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art/vision/voice - Maryland Institute College of Art

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86 <strong>art</strong> / <strong>vision</strong> / <strong>voice</strong><br />

iii. case narrative<br />

<strong>voice</strong>s:<br />

Elizabeth Ross, ruap Coordinator: a 33-year-old white woman who was<br />

raised in a racially and culturally diverse family, graduate <strong>of</strong> csumb<br />

Johanna Poethig, Pr<strong>of</strong>essor in csumb is Dep<strong>art</strong>ment <strong>of</strong> Visual and Public<br />

<strong>Art</strong>; a nationally known <strong>art</strong>ist whose work in public <strong>art</strong> and socially engaged<br />

media has been widely recognized<br />

Anna Perez Rick, an undergraduate student in the csumb’s digital mural class<br />

Duane Shima, a tech assistant for the digital mural class<br />

Mike Chavez, Counselor and Teacher, Fenix Youth Services, a gangintervention<br />

youth group<br />

Linda Leigh, Administrator for the Santa Cruz County Office <strong>of</strong> Education<br />

in charge <strong>of</strong> Watsonville Community School<br />

When the csumb Digital Media Lab students began their year-long<br />

p<strong>art</strong>nership with Watsonville Community School, Proposition 21,<br />

legislation pending in California, was threatening to further criminalize<br />

youth whose social behavior, dress, or geographical location could be<br />

interpreted as “gang-like.” Many <strong>of</strong> the university students p<strong>art</strong>icipating<br />

in the project were gravely concerned that the Watsonville youth—many<br />

<strong>of</strong> whom had been removed from regular schools for truancy and<br />

behavior problems—would be adversely affected by these new<br />

draconian measures.<br />

The ruap service-learning curriculum that supported the digital<br />

mural class aimed at helping university students understand the issues<br />

<strong>of</strong> class, race, and violence that contributed to conditions <strong>of</strong> risk for the<br />

youth. In trying to get to know their p<strong>art</strong>ners in this project, csumb<br />

students weighed heavily these conditions and began to en<strong>vision</strong> a bus<br />

shelter image that would educate the larger public to the political<br />

realities <strong>of</strong> this social justice issue.<br />

The Watsonville youth p<strong>art</strong>ners met one-on-one with the csumb<br />

students to begin creating preliminary images. Most themes that<br />

emerged from these meetings focused on gangs, incarceration, stopping<br />

the violence, controlling anger, and hopes for education. In the midst<br />

<strong>of</strong> the process <strong>of</strong> designing the image campaign, however, something<br />

began to change, and this change would become the key to achieving<br />

the ruap goal <strong>of</strong> reciprocity in this project.<br />

P<strong>art</strong>icipating youth began regular visits to csumb’s campus to use<br />

the Digital Media Lab, and university students began to visit the youth<br />

at Watsonville. The group continued to pursue their discussions <strong>of</strong> the<br />

issues <strong>of</strong> youth anger and hopelessness. With the help <strong>of</strong> their csumb<br />

p<strong>art</strong>ners, the youth wrote expressions <strong>of</strong> their deep emotions, and the<br />

words tumbled out.

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