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Practical_Photoshop__Issue_77__August_2017

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1<br />

MAKING A<br />

SELECTION<br />

You can make a<br />

lasso-like selection<br />

with the Patch tool<br />

over the problem<br />

area, or use another<br />

selection method<br />

then switch to the<br />

Patch tool. With the<br />

selection made, drag<br />

the patch to a similar<br />

area nearby to<br />

sample it. Where you<br />

drag is important:<br />

look for a similar<br />

but clear area, and<br />

follow the lines and<br />

shapes in the scene.<br />

PHOTOSHOP<br />

ANATOMY<br />

2 3<br />

1<br />

4 5<br />

6<br />

6<br />

BLEND A PATTERN<br />

Click Use Pattern<br />

and your selection<br />

is filled with the<br />

current pattern in<br />

the pattern picker.<br />

This might seem to<br />

have limited use,<br />

but it can be helpful<br />

if you need to add<br />

a texture to part of<br />

your image. More<br />

possibilities open<br />

up if you define an<br />

image as a pattern<br />

then sample it.<br />

2<br />

CONTENT-AWARE<br />

PATCH MODE<br />

Set the tool to<br />

Content-Aware and<br />

it will analyze the<br />

surrounding pixels<br />

to deduce what to<br />

keep in the area<br />

being patched. It’s<br />

handy when details<br />

around the selected<br />

area need to be<br />

preserved. It lets<br />

you patch onto an<br />

empty layer when<br />

Sample All Layers<br />

is ticked.<br />

3<br />

CONTROL THE<br />

STRUCTURE<br />

Structure<br />

determines how<br />

strictly the tool (in<br />

Content-Aware<br />

mode) preserves<br />

details. It’s not<br />

always easy to<br />

figure out which<br />

level is best for your<br />

image. If in doubt,<br />

try it at 7, then undo<br />

and try it at 1 to see<br />

which works better.<br />

Here, a low setting<br />

worked best.<br />

4<br />

NORMAL<br />

PATCH MODE<br />

Content-Aware<br />

Patch mode isn’t<br />

always best: Normal<br />

mode can be just as<br />

useful. When Normal<br />

mode is selected,<br />

the tool behaves<br />

much like the Clone<br />

tool, in that the<br />

main part of your<br />

selection is simply<br />

copied across,<br />

but the edges are<br />

blended with the<br />

surrounding pixels.<br />

5<br />

SOURCE OR<br />

DESTINATION<br />

In Normal mode, you<br />

can choose Source<br />

or Destination. This<br />

affects how your<br />

initial selection is<br />

used. With Source,<br />

you select the<br />

problem area then<br />

drag to a clean area<br />

nearby to fix it. With<br />

Destination, it’s vice<br />

versa: the selected<br />

area is preserved,<br />

while the draggedto<br />

area is affected.

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