The sculptor, Arish Kapoor, who migrated to Britainin the Seventies to study art was also critical of Britishrule and its after-effects. Brought up in India in a nontraditionalIndian family with an Indian father and IraqiJewish mother, he describes how the Sixties and Seventieswas pre-occupied with ‘a kind of notion of India lookingfor its own sense of itself, of course knowing that it wasalways there, but defining it within each family. In theseterms, we were often the foreigners...I felt it to be acondition of my life all the way through,’ (ITV The SouthBank Show 2330-0030). They discuss how theirexperience of being Indian migrants informs their work.In A Migrant’s Heart, Juvinda’s connections with Indiaare with the theatre. The film looks at Neelam who runsthe Chandigarh Theatre from her back garden; sheconnects rural and urban India through visitingperformers such as the Nepals, a community of outsidersin India who tell the legends of the Punjab using femaleimpersonators. Against visuals of the Nepals dancing infemale dress, Juvinda parallels their form of work withhis own life, ‘They have journeyed from one state now,Pakistan, to another…it’s one of the few times I say I wishI was an actor, I wish that all I was doing was to reproducethese millions of selves constantly because I think that isabsolutely what a migrant is’ (6.3.99 BBC2 A Migrant’sHeart 0610-0635)Cultural encounters are also an important theme.Distant Echoes: Yo Yo Ma and the Kalahari Bushmen, focuseson the cultural journey which Yo Yo Ma, a Chinese cellist,must undergo in his meeting with the bushmen. Theprogramme begins with the artist exploring his own‘fears’ of other cultures. Against the road sign ‘Bushmen’,the artist speaks of his ‘tremendous fears’ of the journeywith ‘no telephone communications; fear of snakes’ and‘fear of dying’, Yo Yo discusses the psychological‘baggage’ which we accumulate in our attitudes to othercultures and peoples. Playing cello for the bushmen, hecomments:I felt a little awkward, such a booming sound. Bach is sonew here. I’m putting my own cultural values to thetest…we accumulate baggage. My parents were ofChinese origin brought up in America. My fascinationwith music is a fascination with people. This is the greateststretch I’ve ever made. (6.3.99 ITV 0440-0540 DistantEchoes: Yo Yo Ma and the Kalahari Bushmen)The programme shows how preconceived opinionsare often based on ‘romantic notions’ that are out oftouch or uninformed. The high point of the film focuseson the collective music-making of the bushmen andcompares the transcendental state induced by their‘trance dance’ which is a physical synthesis of theirbeliefs, medicine and music to the function of aBeethoven symphony. Whereas the Kalahari say ‘It givesus life’, both, he concedes ‘are nourishment for the soul’.HistoryHistorical documentaries too offered a radicallydifferent perspective of the developing world and itsrelationship with the industrialised west. These wereoften critical of western involvement in the politics ofthese regions and especially of US foreign policy and theNixon-Kissinger period in diplomatic relations. TheReal…General Pinochet, for example, shown on 16January charted Pinochet’s rise to power from humblebeginnings as head of a prison in 1948. The film showshow Salvador Allende originally rose as champion of thelandless poor in the 1960s to be eventually electedPresident of Chile in 1970. Despite being a democracy,Chile’s relationship with Fidel Castro alarmed theUnited States to such an extent that the CIA wasprompted into action. Peter Kornbluh, Director of theNational Security archive explained the extent ofAmerican intervention in Chilean politics:Kissinger and Nixon decided this couldn’t be tolerated,and adopted a longer range strategy to destabilize theChilean economy, bribing Congressmen, financingstrikes and black propaganda against Allende. The CIApaid drivers to stay on strike. The country was paralyzedby 1000% inflation. There were strikes everywhere andthe military was drawn in.The programme argues that the result was that Chilewas thrown into a series of coupes in June 1973 whichenabled Pinochet to take control of the country. We aretold that Pinochet’s reign was tyrannical; heexterminated members of opposition parties anddisappearances were endemic, there were 13,500 arrests,tortures and disappearances under his command and4,000 Chileans were either killed or disappeared duringthis period. We are also told that Pinochet was also a keyplayer in Operation Condor, a secret alliance with SouthAmerican dictators to destroy Left wing movements.However, the U.S. continued to provide economic andmilitary support to his regime. Pinochet had otherimportant allies in the West, the former British PrimeMinister, Margaret Thatcher, for example, was a ‘big pal’and it was noted that were it not for Chile’s support inthe 1982 war with Argentina, the outcome may have beenvery different.BBC2’s Cold War Détente 1969-75 shown on 6March, focused on the Nixon-Kissinger nexus inAmerica’s Cold War policy of the 1960s. The Vietnam warhad been extremely damaging, it had cost 30,000 lives,78 DFID – July 2000
public opinion was adverse to it and it was a majordistraction to other foreign policy initiatives. For thisreason, Nixon and Kissinger set up strategic summits inBeijing and Moscow which aimed to open up China bybringing it in diplomatically, improve relations withRussia and hence put pressure on the Vietnamese tonegotiate a settlement. By interviewing key governmentsources such as Winston Lord, Aide to Henry Kissingerand Morton Halpern, U.S. National Secretary, the filmexplains in a detailed but concise manner, theimportance of détente. For example:Morton Halpern, U.S. National Security Council:Nixon believed, I think correctly, that the opposition tothe war was mostly about the draft and the casualties andnot about the American presence there. Americans didn’tcare if we were bombing Hanoi, they didn’t care if therewere American planes around. What they didn’t like,was the fact that young American men were being sent toVietnam, were drafted and being killed. (BBC2 ColdWar Détente 1969-75 2015-2105)The film shows that in North Vietnam in 1973, peaceaccords did not stop the fighting. In April 1975, theSouth Vietnamese army was struggling, they couldexpect little help from the Americans. Despite the SouthVietnamese besieging the U.S. embassy, the Americanswere bailing out.In the piece on the history of the News at Ten, AndFinally: The End of the News at Ten, journalisticcontributors to ITN over the years are inter-cut withsegments from a disturbing piece of footage from theBiafran War. It shows visuals of black soldiers tying thehands of a prisoner, the voice-over runs:Question: Can you ask him if he’s a Biafran soldier?Answer: I am not a Biafran soldier, but I can show youthe place where they are.Question: If you are not a Biafran soldier, why do you knowthe places where Biafran soldiers are? (7.3.99 Channel 42000-2100 And Finally: The End of News at Ten)Sir David Nicholas, Editor-in-chief of ITN, 1977-89explains:David Nicholas: In the early days of News at Ten, therewas a war in Nigeria where one of the states Biafra, hadbroken away from the central government. There werestories around of alleged atrocities committed by thefederal troops.Nigel Ryan, Editor and Chief Executive, ITN (1968-77): This young man looked absolutely terrified. He hadhis hands tied and he was pleading for his life. He was 17,18 years old.The reel continues:Reporter: What will happen to him now captain?Captain: We will take him to headquartersReporter: But, you’re not going to interrogate him? So,you’re not going to be killed, you’re going to be all right.Is that right captain, you’ll give him food?Michael Nicholson: I said to him, relax you’re a P.O.W.It shows how naive I was then.He is shot dead. Nigel Ryan explains:Nigel Ryan: It was a horrific piece of film. We spent a lotof time wondering how to edit it. It became a very famoussequence at the time. What we decided to do was end itafter the first shot. Within a few days that officer wascourt marshalled by the Nigerian government andsentenced to death and we were invited in to film hisexecution by the Nigerian authorities. But, we declinedbecause we didn’t want to show a killing, but we showedthe first killing because it was news and it was evidence inits own right. (Channel 4 2000-2100 And Finally: End ofNews at Ten)Current affairsThe current affairs documentaries can sometime offer avery innovative perspective on conflict. BBC2’sCorrespondent ran a series of investigations into humanrights abuses in Guatemala (20.2.99) and conflict inIndonesia and Sierra Leone (6.3.99). The report on 20February was headlined the ‘Investigation into the bonesthat bear witness to the abuses of the past’. In this,Correspondent revealed how a war triggered by a CIA coupagainst the elected government of Guatemala, spiralledinto a civil war that lasted four decades and claimed morethan 150,000 lives, most of them Guatemalan Indians.Although three years ago an internationally-brokeredpeace deal ended the conflict, it is only now that theChurch’s Human Rights project, REMHI is beginning tounearth the extent of the human rights abuses carried outin the war. The REMHI’s report Guatemala Never Again,blamed 80% of the killings on the army. The Correspondentreport is structured around the evidence of theseviolations and begins with a description of the violence:Reporter: The army maintained that they wereearthquake victims, but now there is proof that thesevillages were killed by men, who thanks to forensicevidence, may be made accountable for their crimes. Atthe end of the war, a law passed in the name of NationalReconciliation Amnesty War Crimes accepts genocide,torture and disappearances. But, now the bones aretalking and can testify to some of the worst human rightsabuses the world has seen. The Catholic Church isDFID – July 2000 79
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issuesDFIDDepartmentforInternationa
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Introduction to the Three-Part Stud
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MethodologiesI. Content study condu
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III. Production study conducted by
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ContentsA. Key Findings 3A.1. Conte
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A. Key FindingsA.1.●●●●●
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B. SummariesB.1.Content Study(Glasg
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ulletins, followed by aid/developme
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travel/adventure programmes in the
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EXERCISE 4: COMIC RELIEFGroups were
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Cookery programmes seemed to bring
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Content and Audience Studies(Glasgo
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events. Jamaica featured only in sp
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Comparing Figures 1, 2 and 3 shows
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Figure 6: BBC coverage of the devel
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and Newsnight were also much more l
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Figure 1: Number of references made
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Moderator: Do you like Comic Relief
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1st: There’s only so much you can
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quarters of an hour to phone and th
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think of China as being quite an in
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selective (in relation to the issue
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1st: They haven’t even got an eco
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government would have to really get
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world as not much more than a serie
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F. Appendix: Countries of the devel
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G. Production Study (3WE)G.1.G.1.1.
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NEWSRichard Ayre, Deputy Chief Exec
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policymakers/commissioning editors
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G.2.2.6. Belief in regulatory prote
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gloomy, so we call our programmes
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“There may be more caution about
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what their audience wants and we le
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“Problems and issues have traditi
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“You still need substance, but no
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“The programmes aren’t of inter
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G.5.3. What does work on television
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“Pre-trailed news stories are bec
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“It seems that documentaries are
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H. ConclusionTelevision output that
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I. RecommendationsIt could therefor
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editors it has been pursued with in