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art/vision/voice - Maryland Institute College of Art

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Tomas Atencio, Talk To Me, American Conversations,<br />

Arcadia Pictures, 1997.<br />

conclusion: la resolana 111<br />

the communities served, illuminate the students’ struggles, and give<br />

insight into the difficulty <strong>of</strong> changing institutions aimed at educating<br />

<strong>art</strong>ists. The curricula developed in these programs are, for some,<br />

the first <strong>of</strong> their kind, and herald a new generation <strong>of</strong> <strong>art</strong> preparation<br />

in fine <strong>art</strong>s institutions. They were born out <strong>of</strong> the resistance to a<br />

model that many <strong>of</strong> us felt had failed us in preparing us to be <strong>art</strong>ists.<br />

In the pedagogy and practices <strong>of</strong> the cap programs, storytelling has<br />

become a way to learn, to reinvent, and to perfect how we teach, learn,<br />

and make <strong>art</strong>. Tomas Atencio tells us that “the best way to capture<br />

history is through the stories people tell <strong>of</strong> themselves”<br />

These are our stories. This is our history.

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