05.01.2013 Views

speech and respect - College of Social Sciences and International ...

speech and respect - College of Social Sciences and International ...

speech and respect - College of Social Sciences and International ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

Notes<br />

saw only the surface, literal aspects <strong>of</strong> the play. We were shocked <strong>and</strong><br />

stunned that they had missed what the play was about, that it was<br />

designed to stimulate questions, not give easy answers, to encourage<br />

people to look at their own prejudice, the old wounds on both sides.<br />

. . . please do not impugn our honor by calling us prejudiced when we<br />

employ our God-given gifts to tell our deepest truths about the moral<br />

failure <strong>of</strong> prejudice.<br />

New York Times A18 (May 8, 1992) (letter to The Editor, April 26).<br />

35 Lacombe (1988); King (1985); Callwood (1985).<br />

36 Los Angeles Times F1 (February 5, 1992). In August, Rivera taped a Klan<br />

rally in Wisconsin. When Klansmen started calling him spic <strong>and</strong> dirty Jew<br />

<strong>and</strong> throwing things he fought back <strong>and</strong> was arrested but secured his<br />

release from jail in time to film the cross burning. Los Angeles Times A12<br />

(August 17, 1992).<br />

What was the motive <strong>of</strong> Bill Buford (expatriate American author <strong>and</strong><br />

Cranta editor) in hanging out with British neo-Nazis <strong>and</strong> writing "objectively"<br />

about their thuggery? Buford (1992a; 1992b). Or the Weekly Mail,<br />

South Africa's prize-winning progressive paper, in publishing an article<br />

entitled "Too Many Tits, Not Enough Text" illustrated with four pictures <strong>of</strong><br />

topless women, ostensibly to criticise the government's hypocrisy in<br />

banning the local porn magazine Scope while admitting its American<br />

competitor Penthouse. Weekly Mail 6 (September 4, 1992).<br />

37 "How can one possibly accept that a writer could distance himself from<br />

the words his characters speak? Indeed, how can he not be responsible for<br />

his entire representation?" Bharucha (1990: 64). This commentator is an<br />

Indian drama critic.<br />

38 New York Times B1 (March 6, 1991); Edwards (1991).<br />

39 Los Angeles Times F6 (February 26, 1992).<br />

40 New York Times B1 (March 24, 1992).<br />

41 Lessing(1984: vii-xii); Kappeler (1986: 125-26).<br />

42 80 years ago Marcel Duchamp "found" art, transforming ordinary objects<br />

into "ready-mades" by appending his signature. In the overheated art<br />

market <strong>of</strong> the 1980s, identity was the philosopher's stone. Salvador Dali's<br />

lobster-claw telephone sold for $110,000 in 1988; one <strong>of</strong> Joseph Beuys's<br />

100 identical felt suits for $75,360 in 1989; <strong>and</strong> in November 1991 Dan<br />

Flavin's diagonal fluorescent light comm<strong>and</strong>ed $148,500 <strong>and</strong> Jeff Koons's<br />

vacuum cleaners in plastic boxes $198,000. In February 1992 auctioneers<br />

expected to get $50-60,000 for Willem de Kooning's five-hole privy<br />

seat <strong>and</strong> $80-120,000 for Robert Gober's pair <strong>of</strong> urinals. New York Times<br />

s.2 p.37 (February 23, 1992).<br />

43 Kappeler (1986): 39) citing English (1980). See also Kensington Ladies'<br />

Erotica Society (1984); Barbach (1984; 1986); Chester (1988); Scholder<br />

& Silverberg (1991); Grace (1991); Kiss & Tell (1991); Shepherd (1992);<br />

Gordon (1984).<br />

In-group membership does not guarantee immunity from criticism.<br />

When the Israeli rock group Duralex Sedlex accepted an invitation to<br />

111

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!