art-e-conomy _ reader - marko stamenkovic
art-e-conomy _ reader - marko stamenkovic
art-e-conomy _ reader - marko stamenkovic
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
(1) The capitalist economic system is characterized by:<br />
(a) the market value of an expanding exchange of commodities,<br />
(b) private property and ownership of the means of production,<br />
(c) market laws (based upon offer and need) that dictate the economic life,<br />
(d) a self-oriented logic of interest supports the forces of labor.<br />
(2) The socialist economic system, on the other hand, is determined by:<br />
(a) the exploitation of production systems according to the human needs,<br />
(b) collective social property and ownership of wealth,<br />
(c) planned and rational organization of production and distribution of resources,<br />
(d) cooperative work for the benefit of the entire society. [16]<br />
However, depending on specific economic and political circumstances (as well as<br />
on different cultural and historical backgrounds), different societies have developed<br />
p<strong>art</strong>icular models of either capitalism or socialism, according to the given conditions.<br />
Therefore it is more than incorrect to perceive the global state of e<strong>conomy</strong> from a<br />
perspective that perpetuates a Cold War-idea about socialism as being a single resistant<br />
alternative to capitalism, but rather to think in contemporary terms of capitalisms and<br />
socialisms[17], or (more precisely) – of capitalisms and alter-capitalisms. It is true,<br />
however, that with respect to the Eastern European post-socialist <strong>art</strong> and culture we<br />
are still conditioned by the fact that socialism, in its real, existing form had presented<br />
a counter-model for capitalism until its collapse.<br />
Alongside with the economic shift taking place in this p<strong>art</strong> of Europe in the last two<br />
decades, after the fall of the communist regimes, <strong>art</strong>-e-<strong>conomy</strong> addresses the topics<br />
such as: reform of political and state institutions, relationships between institutional<br />
and legal reforms and e<strong>conomy</strong>, reform of judiciary, integration into the international<br />
community, macroeconomic trends, privatization, business environment, financial<br />
sector reform, investments and investing, public finances, social policy and social<br />
security, labor market reform, infrastructure reform, etc. It is specifically focused on<br />
institutions and organizations that, within the larger European scope, initiate and<br />
realize projects and programs dealing with the intersection between contemporary<br />
<strong>art</strong>, corporate world, and economic identities.<br />
The central topic to what <strong>art</strong>-e-<strong>conomy</strong> is intended to convey is a notion of<br />
contemporary <strong>art</strong> as subject to the worldwide economic changes nowadays. Provided<br />
that some <strong>art</strong>ists are critical about the issue of e<strong>conomy</strong>, while others take an outright<br />
affirmative position, <strong>art</strong>-e-<strong>conomy</strong> explores various aspects of visual practices today<br />
that are able to offer diverse positions with regard to contemporary global capitalism<br />
and the neo-liberal discourse in the world of economics and in the media. Through<br />
analyses of economic and organizational mechanisms in the contemporary <strong>art</strong> projects<br />
and <strong>art</strong>-works, <strong>art</strong>-e-<strong>conomy</strong> aims at establishing an explicit relationship between<br />
contemporary <strong>art</strong> and e<strong>conomy</strong>, while fostering the <strong>art</strong>iculation of various practices<br />
of <strong>art</strong>istic intervention related to the conditions of working, living, and acting in the<br />
field of Global Capitalism. Through a creative (both affirmative and critical) approach,<br />
<strong>art</strong>-e-<strong>conomy</strong> attempts to give a selected analytical overview of the most significant<br />
actual protagonists, programs and projects dealing with the relationship between<br />
<strong>art</strong>istic and economic issues, involving both the theoretical dimension and direct<br />
19