art/vision/voice - Maryland Institute College of Art
art/vision/voice - Maryland Institute College of Art
art/vision/voice - Maryland Institute College of Art
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case study: california state university, monterey bay 89<br />
exterior <strong>of</strong> the world outside. The metaphor <strong>of</strong> weather gave birth to<br />
the project Looking in/Looking Out, and production began.<br />
In hopes <strong>of</strong> engaging them further, the youth were given cameras to<br />
take pictures <strong>of</strong> one another. These photo portraits inspired conversations<br />
about how the youth pictured themselves. csumb students st<strong>art</strong>ed to<br />
see another side <strong>of</strong> the youth. Soon the aspirations and dreams <strong>of</strong> the<br />
Watsonville youth became apparent in the conversations and in the<br />
development <strong>of</strong> their pictures.<br />
As the weeks passed, the csumb faculty began to observe a difference.<br />
The community youth began to express feelings <strong>of</strong> hope; even speaking<br />
<strong>of</strong> dreams they had for the future. Meeting with the youth s<strong>of</strong>tened<br />
the university students, and a questionnaire was developed about weather<br />
in response to the weather images that were emerging in the words<br />
<strong>of</strong> the youth.<br />
Completing this questionnaire, which asked the youth to think <strong>of</strong><br />
themselves in weather-related terms inspired creativity:<br />
“What weather are you?”<br />
“What weather best describes you when you are angry?”<br />
“What’s the weather like in your home?”<br />
“What kind <strong>of</strong> weather do you experience in school?”<br />
“Which elements do you feel best describe you: e<strong>art</strong>h, wind,<br />
fire, or water?”<br />
Youth were asked to match emotions to natural phenomena:<br />
flood rage<br />
snow joy<br />
desert hope<br />
e<strong>art</strong>hquake hate<br />
wind peace<br />
hail family<br />
clouds friendship<br />
rain frustrated<br />
forest death<br />
A bond began to develop—the csumb students and the community<br />
youth were only five years ap<strong>art</strong> in some cases, and they discovered that<br />
they <strong>of</strong>ten shared similar concerns. As relationships developed between the<br />
university students and community youth, the university students also<br />
began to see an innocence and hopefulness that they had previously<br />
not acknowledged in these young people.<br />
The photo portraits that the youth had taken would now become<br />
the basis for the digital <strong>art</strong> process. None <strong>of</strong> the youth had worked with<br />
computers, and not all <strong>of</strong> the university students had mastered the