art-e-conomy _ reader - marko stamenkovic

Saskia Sassen, “Economy and Art Today: Design as Blurring Mediation/Art as Intervention“,
based upon S. Sassen, Territory, Authority, Rights: From Medieval to Global Assemblages,
Princeton, NJ: Princeton University Press, 2006.
Julian Stallabrass, “Free Trade / Free Art“, in Neil Cummings/ Marysia Lewandowska, Free Trade,
Manchester: Manchester Art Gallery, 2003, 34-40.
Martin Ferro-Thomsen, “Change through Exchange: Organisational Art and Learning“, in Sophisticated
Survival Techniques. Strategies in Art and Economy. Product and Vision - Reader (Brellochs and
Schrat, eds.), Berlin: Kulturverlag Kadmos, 2005, 182-197.
Julie Vandenbroucke & Michel Espeel, “arteconomy.be”, originally published as: “Arteconomy
in staat van verbinding“ (by Charlotte Bonduel), in art magazine, February 15, 2007; and
as “Kunst en onderneming vandaag” (by Michel Espeel), in Artists and Entrepreneurs: A New
Relationship, Marc Ruyters (ed.), LannooCampus and Arteconomy, October 2006, January 2007.
Elena Filipovic, “The Global White Cube“, in The Manifesta Decade: Debates on Contemporary Art
Exhibitions and Biennials in Post-Wall Europe, Barbara Vanderlinden and Elena Filipovic (eds.),
Cambridge, MA & Brussels: The MIT Press & Roomade, 2006, 63-84.
Nina Möntmann, “Art and Economy“, in Parachute: Contemporary Art Magazine, Nr. 110, April-
June, 2003, 110-121
Pier Luigi Sacco & Marco Senaldi, “Zero Interest! - Artistic Strategies for an Economy in Crisis”, in
Workartonline, Galleria Civica di arte Contemporanea di Trento, 2005
Žarko Paić, “The Spectacle Of The Nature Of Capital“, in Tvrđja, 1-2, Društvo hrvatskih pisaca [Croatian
Writers Society], Zagreb, 2005, 300-309.
Marina Gržinić, “Performative Alternative Economics“, in Alternative Economics, Alternative Societies,
Oliver Ressler and New Media Center_kuda.org (eds.), Novi Sad & Frankfurt a/M: kuda.org & Revolver,
Archiv fur aktuelle Kunst, 2005, 21-25.
Susanne Altmann, “Artists Strike Back – Responses to Symptoms of Economic Misery“, in Umelec
3/2004, 59-65.
Walter Seidl, “Economic Interventions on an Artistic Scale: The Life of Plamen Dejanoff“, in Život
Umjetnosti – Magazine for Contemporary Visual Art, No. 69/03, Zagreb, 2003, 4-9.
Suzana Milevska, “The Ready-Made and the Question of the Fabrication of Objects and Subjects“,
in Primary Documents - A Sourcebook for Eastern and Central European Art since the 1950s, Laura
Hoptman and Tomas Pospiszyl (eds.), New York: The Museum of Modern Art, 2002, 182-191.
Marina Sorbello, “Eastwards: A Panel Discussion - About the Emerging Art Markets of the New
Europe“, in ARTMargins, Contemporary Central and Eastern European Visual culture, 2006, June
15, Santa Barbara: University of California, www.artmargins.com/content/interview/sorbello.htm
Doris Rothauer, “Die Kreativwirtschaft und das Ende der Kunst“, in D. Rothauer, Kreativität &
Kapital, Kunst und Wirtschaft im Umbruch, Vienna: WUV Verlag, 2005, 8-16.
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