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CASE STUDIES FROM AFRICA

30769-doc-services_exports_for_growth_and_development_africa

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Table 19: Distribution of Activities by Cultural Sectors<br />

Activities<br />

Visual arts and<br />

crafts<br />

Audiovisual and<br />

interactive media<br />

Music and sound<br />

recording<br />

Training/advisory<br />

services<br />

Distribution Additional information<br />

29% 93,936 crafts items were exported in 2012 for a total value of CFAF 392 million.<br />

14% There are about 50 production companies, 14 TV stations, and 143 radio stations.<br />

12%<br />

5,512 artists were registered in the National Bureau of Copyright as of December<br />

2012.<br />

11% There are about 10 specialised training schools and institutions.<br />

Performing arts 10%<br />

More than 2,000 artist groups were registered in 2005, of which half are still<br />

active.<br />

Cultural events 10% 112 festivals are registered in Burkina Faso, of which 34 are active.<br />

Books and press 8% There are about 30 publishers and 60 printing companies in Burkina Faso.<br />

Cultural and<br />

natural heritage<br />

6% There are 44 cultural and natural sites including 7 active museums.<br />

Source: BBEAC (2012).<br />

But the distribution of activities by cultural sector doesn’t reflect the impact that each sector can<br />

have. Thus, the cultural heritage of Burkina Faso is certainly the main triggering factor for<br />

outsiders to either visit or consume local products and services. It constitutes the backbone of<br />

most cultural products and services.<br />

Table 20: Distribution of Registered Governmental Cultural Institutions and Enterprises in<br />

Burkina Faso (2010)<br />

Categories #<br />

Central and cross-cutting technical services of the Ministry of Culture and Tourism 11<br />

Departments linked to the Ministry of Culture and Tourism 8<br />

Decentralised departments (regional departments of culture and tourism) 13<br />

Professional organisations 49<br />

Cultural enterprises (spaces for creation, production, and distribution) 245<br />

Training schools and institutions 26<br />

Cultural buildings and establishments 56<br />

Source: Ministry of Culture and Tourism (2010).<br />

It is essential to underline that small businesses (less than 10 employees), micro-businesses, and<br />

self-employed freelancers essentially dominate the sector. On average these companies employ<br />

not more than five persons. There is a “missing middle” syndrome: there are very few mediumsized<br />

companies in comparison to the number of SMEs mostly based in and around<br />

Ouagadougou (see Table 45 in the annex for details). Only a few actors and major cultural<br />

events are located outside of the central region. The common features of micro-businesses and<br />

SMEs in the cultural services industry are that:<br />

<br />

<br />

There is a lack of business skills and financial support to develop business and growth<br />

strategies, perform financial planning and provide marketing.<br />

They are often dependent on public investment schemes (notably in cinema, but also in<br />

a wide range of performing sectors such as dance, opera, theatre).<br />

Finally, it should be stressed that while the cultural market is becoming more and more global,<br />

the cultural services industry of Burkina Faso has remained essentially regional or national.<br />

240

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