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art/vision/voice - Maryland Institute College of Art

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looking in/looking out <strong>of</strong>fered an<br />

opportunity for students in watsonville<br />

community school to create virtual<br />

“windows” on their hopes and<br />

aspirations—a project inspired in p<strong>art</strong><br />

by dark and windowless hallways<br />

in the school.<br />

case study: california state university, monterey bay 85<br />

The p<strong>art</strong>nership project with Watsonville Community School grew<br />

out <strong>of</strong> something ruap had learned in its early planning stages: our<br />

community p<strong>art</strong>ners had expressed a desire to improve the public<br />

perception <strong>of</strong> their communities. The community leaders felt that the<br />

vibrant cultural life <strong>of</strong> their communities was missing from widely held<br />

perceptions, and that the media’s focus was only on negative images—<br />

gang violence, crime, drugs. In response, csumb’s Dep<strong>art</strong>ment <strong>of</strong> Visual<br />

and Public <strong>Art</strong>, through ruap, developed a series <strong>of</strong> projects in which<br />

our community p<strong>art</strong>ners could communicate the narratives, imagery,<br />

and critical social issues that they face. csumb ’s Dep<strong>art</strong>ment <strong>of</strong> Visual<br />

and Public <strong>Art</strong>’s digital lab was itself created in response to the need<br />

expressed by our community p<strong>art</strong>ners for a way to produce visual stories<br />

and responsive media that reflect under-represented communities.<br />

The subject <strong>of</strong> this case study, the ruap project entitled Looking<br />

In/Looking Out, teamed <strong>art</strong> students enrolled in a csumb digital mural<br />

class with youth from the Fenix Youth Services who were also attending<br />

Watsonville Community School.<br />

The university <strong>art</strong> students approached the project with a political<br />

perspective that turned out to be at odds with the priorities <strong>of</strong> the<br />

young people they were trying to serve. By listening to the youth, the<br />

ruap team was able to adapt their approach so that a project that was<br />

initially controlled by university students ended up transforming and<br />

empowering the community youth. Both the undergraduate and high<br />

school students ultimately overcame their differences to create<br />

“windows” that looked in at the dreams <strong>of</strong> the youth, and out to the<br />

world they would enter.

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