05.01.2013 Views

speech and respect - College of Social Sciences and International ...

speech and respect - College of Social Sciences and International ...

speech and respect - College of Social Sciences and International ...

SHOW MORE
SHOW LESS

Create successful ePaper yourself

Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.

The Poverty <strong>of</strong> Civil Libertarianism<br />

defunded study's questions about homosexual behaviour. Their real<br />

purpose was "not to stop the spread <strong>of</strong> AIDS . . . [but] to compile<br />

supposedly scientific <strong>and</strong> Government-sanctioned statistics supporting<br />

ultra-liberal arguments that homosexuality is normal behavior."<br />

The National Institutes <strong>of</strong> Health cancelled a conference on "Genetic<br />

Factors in Crime" after objections by the Congressional Black<br />

Caucus. 42<br />

Because artistic taste is strongly associated with status groups,<br />

government support is a hotly contested terrain. Shortly after its<br />

launch in the 1960s, the National Endowment for the Arts became<br />

embroiled in a three-week furor because it had funded an improvisation<br />

for Baltimore schoolchildren, which used the word "bullshit."<br />

43 Two decades later, perhaps hoping that a lawyer would<br />

avoid such flaps, George Bush appointed John E. Frohnmayer to<br />

head the N EA. One <strong>of</strong> his first acts was to suspend a $10,000 grant to<br />

"Witnesses: Against Our Vanishing," a New York exhibition about<br />

AIDS, because the catalogue contained an essay by AIDS-victim<br />

David Wojnarowicz criticising Rep. William E. Dannemeyer (R-<br />

Calif) <strong>and</strong> Sen. Jesse Helms, among others. Frohnmayer's justification<br />

revealed the incoherence <strong>of</strong> any aspiration to neutrality.<br />

I think it's essential that we remove politics from grants <strong>and</strong> must<br />

do so if the endowment is to remain credible to the American<br />

people <strong>and</strong> to Congress. Obviously, there are lots <strong>of</strong> great works <strong>of</strong><br />

art that are political. Picasso's Guernica <strong>and</strong> the plays <strong>of</strong> Bertholt<br />

Brecht are strongly political. But the question is, Should the<br />

endowment be funding art whose primary intent is political? . . .<br />

The catalogue to this show is a very angry protest against the<br />

specific events <strong>and</strong> individuals involved over the last eight months<br />

in the most recent arts legislation in Congress [which prohibited<br />

the Endowment from funding "materials considered obscene,<br />

including sadomasochism, homoeroticism, the sexual exploitation<br />

<strong>of</strong> children, or individuals engaged in sex acts"]. It's very<br />

inflammatory.<br />

Helms, who had sponsored the restrictive legislation, "was much<br />

more pleased by this than he was by the N.E.A.'s reaction under the<br />

former acting chairman to the Mapplethorpe exhibition." Dannemeyer,<br />

who contended that homosexuality was curable acquired<br />

behaviour, commended Frohnmayer "for doing what I think Congress<br />

told him to do." Within three years, however, Bush fired<br />

Frohnmayer, fearing that Republican presidential c<strong>and</strong>idate Patrick<br />

46

Hooray! Your file is uploaded and ready to be published.

Saved successfully!

Ooh no, something went wrong!