speech and respect - College of Social Sciences and International ...
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Notes<br />
saw only the surface, literal aspects <strong>of</strong> the play. We were shocked <strong>and</strong><br />
stunned that they had missed what the play was about, that it was<br />
designed to stimulate questions, not give easy answers, to encourage<br />
people to look at their own prejudice, the old wounds on both sides.<br />
. . . please do not impugn our honor by calling us prejudiced when we<br />
employ our God-given gifts to tell our deepest truths about the moral<br />
failure <strong>of</strong> prejudice.<br />
New York Times A18 (May 8, 1992) (letter to The Editor, April 26).<br />
35 Lacombe (1988); King (1985); Callwood (1985).<br />
36 Los Angeles Times F1 (February 5, 1992). In August, Rivera taped a Klan<br />
rally in Wisconsin. When Klansmen started calling him spic <strong>and</strong> dirty Jew<br />
<strong>and</strong> throwing things he fought back <strong>and</strong> was arrested but secured his<br />
release from jail in time to film the cross burning. Los Angeles Times A12<br />
(August 17, 1992).<br />
What was the motive <strong>of</strong> Bill Buford (expatriate American author <strong>and</strong><br />
Cranta editor) in hanging out with British neo-Nazis <strong>and</strong> writing "objectively"<br />
about their thuggery? Buford (1992a; 1992b). Or the Weekly Mail,<br />
South Africa's prize-winning progressive paper, in publishing an article<br />
entitled "Too Many Tits, Not Enough Text" illustrated with four pictures <strong>of</strong><br />
topless women, ostensibly to criticise the government's hypocrisy in<br />
banning the local porn magazine Scope while admitting its American<br />
competitor Penthouse. Weekly Mail 6 (September 4, 1992).<br />
37 "How can one possibly accept that a writer could distance himself from<br />
the words his characters speak? Indeed, how can he not be responsible for<br />
his entire representation?" Bharucha (1990: 64). This commentator is an<br />
Indian drama critic.<br />
38 New York Times B1 (March 6, 1991); Edwards (1991).<br />
39 Los Angeles Times F6 (February 26, 1992).<br />
40 New York Times B1 (March 24, 1992).<br />
41 Lessing(1984: vii-xii); Kappeler (1986: 125-26).<br />
42 80 years ago Marcel Duchamp "found" art, transforming ordinary objects<br />
into "ready-mades" by appending his signature. In the overheated art<br />
market <strong>of</strong> the 1980s, identity was the philosopher's stone. Salvador Dali's<br />
lobster-claw telephone sold for $110,000 in 1988; one <strong>of</strong> Joseph Beuys's<br />
100 identical felt suits for $75,360 in 1989; <strong>and</strong> in November 1991 Dan<br />
Flavin's diagonal fluorescent light comm<strong>and</strong>ed $148,500 <strong>and</strong> Jeff Koons's<br />
vacuum cleaners in plastic boxes $198,000. In February 1992 auctioneers<br />
expected to get $50-60,000 for Willem de Kooning's five-hole privy<br />
seat <strong>and</strong> $80-120,000 for Robert Gober's pair <strong>of</strong> urinals. New York Times<br />
s.2 p.37 (February 23, 1992).<br />
43 Kappeler (1986): 39) citing English (1980). See also Kensington Ladies'<br />
Erotica Society (1984); Barbach (1984; 1986); Chester (1988); Scholder<br />
& Silverberg (1991); Grace (1991); Kiss & Tell (1991); Shepherd (1992);<br />
Gordon (1984).<br />
In-group membership does not guarantee immunity from criticism.<br />
When the Israeli rock group Duralex Sedlex accepted an invitation to<br />
111