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art/vision/voice - Maryland Institute College of Art

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108 <strong>art</strong> / <strong>vision</strong> / <strong>voice</strong><br />

mapping. Having students visit, observe, and meet people in the community<br />

prior to developing and implementing projects there helps to provide a<br />

deeper understanding <strong>of</strong> what is needed and what assets already exist—<br />

and to help students appreciate the resiliency and motivation <strong>of</strong> the<br />

youth they will serve.<br />

An assets-based model recognizes that community knowledge and<br />

the cultural aesthetic <strong>of</strong> those we serve is a critical p<strong>art</strong> <strong>of</strong> a successful<br />

pedagogy. Assets-based pedagogy has implications for other curricula,<br />

mandating increasing diversity in <strong>art</strong> history, for example, and openness<br />

in the aesthetics <strong>of</strong> studio practice.<br />

Successful projects, p<strong>art</strong>icularly those that included effective conflict<br />

resolution when things went awry, were marked by an emphasis on<br />

listening, reciprocity, and negotiation. The case-based approach to learning<br />

allows us to accumulate precedents for effective practice—what works in<br />

p<strong>art</strong>icular situations. Effective practices that run through all the cases fell<br />

into three general categories—establishing strong relationships, preparing<br />

college students effectively, and creating a positive learning environment.<br />

Building strong relationships requires:<br />

v Maintaining respect and trust.<br />

v Acknowledging the reality <strong>of</strong> the youth we serve, and understanding<br />

their lives.<br />

v Using the past to predict the future, and seeing change over time.<br />

Preparing college students to plan and implement effective projects requires:<br />

v Practicing social analysis and community research.<br />

v Developing cross-cultural skills.<br />

v Working with youth and their families to design the projects.<br />

v A period <strong>of</strong> planning and discussion before projects are set.<br />

v Enhancing communication and planning in team-teaching models.<br />

v Including the aesthetic and cultural values <strong>of</strong> our p<strong>art</strong>ners in the<br />

project goals.<br />

Creating a good learning environment and a positive experience<br />

for community requires the ability to make use <strong>of</strong> the dynamic<br />

moment <strong>of</strong> creating:<br />

v Flexibility.<br />

v Collaboration.<br />

v Consistent communication.<br />

v Responsiveness.

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