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WEST KIMBERLEY PLACE REPORT - Department of Sustainability ...

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Bloomfield River region <strong>of</strong> north Queensland for thousands <strong>of</strong> years. According to the<br />

Koko-Yalungu, the chief dwelling place <strong>of</strong> the yero is in a long, deep stretch <strong>of</strong> water<br />

just above 'The Roaring Meg' falls. During times <strong>of</strong> flood, the large volume <strong>of</strong> water<br />

going over the falls creates a rainbow – said to be a visual expression <strong>of</strong> the Rainbow<br />

Serpent. In the Daintree River area, McConnel (1930) found that the traditions<br />

associated with the Rainbow Serpent had already faded from memory.<br />

Four contiguous and distinctive expressions <strong>of</strong> the Rainbow Serpent in a single<br />

freshwater hydrological system<br />

The Fitzroy River encompasses four contiguous and distinctive freshwater-based<br />

Aboriginal cultural and ecological domains, focused upon the tradition <strong>of</strong> the<br />

Rainbow Serpent, as exemplified by the cults <strong>of</strong> Woonyoomboo-Yoongoorroonkoo,<br />

Galaroo, Wanjina-Wunggurr, and the jila-kalpurtu cultural systems. Each tradition is<br />

intrinsically tied to Indigenous interpretations <strong>of</strong> the different way in which water<br />

flows within the one hydrological system, and all four expressions converge into one<br />

regional ritual complex, called Warloongarriy Law or 'River Law' that serves to unite<br />

Aboriginal people and their Rainbow Serpent Traditions.<br />

The Woonyoomboo-Yoongoorroonkoo narrative is associated with the flood plains<br />

and wetlands <strong>of</strong> the lower Fitzroy River, while Galaroo is connected to the gorges, the<br />

permanent waterholes which characterise the Fitzroy River in the dry season, and the<br />

karst system <strong>of</strong> the middle to upper reaches <strong>of</strong> the river. The region <strong>of</strong> the Wanjina-<br />

Wunggurr is roughly bounded by the King Leopold Ranges, the Drysdale River and<br />

the sea and thus includes the ranges <strong>of</strong> the Kimberley crumple zone, the permanently<br />

flowing waters <strong>of</strong> the rivers that course through these ranges, and the islands and<br />

peninsulas <strong>of</strong> the Kimberley coast. The jila-kalpurtu cultural system, on the other<br />

hand, is synonymous with the semi arid hinterlands <strong>of</strong> the southern Fitzroy River<br />

basin, which mark the transition zone between the primarily surface-watered drainage<br />

<strong>of</strong> the Fitzroy and aquifer-dominated arid environment <strong>of</strong> the Great Sandy Desert – an<br />

immense area <strong>of</strong> uncoordinated drainage. Both the Wanjina–Wunggurr and the jilakalpurtu<br />

cultural systems extend beyond the drainage system <strong>of</strong> the Fitzroy River,<br />

particularly in the case <strong>of</strong> the jila-kalpartu system, which extends south into the Great<br />

Sandy Desert region.<br />

The upper reaches <strong>of</strong> the central drainage channel <strong>of</strong> the Fitzroy River (including the<br />

Margaret River and Mt Pierre Creek) flows through an area in which the Rainbow<br />

Serpent is known as Galaroo (Galuru, Kaleru). The Gooniyandi, Bunuba and Kija<br />

speakers comprise the principal observers <strong>of</strong> the Galaroo tradition. In this area,<br />

Galaroo is credited with amongst other things, the creation <strong>of</strong> the rivers and<br />

permanent water sources and is said to be present in watery locations. Galaroo is<br />

linked to the flooding <strong>of</strong> the river and the creation <strong>of</strong> rain, clouds and wind. While<br />

painted rock art, including motifs <strong>of</strong> an 'All Father' being are found in this area, the<br />

distinctive practice <strong>of</strong> re-painting these images to make rain and increase species, as<br />

occurs in the Wanjina-Wunggurr homeland to the north is largely absent in the lands<br />

<strong>of</strong> Galaroo (Vachon 2006, 341). According to Kaberry (1935) Playford (1960) and<br />

Capell (1971) rain-making is associated with the use <strong>of</strong> 'rain stones'. Kaberry (1939,<br />

207) notes that amongst the Gooniyandi, a 'single headman' takes stones linked to<br />

Kaleru, breaks them up, wraps them in grass and puts them in a waterhole. In<br />

addition, Kaberry notes that Kaleru can only be approached by older men and women<br />

172

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