...a deathly serenade...

More documents

Recommendations

Info

'Yashu's Anger'oil on canvas160 x 120 cmBehind the eyes, Solomon's words can spring,beautiful bodies dressed in flowers with an oceanof passionately opened mouthed that spring fromthe fountain of Prometheus, or perhapsThor...Yashu had many inner demons that hebattled with, though he was able to pull out of hissoul a beauty that is so arresting, with strangefigures that press against the psyche and askquestions as, what is a body?220
221
Page 1:
Kofi Boamah...a deathly serenade...
Page 4 and 5:
2
Page 6 and 7:
© Copyright of Artist Kofi Boamah4
Page 8 and 9:
6
Page 10 and 11:
still be a joke. But as the rain fa
Page 12 and 13:
AAAAAAAAAAAAAAAAAAAAAAAAAthat first
Page 14 and 15:
with a pen, but I knew that Yashu w
Page 16 and 17:
where Leila saw his guilt most seve
Page 18 and 19:
AAAAAAAAAAAAAAAAAAAAAAAAAscream was
Page 20 and 21:
words, as opposed to the Death that
Page 22 and 23:
Madgelane told Leila that she would
Page 24 and 25:
acceptance of Leila’s allure was
Page 26 and 27:
instead of her pursuing more work a
Page 28 and 29:
although she found my novel Immorta
Page 30 and 31:
seemingly empty, baring one canvas,
Page 32 and 33:
particularly when our Father kept t
Page 34 and 35:
accept, but she couldn’t understa
Page 36 and 37:
that night as The Eagle slept in th
Page 38 and 39:
AAAAAAAAAAAAAAAAAAAAAAAAAas busines
Page 40 and 41:
AAAAAAAAAAAAAAAAAAAAAAAAnonsense, h
Page 42 and 43:
although I did notice the veracity
Page 44 and 45:
true sleight with Yashu’s asserti
Page 46 and 47:
action can exist without motivation
Page 48 and 49:
real aesthetic love, though she saw
Page 50 and 51:
Yashu’s spite: Beauty is a whore,
Page 52 and 53:
AAAAAAAAAAAAAAAAAAAAAAAAAargue more
Page 54 and 55:
see what was happening inside the s
Page 56 and 57:
AAAAAAAAAAAAAAAAAAAAAAAAAcheaper, o
Page 58 and 59:
AAAAAAAAAAAAAAAAAAAAAAAAAdecided to
Page 60 and 61:
the death of Leila concludes my obs
Page 62 and 63:
AAAAAAAAAAAAAAAAAAAAAAAAAAturn deal
Page 64 and 65:
work felt that the work did not rep
Page 66 and 67:
crucifix with the words: "call her,
Page 68 and 69:
Hart Crane - White BuildingsAllen G
Page 70 and 71:
this after the time in the correspo
Page 72 and 73:
misunderstood, from this, in more w
Page 74 and 75:
there clapping and smiling from ear
Page 76 and 77:
release of his next book. This book
Page 78 and 79:
work….or maybe you could have sai
Page 80 and 81:
This work acts as a metaphor for th
Page 82 and 83:
interpreted their sly tit for tat a
Page 84 and 85:
Art is really helping you to laugh
Page 86 and 87:
The KitchenMoving from the hallway
Page 88 and 89:
bottom compartment were the pair of
Page 90 and 91:
This line between Life, Art and the
Page 92 and 93:
call Art and Life, is not your wife
Page 94 and 95:
in a brief nude scene in Boamah's 2
Page 96 and 97:
authors suicide is a great business
Page 98 and 99:
for Franz, and from this friendship
Page 100 and 101:
that mystery allures us with. Is it
Page 102 and 103:
perfection. The novelist, who is pe
Page 104 and 105:
AAAAAAAAAAAAAAAAAAAAAAAAAdid not go
Page 106 and 107:
AAAAAAAAAAAAAAAAAAAAAAAAprose is hi
Page 108 and 109:
Madvillain - MadvillainySerge Gains
Page 110 and 111:
Many of the albums in this collecti
Page 112 and 113:
this food, this conversation. One o
Page 114 and 115:
cynically unfunny, it caused a huge
Page 116 and 117:
Spirits "bone chilling lyrics, spok
Page 118 and 119:
Casagemas. Love, sex and death are
Page 120 and 121:
may try and ruin me with, hence suc
Page 122 and 123:
AAAAAAAAAAAAAAAAAAAAAAAAAlower left
Page 124 and 125:
stood up and said: "I don't actuall
Page 126 and 127:
after his books began to sell milli
Page 128 and 129:
everywhere a sermon…Devil…Good
Page 130 and 131:
What do you get or want from this e
Page 132 and 133:
AAAAAAAAAAAAAAAAAAAAAAAAAof a cool
Page 134 and 135:
AAAAAAAAAAAAAAAAAAAAAAAAACesare Pav
Page 136 and 137:
women’s. And a notebook with thes
Page 138 and 139:
latent Desires Of......I walk along
Page 140 and 141:
AAAAAAAAAAAAAAAAAAAAAAAAAthought, b
Page 142 and 143:
watching her caress the pavements f
Page 144 and 145:
142
Page 146 and 147:
AAAAAAAAAAAAAAAAAAAAAAAAAAVanity. B
Page 148 and 149:
he lost his arm. Have you told Ahme
Page 150 and 151:
even want to think about let alone
Page 152 and 153:
Anarchy was to me, put simply, rebe
Page 154 and 155:
AAAAAAAAAAAAAAAAAAAAAAAAanymore, sa
Page 156 and 157:
AAAAAAAAAAAAAAAAAAAAAAAAApoint he w
Page 158 and 159:
and her catastrophe, and this speci
Page 160 and 161:
vegetables, clothes and shoes. A ma
Page 162 and 163:
warming a pair of my old underwear.
Page 164 and 165:
I then took a better look at her, h
Page 166 and 167:
conspiracies. Antonin spoke passion
Page 168 and 169:
into a scene like an Ingmar Bergman
Page 170 and 171:
I read this message and always knew
Page 172 and 173: door a fat black girl then loudly t
Page 174 and 175: by these sporadic sensations—I ig
Page 176 and 177: AAAAAAAAAAAAAAAAAAAAAAAAAhere? I to
Page 178 and 179: go to the Police (even those words
Page 180 and 181: time spent in Northern Spain, stran
Page 182 and 183: AAAAAAAAAAAAAAAAAAAAAAAAAgirl that
Page 184 and 185: all encompassing. I interrupted wha
Page 186 and 187: AAAAAAAAAAAAAAAAAAAAAAAApieces of c
Page 188 and 189: AAAAAAAAAAAAAAAAAAAAAAAAAemotions,
Page 190 and 191: described in a clinical manner, rat
Page 192 and 193: AAAAAAAAAAAAAAAAAAAAAAAAAstarted to
Page 194 and 195: AAAAAAAAAAAAAAAAAAAAAAAAAthe idea o
Page 196 and 197: shower. I told her that it was fine
Page 198 and 199: AAAAAAAAAAAAAAAAAAAAAAAAAwas a hass
Page 200 and 201: men hustling to sell tickets, an as
Page 202 and 203: want to know, I said in my mind, bu
Page 204 and 205: AAAAAAAAAAAAAAAAAAAAAAAAAMaghreb an
Page 206 and 207: Bizarre EstrangementsThe tube arriv
Page 208 and 209: darkness—A symbol (in action) of
Page 210 and 211: 208
Page 212 and 213: 210
Page 214 and 215: 'Portrait of Leila Dois with Black
Page 216 and 217: 'Taking of Christ'oil pastels on pa
Page 218 and 219: 216
Page 220 and 221: 'After Otto'oil on canvas125 x 75 c
Page 224 and 225: 'Death of Ego'oil on canvas125 x 75
Page 226 and 227: 'Faces Screaming in The Wind'oil on
Page 228 and 229: 'Four Women After Picasso'oil on ca
Page 230 and 231: 228
Page 232 and 233: 'Berlin's Brothels'oil on canvas120
Page 234 and 235: 'The Clowns at Night'oil on canvas1
Page 236 and 237: 'The Battle of The Night'oil on can
Page 238 and 239: 236
Page 240 and 241: 238
Page 242 and 243: 240
Page 244 and 245: 242
Page 246 and 247: 'Rubens with a View of A Figure'oil
Page 248 and 249: 246
Page 250 and 251: 248
Page 252 and 253: 'Agnostic Priest'oil on canvas60 x
Page 254 and 255: 252
Page 256 and 257: 'Anarchy of Us'oil & oil pastels on
Page 258 and 259: 'portrait of Yashu'oil paint on can
Page 260 and 261: 'portrait of Leila Dois as a Nun'oi
Page 262 and 263: '...clowns...'oil on canvas160 x 12
Page 264 and 265: Leila's Last Published Piece[entitl
Page 266 and 267: do......and be..?...why will the ni
Page 268 and 269: ...or maybe we just amount to thoug
Page 270 and 271: ...though today i dreamt i could to
Page 272 and 273:
...though I wonder too, if this ism
Page 274 and 275:
...but more pressing: who's to say
Page 276 and 277:
274
Page 278 and 279:
...expanses of eyes sitting on acan
Page 280 and 281:
278
show all

...a deathly serenade...

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?