deep into the Malaysian Buru which is ‘famous for bigsnakes and no snake trade’, Twigger enlists the help ofMohammed Ali and a Malaysian poet as translator.Twigger reflects on his role: ‘Maybe I’m no different froma Victorian big game hunter, who employs local guidesand skilled huntsmen, but I like to think of it as more likebeing an architect – you get somebody else to do thebuilding.’ Heading deeper into Indonesia, Twigger isgranted an audience with the King who agrees to assisthim in his quest but only after he has made a religiousoffering. We are told that if the villagers have a goodreason and an illness that needs a big snake, they mightfind one. The villagers use dogs and spears for huntingand Twigger states, ‘It’s a bit shocking to see a deerhunted down and then killed fairly inefficiently...I’mbeginning to understand now one of Wallace’s mainproblems, which was securing live or undamagedspecimens from the interior of Seram, because the firstinstinct of these people when they get an animal is to killit.’ When the villagers eventually find a seven metresnake, Twigger complains, ‘there was nothing I could doto stop the tribe from killing and eating the snake’ andhe states ‘I’d prefer that it was on the way to a zoo’ thanbeing ‘munched on by a whole bunch of bloodthirstytribesmen’ (8.3.99 Channel 4 2000-2100 To the Ends ofthe Earth).Lagos StoriesIn the week which ended with Nigeria going to the pollson 27 February, Channel 4’s Lagos Stories gave voice to fiveNigerians from a variety of backgrounds andperspectives. This short series of films was made byNigerian Stella Orakwue. The ‘access’ style of this seriesresulted in a portrayal which was distinct from mostprogrammes about developing world. In some sectionsof the sample, Africans were portrayed in stereotypicalterms with reference to tribalism (in news coverage oftourists murdered in Uganda) and savagery (in wildlifeprogrammes). However, in Lagos Stories each individualwas allowed to give a personal account of his/her life andhopes, conveying quite a different image. There was nonarrative or voice-over to detract from their stories. Allfive contributors expressed the wish for greaterdemocracy and prosperity for Nigeria. Accompanyingthe series, a Channel 4 website described the politicalbackground and history to Nigeria’s elections(www.channel4.com/nextstep.lagos_stories/intro.html).Channel 4 News ends at either 1950 or 1955. From thenuntil the 2000 broadcast of either Brookside or adocumentary, there is a five or ten minute slot eachweekday. Throughout the first three months of 1999, avariety of week-long series were shown at these times. Forexample, during the sample of 11 – 18 January, there wasa series called Gilbert and Sullivan: the Very Models whichwas an animation about the operatic partnership. TheFebruary sample (16 – 23 February) cut across two weeks.A series called Zoom focused on London Fashion Week,from 8 to 12 February. Lagos Stories was screened thefollowing week, from 22 to 26 February. During the sameweek, Channel Four News reported from Nigeria on 25, 26and Saturday 27 February, the day of the election. TheChannel Four website which accompanied the LagosStories series summarised the situations of eachindividual as follows:Monday 22/2/99: Doyin Abiola runs the ConcordNewspaper Group in Lagos and is the wife of ChiefMoshood Abiola, who won the last Nigerian presidentialelections in June 1993. The military cancelled thoseelections and jailed Chief Abiola, which led to nationalchaos. Chief Abiola died last year still in detention. In herfirst interview for British television, Doyin Abiola talksabout the man she knew as her husband, and attacks themilitary culture which she says has bastardised thecountry.Tuesday 23/2/99: Beko Ransome-Kuti, a medicaldoctor, is the chairman of the Campaign for Democracy– a thorn in the side of the government. He was jailed forthree years for allegedly masterminding a coup attemptand was released last summer. Dr Ransome-Kuti says it’snot elections that Nigeria needs but rather the removal ofthe stranglehold on the country’s institutions by peoplefrom the power-wielding north of the country. DrRansome-Kuti’s brother was the legendary musicianFela, who died in 1997 when Beko was still in prison.Wednesday 24/2/99: Senator Kofo Buckner-Akerelehas just been elected as the deputy governor of LagosState. She was an active campaigner for democracyduring the 1990’s. Now her attention is focused onimproving the appalling infrastructure and socialconditions in Lagos. She believes that attracting Westernprivate enterprise is the way to jump-start the economy.Thursday 25/2/99: Orlando Julius is one of Nigeria’sleading musicians – but he’s been living in the West for 25years. Now he has decided to return to Lagos for good. Hismission is to build a recording studio and to help youngmusicians. He believes Nigerians living abroad shouldreturn home to help their country go forward.Friday 26/2/99: Amos Adetunji is married with twoyoung daughters and lives in Lagos, but thanks towinning a United States visa in a lottery, Amos and his82 DFID – July 2000
family are about to leave Nigeria for the USA. He blameshis decision to emigrate on the economic state of thecountry. He still planned to vote in the presidentialelection.This overview of the series indicates the range ofbackgrounds of those involved. The first two of theseprogrammes actually fell in the sample week. Both DoyinAbiola and Dr. Kuti have lost family members who werein the forefront of the struggle for democracy in Nigeria.Each now continues to campaign for better conditionsand democracy for their fellow citizens. Doyin Abiolaspoke first, as the widow of the man who won theprevious presidential elections of 1993, but wasprevented by the military from leading the country. Asthe initial contributor she is the first to criticise thehistory of military rule in Nigeria. She comments:…the election was annulled and that was the beginning ofthe present mess that we are still in. He was imprisonedand he finally died there. The greatest tragedy that hasbefallen Africa is the introduction of the military intogovernment. (Lagos Stories: 22.2.99, 1950)Dr. Beko Ransome Kuti continued the discussion ofthe difficulties caused by military rule in the secondprogramme of the series. He described the origins of theCampaign for Democracy, which involved studentgroups, lecturers, unions and human rightsorganisations joining together in 1991, with thecommon aim of restructuring the country bothgeographically and institutionally. The film was shot inhis redundant medical surgery, where he was surroundedby the clutter of books and medical equipment which heis forbidden to use because of his political interests. Atthe time Lagos Stories was filmed, Beko Kuti had beenwithout electric light for four days. The lack ofinfrastructure in Nigeria means that many live withoutelectricity and water. He was writing to the relevantauthority to complain, but did not expect to see thesituation improve in the near future:We’ll see whether something will happen over the nextday or week or month. That’s the frustration we face.(Lagos Stories: 23.2.99)These two individuals, allowed to speakuninterrupted, presented as educated and dignifiedAfrican people, struggling to live within an iniquitousmilitary regime. They demonstrated a commitment toworking for democracy for the people of Nigeria, despiteconsiderable personal losses. Given the very brief timeallowed each speaker in the series, information about thehistory and political background of Nigeria wasnecessarily limited. So while viewers had an opportunityto hear these stories, there was little explanation of howthe circumstances of these people had arisen. TheChannel Four News features which were broadcast thesame week provided additional information aboutcurrent conflicts in Nigerian society. However, for thoseviewers who had access to the internet, more helpfulhistorical background and explanation were madeavailable in Channel 4’’s website. Limited numbers ofviewers therefore would have been able to complementthe series with a greater depth of information from thewebsite.Doyin Abiola’s criticisms of the military in Nigeriaare backed up by the website’s description of the brutalityof General Sani Abacha’s rule. Abacha seized powerduring the political crisis which ensued following theannulment of the 1993 election and Abiola’simprisonment.Throughout his regime Abacha showed a flagrantdisregard for human rights, freedom of speech anddemocracy. Thousands of people were detained, manyfled the country, killings and human rights atrocitieswere widespread. Minority movements that attempted tosecure control over their environments and oppose thegovernment were brutally suppressed.The difficulties described by Beko Keta with hispower supply and resulting lack of light could easily beperceived by viewers as the result of living in anundeveloped country. Viewers who also watched Channel4 News later the same week would have had access tocomments about the management of Nigeria’s oilwealth:They found oil here in the Niger Delta in 1958. But sinceindependence successive military and civiliangovernments have wasted all the money the country’searned from it. (Channel 4: 25.2.99, 1900)The irony of this situation also becomes clear with theinformation from the website:Nigeria is the only oil-rich country in sub-SaharanAfrica: oil accounts for 95% of the country’s exportrevenue.Other media sources of information were available onNigeria around the time Lagos Stories was shown. Thecandidate expected to win the impending presidentialelections was General Obasanjo. An Observer newspaperarticle on 21/2/99 stated that Obasanjo was militaryruler of Nigeria between 1976 and 1979. DuringObasanjo’s period as military ruler, the army and policeraided the compound founded by Beko’s famousmusician brother Fela Kuti, who was responsible forfounding the underground musical movement Afrobeat.DFID – July 2000 83
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issuesDFIDDepartmentforInternationa
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Introduction to the Three-Part Stud
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MethodologiesI. Content study condu
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III. Production study conducted by
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ContentsA. Key Findings 3A.1. Conte
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B. SummariesB.1.Content Study(Glasg
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ulletins, followed by aid/developme
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travel/adventure programmes in the
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EXERCISE 4: COMIC RELIEFGroups were
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Cookery programmes seemed to bring
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Content and Audience Studies(Glasgo
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events. Jamaica featured only in sp
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Comparing Figures 1, 2 and 3 shows
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Figure 6: BBC coverage of the devel
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and Newsnight were also much more l
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Figure 1: Number of references made
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Newscaster: Well of course they may
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A fifth possible consequence of the
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- Page 127 and 128: HISTORYPinochet and Allende: The An
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quarters of an hour to phone and th
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think of China as being quite an in
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selective (in relation to the issue
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1st: They haven’t even got an eco
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government would have to really get
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world as not much more than a serie
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F. Appendix: Countries of the devel
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G. Production Study (3WE)G.1.G.1.1.
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NEWSRichard Ayre, Deputy Chief Exec
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policymakers/commissioning editors
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G.2.2.6. Belief in regulatory prote
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gloomy, so we call our programmes
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“There may be more caution about
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what their audience wants and we le
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“Problems and issues have traditi
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“You still need substance, but no
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“The programmes aren’t of inter
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G.5.3. What does work on television
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“Pre-trailed news stories are bec
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“It seems that documentaries are
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H. ConclusionTelevision output that
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I. RecommendationsIt could therefor
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editors it has been pursued with in