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art/vision/voice - Maryland Institute College of Art

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116 <strong>art</strong> / <strong>vision</strong> / <strong>voice</strong><br />

Visiting an <strong>Art</strong>ist’s Studio<br />

While project staff had other intentions when<br />

designing the activity—introducing the<br />

notion <strong>of</strong> going to college by visiting one cap<br />

leader’s studio on mica’s campus—a visit to<br />

an <strong>art</strong>ist’s studio proved seductive and<br />

fascinating in and <strong>of</strong> itself. Demonstrations<br />

with new materials and the opportunity to<br />

experiment with them caught attention,<br />

stimulated dialogue, and provided stimulus<br />

for the final project.<br />

Creating Community through <strong>Art</strong><br />

In what is reported here as “the best project,”<br />

p<strong>art</strong>icipants had the opportunity to do<br />

something as an individual and also to<br />

collaborate with others. The theme also appears<br />

to build on previous conversations about<br />

making parks safe and on the creation <strong>of</strong><br />

superheroes. Here, a box city was created.<br />

Internal motivation seems to have been engaged<br />

once again. Kids had the power to create a world<br />

they would like for themselves. Metaphorically,<br />

in making <strong>art</strong>, they were creating community.<br />

Taking Ownership: From the <strong>Art</strong> Club to<br />

“Our Club”<br />

Perhaps it does not get better than this: The<br />

last project empowered everyone—<br />

individuals and the group—so much so that<br />

the group really bonded. They felt the club<br />

belonged to them, they celebrated together in<br />

sharing their collective work with their<br />

families, and they were sad to have it end.<br />

So what did this <strong>art</strong> club accomplish?<br />

Commentary suggests it gave kids an activity<br />

they looked forward to. New relationships<br />

were formed among p<strong>art</strong>icipants from<br />

different streets. Some kids modified their<br />

typical street behaviors in front <strong>of</strong> adults who<br />

had earned their trust. Some even discovered<br />

that pleasure, and possibly a future career,<br />

could come from <strong>art</strong>. One cap member<br />

continued for a second year as a solo cap team<br />

leader at Banner. Another led a supplemental<br />

summer program, provided leadership for<br />

others in a year-long project, and may<br />

possibly continue as a club coordinator for<br />

Banner Neighborhoods.<br />

Thus, in spite <strong>of</strong> initial reservations and<br />

challenges, some lives seemed to have been<br />

changed for the better as a result <strong>of</strong> this project.<br />

Kids who were initially concerned about not<br />

being able to draw and were concerned about<br />

associating with strangers found new friends<br />

and new empowerment through <strong>art</strong>. mica<br />

students who initially were concerned about<br />

working with kids from a neighborhood very<br />

different from their own experience learned<br />

they could function well in that setting if they<br />

really tuned in to the kids. As well, Banner<br />

Neighborhoods appears to be so inspired that<br />

it may maintain this program independently.<br />

Learning How to Deliver On Its Vision<br />

The mica cap program embraces several<br />

tenets. These include being responsive to<br />

community needs and contexts, fostering a<br />

sense that all p<strong>art</strong>icipants, staff included, are<br />

teachers and learners, lifting up individual<br />

and collective “<strong>voice</strong>s,” and facilitating new<br />

and positive relationships and perspectives.<br />

Accomplishing this presents many challenges.<br />

As a case in point, this project at Banner<br />

Neighborhoods is instructive. Specifically, the<br />

following emerge as factors that appear to<br />

increase the odds <strong>of</strong> success.<br />

v Multiple players have to be involved to<br />

make such a program successful. Here the<br />

community self-identified its own needs,<br />

<strong>art</strong>ists and staff members experienced in<br />

running such programs got involved, and<br />

community p<strong>art</strong>icipants were recruited<br />

with local help.

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