art-e-conomy _ reader - marko stamenkovic

Bonn, Stuttgart, Leipzig, London, etc, and she was one of the curators of the International
Biennale of Contemporary Art 2005 – National Gallery in Prague. She is a member of
AICA (from 1995) and of IKT (from 2005). Her publications include Capital and Gender,
edited by S. Milevska (Skopje, 2001); “The Readymade and the Question of Fabrication
of Objects and Subjects” in Primary Documents - A Sourcebook for Eastern and Central
European Art since the 1950s (New York, 2002); “The portrait of an artist as a young
‘strategic essentialist’” in Tanja Ostojić - Strategies of Success / Curators Series 2001-
2003 (Belgrade, 2004); “Curatorial Labyrinths in Macedonia”, Men in Black – Handbook
of Curatorial Practice, edited by C. Tannert/U. Tischchler, Kűnstlerhaus Bethanien (Berlin,
2004); “Hesitations, or About Political and Cultural Territories” in Cultural Territories, edited
by B. Steiner, J. Schäfer and I. Koralova (Köln, 2005); “Is Balkan Art History Global” in Is
Art History Global, edited by J. Elkins (New York, 2006).
Marina Sorbello
A curator, journalist and art-critic based in Berlin, Germany. She writes for publications
such as The Art Newspaper, London, Tema Celeste, Milan, and the daily newspaper Il
Manifesto, Rome. Among her current projects are the exhibition “This Land is My Land”
(Kunsthalle Nurnberg and NGBK - Neue Gesellschaft fuer Bildende Kunst, Berlin, 2006),
and the itinerant film and video exhibition “Transient Spaces” (in cooperation with the
Goethe Institut, different venues, 2007). In 2005 she conceived and organized with A.
Weitzel the international conference “KLARTEXT! The Status of the Political in Contemporary
Art and Culture”, (Kuenstlerhaus Bethanien and Volksbuehne am Rosa Luxemburg Platz,
Berlin, 2005, www.klartext-konferenz.net). She is co-founder and member of UQBAR -
Gesellschaft für Repräsentationsforschung e.V., an artistic and cultural structure operating
in and from Berlin.
Doris Rothauer
Born 1961, based in Vienna, Austria. She is an economist, working since 1986 as a cultural
manager, curator and adviser on the topic of connections and intersections between art
and economics, as well as on the general field of the contemporary visual culture. She
used to work for the MUMOK – Museum moderner Kunst Wien, Wiener Secession, as well
as for the festivals Wiener Festwochen and steirischer herbst. She was the Director of
Künstlerhaus Wien in the period 1997-2002. She has published numerous publications,
among which Struktur & Strategie im Kunstbetrieb. Tendenzen der Professionalisierung
(WUV Verlag, Wien 1996, edited together with Harald Krämer), Third Places. Fußball,
Videospiele, Musikvideos in Graz-West (REVOLVER Archiv für aktuelle Kunst, Frankfurt/
Main 2004, edited together with steirischen herbst Graz), and Kreativitat und Käpital.
Kunst und Wirtschaft im Umbruch (WUV Verlag, Wien 2005). She is currently engaged as
a lecturer at the Vienna University of Applied Arts. Since January 2006 she has directed
BÜRO FÜR TRANSFER, a consulting agency for companies and project management in
the domains of knowledge transfer and creativity between art/culture and economics.
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