art-e-conomy _ reader - marko stamenkovic

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the collaborations evolved from purely technical problem solving to win-win relationships
between the company and the artists. He is co-founder of Arteconomy and member of
the board of several professional associations and professional advisory boards in both
profit and non-profit sectors. He also gives lectures regarding entrepreneurship for high
school and college students.
Charlotte Bonduel
Born 1978 in Brugge. Studied philosophy at the Catholic University of Leuven and obtained
a postgraduate degree in journalism at the VLEKHO in Brussels. As a Phd student at
the Free University of Brussels (aesthetics), she collaborates on the development of a
platform for artistic activities within the academic framework. She is co-editor, author and
director of publication of Janus, a magazine that questions and favors border-crossing
between disciplines.
Elena Filipovic
Born 1972 in Los Angeles, USA; based in Brussels, Belgium. She is an art historian, critic,
and independent curator completing a Ph.D at Princeton University, USA. She is editor (with
Barbara Vanderlinden) of The Manifesta Decade: Debates on Contemporary Art Exhibitions
and Biennials in Post-Wall Europe recently published by Roomade and MIT Press. Her
other projects have included being assistant curator for Do You Believe In Reality? Taipei
Biennial (2004) and Utopia Station (50th Venice Biennale, 2003; Haus der Kunst Munich,
2004–5). She is a frequent contributor to Frieze and has written for numerous other art
publications. She is the author of the exhibition Let Everything Be Temporary for Apex Art
in New York (2007) and the first Latin American retrospective of Marcel Duchamp’s work
for the PROA Foundation in Buenos Aires to open in 2008. She is appointed co-curator
of the 5th berlin biennial in 2008, together with Adam Szymczyk.
Nina Möntmann
Born 1969. She is a curator and writer, based in Hamburg (Germany) and Stockholm
(Sweden). She is currently Professor and Head of Department of Art Theory and the
History of Ideas at the Royal University College of Fine Arts in Stockholm. From 2003 to
2006 she was curator at NIFCA, the Nordic Institute for Contemporary Art in Helsinki.
Independently curated exhibitions include Impossible India. Parallel Economies and
Collective Art Production, Frankfurter Kunstverein 2005, the Pavilion of the Republic of
Armenia at the 52nd Biennale in Venice, 2007. She is a correspondent for Artforum and
contributes to Le Monde Diplomatique, metropolis m, Frieze and Parachute. Selected
publications: Nina Möntmann (ed.) Art and Its Institutions. Current Conflicts, Critique and
Collaborations, London (Blackdog Publishing) 2006; Nina Möntmann, Yilmaz Dziewior
(ed.), Mapping a City, Ostfildern bei Stuttgart (Cantz Verlag), 2004; Nina Möntmann,
Kunst als sozialer Raum, Köln (Verlag der Buchhandlung Walther König) 2002 and
others. Teaching includes a guest professorship at the Art Academy in Bremen, lecturer
at the University of Hamburg Dept. of Art History, Art School in Umeå/Sweden, and the
Piet Zwart Institute in Rotterdam.