133 and 134: Dominican Republic for 14 nights al
- Page 135 and 136: NATURAL HISTORY/WILDLIFEMost respon
- Page 137 and 138: Moderator: Do you like Comic Relief
- Page 139 and 140: 1st: There’s only so much you can
- Page 141 and 142: quarters of an hour to phone and th
- Page 143 and 144:
think of China as being quite an in
- Page 145 and 146:
selective (in relation to the issue
- Page 147 and 148:
1st: They haven’t even got an eco
- Page 149 and 150:
government would have to really get
- Page 151 and 152:
world as not much more than a serie
- Page 153 and 154:
F. Appendix: Countries of the devel
- Page 155 and 156:
G. Production Study (3WE)G.1.G.1.1.
- Page 157 and 158:
NEWSRichard Ayre, Deputy Chief Exec
- Page 159 and 160:
policymakers/commissioning editors
- Page 161 and 162:
G.2.2.6. Belief in regulatory prote
- Page 163 and 164:
gloomy, so we call our programmes
- Page 165 and 166:
“There may be more caution about
- Page 167 and 168:
what their audience wants and we le
- Page 169 and 170:
“Problems and issues have traditi
- Page 171 and 172:
“You still need substance, but no
- Page 173 and 174:
“The programmes aren’t of inter
- Page 175 and 176:
G.5.3. What does work on television
- Page 177 and 178:
“Pre-trailed news stories are bec
- Page 179 and 180:
“It seems that documentaries are
- Page 181 and 182:
H. ConclusionTelevision output that
- Page 183 and 184:
I. RecommendationsIt could therefor
- Page 185:
editors it has been pursued with in