speech and respect - College of Social Sciences and International ...
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The Poverty <strong>of</strong> Civil Libertarianism<br />
defunded study's questions about homosexual behaviour. Their real<br />
purpose was "not to stop the spread <strong>of</strong> AIDS . . . [but] to compile<br />
supposedly scientific <strong>and</strong> Government-sanctioned statistics supporting<br />
ultra-liberal arguments that homosexuality is normal behavior."<br />
The National Institutes <strong>of</strong> Health cancelled a conference on "Genetic<br />
Factors in Crime" after objections by the Congressional Black<br />
Caucus. 42<br />
Because artistic taste is strongly associated with status groups,<br />
government support is a hotly contested terrain. Shortly after its<br />
launch in the 1960s, the National Endowment for the Arts became<br />
embroiled in a three-week furor because it had funded an improvisation<br />
for Baltimore schoolchildren, which used the word "bullshit."<br />
43 Two decades later, perhaps hoping that a lawyer would<br />
avoid such flaps, George Bush appointed John E. Frohnmayer to<br />
head the N EA. One <strong>of</strong> his first acts was to suspend a $10,000 grant to<br />
"Witnesses: Against Our Vanishing," a New York exhibition about<br />
AIDS, because the catalogue contained an essay by AIDS-victim<br />
David Wojnarowicz criticising Rep. William E. Dannemeyer (R-<br />
Calif) <strong>and</strong> Sen. Jesse Helms, among others. Frohnmayer's justification<br />
revealed the incoherence <strong>of</strong> any aspiration to neutrality.<br />
I think it's essential that we remove politics from grants <strong>and</strong> must<br />
do so if the endowment is to remain credible to the American<br />
people <strong>and</strong> to Congress. Obviously, there are lots <strong>of</strong> great works <strong>of</strong><br />
art that are political. Picasso's Guernica <strong>and</strong> the plays <strong>of</strong> Bertholt<br />
Brecht are strongly political. But the question is, Should the<br />
endowment be funding art whose primary intent is political? . . .<br />
The catalogue to this show is a very angry protest against the<br />
specific events <strong>and</strong> individuals involved over the last eight months<br />
in the most recent arts legislation in Congress [which prohibited<br />
the Endowment from funding "materials considered obscene,<br />
including sadomasochism, homoeroticism, the sexual exploitation<br />
<strong>of</strong> children, or individuals engaged in sex acts"]. It's very<br />
inflammatory.<br />
Helms, who had sponsored the restrictive legislation, "was much<br />
more pleased by this than he was by the N.E.A.'s reaction under the<br />
former acting chairman to the Mapplethorpe exhibition." Dannemeyer,<br />
who contended that homosexuality was curable acquired<br />
behaviour, commended Frohnmayer "for doing what I think Congress<br />
told him to do." Within three years, however, Bush fired<br />
Frohnmayer, fearing that Republican presidential c<strong>and</strong>idate Patrick<br />
46