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art/vision/voice - Maryland Institute College of Art

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case study: california state university, monterey bay 83<br />

Most, but not all, <strong>of</strong> ruap ’s projects involve university students and<br />

faculty working with youth, either in the setting <strong>of</strong> the community<br />

p<strong>art</strong>ner or on campus. Our activities fall into five broad categories:<br />

v Community building (such as community <strong>art</strong>s summits held on campus).<br />

v Community-based projects (such as the annual Day <strong>of</strong> the Dead<br />

celebration).<br />

v Class-based projects (such as the posters and billboards created in our<br />

Large Scale Digital <strong>Art</strong> class with youth from a community p<strong>art</strong>ner).<br />

v Community faculty (people who come to campus to share their<br />

expertise with students and the public, such as a Senegalese musician<br />

who taught drumming and performance techniques).<br />

v Visiting <strong>art</strong>ists (such as Dawoud Bey, Tony Gleaton, and Albert Chong, three<br />

photographers whose work deals with issues <strong>of</strong> race and representation,<br />

who visited the campus during the spring semester <strong>of</strong> 2003).<br />

Amalia Mesa-Bains, Head <strong>of</strong> csumb’s Dep<strong>art</strong>ment <strong>of</strong> Visual and Public<br />

<strong>Art</strong> and Co-director <strong>of</strong> the Reciprocal University for the <strong>Art</strong>s Project, and<br />

Joan Weimer, Coordinator <strong>of</strong> ruap

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