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art/vision/voice - Maryland Institute College of Art

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case authors<br />

Julie F. Simpson,<br />

Carmel Avegnon Sanders,<br />

and Ann Wiens<br />

highlights from teaching practicum,<br />

a service-learning course <strong>of</strong>fered in<br />

columbia college chicago’s theater<br />

dep<strong>art</strong>ment in p<strong>art</strong>nership with<br />

association house <strong>of</strong> chicago and<br />

freestreet programs.<br />

Reaping the Benefits <strong>of</strong><br />

P<strong>art</strong>nerships Built on Trust<br />

Achieving Mutual Goals in a Three-Way<br />

Collaborative Project in Chicago<br />

Center for Community <strong>Art</strong>s P<strong>art</strong>nerships, Columbia <strong>College</strong> Chicago<br />

i. cap overview<br />

case study: columbia college chicago 31<br />

The largest <strong>art</strong>s and media college in the country, Columbia <strong>College</strong><br />

Chicago is a distinctly urban institution. Its mission mandates active<br />

involvement with its urban community, and students are expected to<br />

leave the confines <strong>of</strong> the studio and actively explore how their <strong>art</strong>istic<br />

practice might fit into society. The college considers civic engagement<br />

an integral element <strong>of</strong> its approach to higher education: the city is the<br />

classroom, and students not only contribute to their community, they<br />

also derive essential elements <strong>of</strong> their education through connections<br />

made outside institutional walls.<br />

In 1998, Columbia <strong>College</strong> Chicago established the Center for<br />

Community <strong>Art</strong>s P<strong>art</strong>nerships (ccap)— to formalize its commitment to<br />

college/community p<strong>art</strong>nership-building and provide a framework<br />

through which this process might take place. With significant early<br />

support from the Wallace Foundation, The Council <strong>of</strong> Independent<br />

<strong>College</strong>s, and The Chicago Community Trust, ccap embarked on a<br />

process designed to build effective, sustainable, <strong>art</strong>s-based p<strong>art</strong>nerships<br />

between the college and the communities <strong>of</strong> which it is a p<strong>art</strong>.<br />

This process began with ccap’s first major initiative, the Urban<br />

Missions Program, which became the foundation on which ccap’s<br />

p<strong>art</strong>nership-building approach has been built. Traditionally, college/<br />

community relationships have taken the form <strong>of</strong> outreach or community<br />

service, rather than true p<strong>art</strong>nership in which knowledge flows both ways.<br />

Higher education institutions are <strong>of</strong>ten viewed suspiciously by communitybased<br />

organizations as “800-pound gorillas,” vastly outweighing their<br />

collaborators in terms <strong>of</strong> financial resources and, therefore, power.<br />

ccap’s Urban Missions Program was deliberately structured to avoid<br />

such inequities. Based on the recognition that the community has much<br />

to <strong>of</strong>fer the college in terms <strong>of</strong> knowledge and expertise, Urban Missions<br />

was conceived as a p<strong>art</strong>nership process for the creation <strong>of</strong> communitybased,<br />

youth <strong>art</strong>s programming that is collaboratively conceived, mutually<br />

beneficial, and responsive to its p<strong>art</strong>icular community setting.

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