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art-e-conomy _ reader - marko stamenkovic

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(1) The capitalist economic system is characterized by:<br />

(a) the market value of an expanding exchange of commodities,<br />

(b) private property and ownership of the means of production,<br />

(c) market laws (based upon offer and need) that dictate the economic life,<br />

(d) a self-oriented logic of interest supports the forces of labor.<br />

(2) The socialist economic system, on the other hand, is determined by:<br />

(a) the exploitation of production systems according to the human needs,<br />

(b) collective social property and ownership of wealth,<br />

(c) planned and rational organization of production and distribution of resources,<br />

(d) cooperative work for the benefit of the entire society. [16]<br />

However, depending on specific economic and political circumstances (as well as<br />

on different cultural and historical backgrounds), different societies have developed<br />

p<strong>art</strong>icular models of either capitalism or socialism, according to the given conditions.<br />

Therefore it is more than incorrect to perceive the global state of e<strong>conomy</strong> from a<br />

perspective that perpetuates a Cold War-idea about socialism as being a single resistant<br />

alternative to capitalism, but rather to think in contemporary terms of capitalisms and<br />

socialisms[17], or (more precisely) – of capitalisms and alter-capitalisms. It is true,<br />

however, that with respect to the Eastern European post-socialist <strong>art</strong> and culture we<br />

are still conditioned by the fact that socialism, in its real, existing form had presented<br />

a counter-model for capitalism until its collapse.<br />

Alongside with the economic shift taking place in this p<strong>art</strong> of Europe in the last two<br />

decades, after the fall of the communist regimes, <strong>art</strong>-e-<strong>conomy</strong> addresses the topics<br />

such as: reform of political and state institutions, relationships between institutional<br />

and legal reforms and e<strong>conomy</strong>, reform of judiciary, integration into the international<br />

community, macroeconomic trends, privatization, business environment, financial<br />

sector reform, investments and investing, public finances, social policy and social<br />

security, labor market reform, infrastructure reform, etc. It is specifically focused on<br />

institutions and organizations that, within the larger European scope, initiate and<br />

realize projects and programs dealing with the intersection between contemporary<br />

<strong>art</strong>, corporate world, and economic identities.<br />

The central topic to what <strong>art</strong>-e-<strong>conomy</strong> is intended to convey is a notion of<br />

contemporary <strong>art</strong> as subject to the worldwide economic changes nowadays. Provided<br />

that some <strong>art</strong>ists are critical about the issue of e<strong>conomy</strong>, while others take an outright<br />

affirmative position, <strong>art</strong>-e-<strong>conomy</strong> explores various aspects of visual practices today<br />

that are able to offer diverse positions with regard to contemporary global capitalism<br />

and the neo-liberal discourse in the world of economics and in the media. Through<br />

analyses of economic and organizational mechanisms in the contemporary <strong>art</strong> projects<br />

and <strong>art</strong>-works, <strong>art</strong>-e-<strong>conomy</strong> aims at establishing an explicit relationship between<br />

contemporary <strong>art</strong> and e<strong>conomy</strong>, while fostering the <strong>art</strong>iculation of various practices<br />

of <strong>art</strong>istic intervention related to the conditions of working, living, and acting in the<br />

field of Global Capitalism. Through a creative (both affirmative and critical) approach,<br />

<strong>art</strong>-e-<strong>conomy</strong> attempts to give a selected analytical overview of the most significant<br />

actual protagonists, programs and projects dealing with the relationship between<br />

<strong>art</strong>istic and economic issues, involving both the theoretical dimension and direct<br />

19

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