art/vision/voice - Maryland Institute College of Art
art/vision/voice - Maryland Institute College of Art
art/vision/voice - Maryland Institute College of Art
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case study: xavier university <strong>of</strong> louisiana 55<br />
I didn’t know that I was going to be a teacher when I left Xavier,<br />
because I figured that I was the dumbest kid in New Orleans when<br />
I graduated high school. When I got out <strong>of</strong> high school, I had, like,<br />
a D average. I was like third to the last kid in the class at Walter L.<br />
Cohen [High School]! So I had to get special permission to come<br />
to Xavier, and my counselor brought me here to meet Scott the first<br />
time and show my work to him. And then we had to meet other faculty<br />
members, and I was basically let in by special permission. So that<br />
gave me my opportunity. The first year I had to, in retrospect, I had<br />
to take courses before I could actually get credit for them. I had to<br />
sit in <strong>art</strong> history class every time it met. Whatever my experiences<br />
were prepared me for what I’m doing now, so with my kids, I’ll<br />
go the extra mile. That’s the p<strong>art</strong> that I pass on; where I know I have<br />
to go deeper.<br />
When I had all kinds <strong>of</strong> hassles and troubles and issues, I knew<br />
that they got addressed here, so that I was becoming a person, a<br />
human being, I wasn’t just becoming an <strong>art</strong>ist. I may have had that<br />
as my focus, but what I think is that it shaped the whole person. It<br />
shaped a personality. When I think <strong>of</strong> all the hats that I wear now,<br />
it’s amazing. Once I got in the community and st<strong>art</strong>ed rolling up<br />
my sleeves, I realized that this university, this experience that I had<br />
here, prepared me for all <strong>of</strong> that.<br />
I had kind <strong>of</strong> a mentor my senior year at Walter L. Cohen, Pat<br />
Jessie came and taught painting, she was an <strong>art</strong>ist-in-residence, and<br />
that got me really interested in doing murals in the Orleans Parish<br />
school system. So when I got to Xavier . . . I’d had exposure in a lot<br />
<strong>of</strong> different areas. So Scott, I used to say, he was just like me, he had<br />
all <strong>of</strong> these other interests that I have and so, when he was doing<br />
sets, when we did Purlie Victorious, I was right there with him until<br />
three o’clock in the morning. I made sure that I was there.<br />
john We used to do all <strong>of</strong> the sets for the operas they did at Xavier.<br />
richard And that kind <strong>of</strong> exposure led me to also doing set design in<br />
the New Orleans community. So I made use <strong>of</strong> everything that I got<br />
from here. And a lot <strong>of</strong> times, I feel myself speaking, talking like<br />
this man, and I say that’s what made me sm<strong>art</strong>. Somebody used to<br />
say, it doesn’t matter what you know when you get to college . . .<br />
john When you boil it all down, it’s really about the extended family in<br />
the black community. When I went to high school, they sent me to<br />
[Joseph S. Clark Senior High School]. I did not want to go to Clark. I<br />
had heard about Albert Jean at Booker T. [Washington High School],