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THE CARBON WAR

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156<br />

The Winning of The Carbon War<br />

fuels. It depicts an oil barrel as a young woman, complete with pink hair ribbon,<br />

lipstick and red high-heeled red shoes, who has a boyfriend who has made the<br />

mistake of dumping her. She finds a splendid new boyfriend. The ill-advised<br />

one freezes in the dark, absent the oil barrel in his life.<br />

Is this seriously the best they can do?<br />

A group of young women in the UK Youth Climate Coalition decide to<br />

put together an immediate response. In its devastatingly understated humour<br />

it immediately strikes me as a perfect illustration of how the communications<br />

battle is likely to play out as the carbon war enters its endgame.<br />

A series of young women speak direct to camera.<br />

“My ex was a fossil fuel”, admits the first. She and others then explain why<br />

they have dumped their fossil fuels.<br />

“One day he was up, the next down. So volatile.”<br />

“He didn’t exactly scream long term to me.”<br />

“Before I knew it, there would be some new disaster that he would never<br />

take any responsibility for.”<br />

“He said he was going to clean up his act, but it was a total lie.”<br />

“Whilst it might make life quite convenient” (this one is washing dishes<br />

as she speaks reflectively to camera), “and he might go on about how I could<br />

never live without him, actually” – she pauses for effect – “there are plenty of<br />

alternatives.”<br />

And that is how I close my LSE talk, on that killer sentence, from a splendid<br />

young amateur actress, campaigning for climate action.<br />

There are plenty of alternatives.<br />

London, 5 th March 2015<br />

In the headquarters of the BBC, I sit talking with veteran environment correspondent,<br />

Roger Harrabin. I am accompanied by my Solarcentury colleagues<br />

Frans van den Heuvel and Sarah Allison. We want to explore with Roger whether<br />

there are ways that solar energy can be better covered on television.<br />

Hundreds of journalists and producers sit at long tables in an open-plan<br />

hall, staring at screens and tapping at keyboards. There are other floors just<br />

like this, visible through the glass that the whole building seems to be made<br />

of. All the BBC’s many outlets are based here: television and radio, national<br />

and international.

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